﻿{"id":7897,"date":"2020-05-03T23:26:37","date_gmt":"2020-05-03T20:26:37","guid":{"rendered":"http:\/\/www.dursunozden.com.tr\/?p=7897"},"modified":"2020-06-27T14:58:14","modified_gmt":"2020-06-27T11:58:14","slug":"turk-edebiyatinda-mektup-geleneki-arastirma","status":"publish","type":"post","link":"http:\/\/www.dursunozden.com.tr\/?p=7897","title":{"rendered":"T\u00fcrk Edebiyat\u0131nda Mektup Geleneki (Ara\u015ft\u0131rma)"},"content":{"rendered":"\n<p><strong>Faruk Nafiz\u2019a A\u00e7\u0131k Mektup.<\/strong><\/p>\n\n\n\n<p><strong>Dursun \u00d6zden<\/strong><strong> (Han Duvarlar\u0131 Belgeseli Y\u00f6netmeni)<\/strong><\/p>\n\n\n\n<p>Merhaba \u00fcstad\u0131m\u2026&nbsp;<\/p>\n\n\n\n<p>Bu mektubu, memleketim Uluk\u0131\u015fla\u2019dan yaz\u0131yorum.<\/p>\n\n\n\n<p>Bir elimde; sevgiliniz \u015fair \u015euk\u00fcfe Nihal\u2019in yazd\u0131\u011f\u0131 <strong>\u201cS\u0131la Yollar\u0131\u201d <\/strong>kitab\u0131; di\u011ferinde ise, benim de belgeselini \u00e7ekti\u011fim, sizin ba\u015f tac\u0131 eseriniz olan <strong>\u201cHan Duvarlar\u0131\u201d<\/strong> kitab\u0131 var. S\u0131rt \u00e7antamda ise, bir d\u00f6neme damga vuran ve bunca y\u0131l biriktirdi\u011fim, i\u00e7inde kendi el yazmas\u0131, karalama \u015fiirlerinde oldu\u011fu mektuplar bulunmaktad\u0131r\u2026 Trende kar\u015f\u0131mda oturan bir yolcu, benimde duyaca\u011f\u0131m tonda, bir \u015fiir okumakta. Daha \u00f6nce size g\u00f6nderdi\u011fim bir mektupta, s\u00f6z etti\u011fim ve sizin de sevdi\u011finiz \u015fairlerden biri olan, <strong>Karamanl\u0131 Namdar Rahmi Karatay<\/strong>\u2019\u0131n \u015fu dizeleri; <em>\u201cEsti kavak yelleri, d\u00f6nd\u00fc birer i\u011fdeye \/ Ge\u00e7ti Bor\u2019un pazar\u0131, s\u00fcr e\u015fe\u011fini Ni\u011fde\u2019ye\u2026\u201d<\/em> hala kulaklar\u0131mda \u00e7\u0131nl\u0131yor\u2026<\/p>\n\n\n\n<p>Mektuplar, ah! El yazmas\u0131 al\u0131\u015fkanl\u0131\u011f\u0131m\u0131z\u0131 unuttu\u011fumuz o mektuplar\u2026<\/p>\n\n\n\n<p>Ve ben bu mektubu; Anadolu\u2019dan, Han Duvarlar\u0131 mazgallar\u0131 \u00fcst\u00fcnde yanan ate\u015f etraf\u0131na toplanm\u0131\u015f yolcular, aksakal bilgeler ve yoleri gezgin dervi\u015flerin ota\u011f\u0131na konuk olan Mara\u015fl\u0131 \u015eeyho\u011flu Sat\u0131lm\u0131\u015f\u2019\u0131n, sa\u011f gelip \u00f6l\u00fc \u00e7\u0131kt\u0131\u011f\u0131, o Han\u2019dan yaz\u0131yorum\u2026&nbsp;<\/p>\n\n\n\n<p>D\u00fcnya bir han m\u0131?<\/p>\n\n\n\n<p>Binlerce insan\u0131n \u00f6l\u00fcm\u00fcne neden olan ve D\u00fcnyay\u0131 korkutan <strong>Korona Vir\u00fcs Salg\u0131n\u0131 <\/strong>nedeniyle, evlerimize tutsak edildi\u011fimiz bu g\u00fcnlerde; okumak ve yazmak al\u0131\u015fkanl\u0131\u011f\u0131m\u0131z\u0131 peki\u015ftiriyoruz, yeniden\u2026&nbsp;<\/p>\n\n\n\n<p>Bende, 1923 y\u0131l\u0131nda sizin yazd\u0131\u011f\u0131n\u0131z bir \u015fiir kitab\u0131 (Han Duvarlar\u0131) \u00fczerine, izlenimlerimi ve an\u0131lar\u0131m\u0131 okurlar\u0131mla payla\u015faca\u011f\u0131m, izninizle\u2026<\/p>\n\n\n\n<p><strong>\u201cHan Duvarlar\u0131\u201d<\/strong> \u015fiiri yazar\u0131, \u201cBe\u015f Hececiler\u201d ve Milli Edebiyat ak\u0131m\u0131n\u0131n \u00f6nc\u00fcs\u00fc Faruk Nafiz \u00c7aml\u0131bel (18 May\u0131s 1898, \u0130stanbul &#8211; 8 Kas\u0131m 1973, Fethiye). Kabri, \u0130stanbul Karacaahmet g\u00f6m\u00fctl\u00fc\u011f\u00fcndedir. \u015eiirin yol \u00f6yk\u00fcs\u00fcn\u00fc yazan <strong>Faruk Nafiz \u00c7aml\u0131bel\u2019<\/strong>e, Han Duvarlar\u0131 \u015fiirini yazd\u0131ran, ona esin kayna\u011f\u0131 ve konuk oldu\u011fu yer; gurbeti s\u0131laya ba\u011flayan tarihi Uluk\u0131\u015fla Tren Gar\u0131, Kuvay-\u0131 Milliye Direni\u015fi\u2019nin ilk k\u0131v\u0131lc\u0131m\u0131 ve ilk kur\u015funu, Naz\u0131m Hikmet\u2019ten Tar\u0131k Bu\u011fra\u2019ya, pek \u00e7ok \u015faire esin kayna\u011f\u0131 olan, Anadolu\u2019nun ayd\u0131nl\u0131k y\u00fcz\u00fc, yoksul ama bir o kadar da mutlu insanlar\u0131n ota\u011f\u0131, memleketim Uluk\u0131\u015fla\u2019da yer alan, Darbo\u011fazl\u0131 Palavrac\u0131 S\u00fcleyman \u00c7avu\u015f (Tar\u0131k Bu\u011fra\u2019n\u0131n babas\u0131)\u2019dan E\u015fekli Seyyar K\u00fct\u00fcphaneci Mehmet Efendi\u2019ye dek, nice konuklar\u0131n\u0131 a\u011f\u0131rlayan ve \u00f6\u011fretmen \u015fair Faruk Nafiz\u2019in da konaklad\u0131\u011f\u0131, tarihi <strong>Uluk\u0131\u015fla \u00d6k\u00fcz Mehmet Pa\u015fa Kervansaray\u0131\u2019<\/strong>ndan yaz\u0131yorum bu mektubu\u2026<\/p>\n\n\n\n<p>Asl\u0131nda bu mektup; 1923 y\u0131l\u0131nda Kayseri Lisesi\u2019ne edebiyat \u00f6\u011fretmeni olarak tayini \u00e7\u0131kan \u015eair Faruk Nafiz\u2019in, Haydarpa\u015fa Tren Gar\u0131\u2019ndan ba\u015flayan ve Uluk\u0131\u015fla\u2019da biten yolculu\u011fu ard\u0131ndan; yayl\u0131 at arabas\u0131yla \u00fc\u00e7 g\u00fcn s\u00fcren, Uluk\u0131\u015fla-Kayseri yolcu\u011funun bana an\u0131msatt\u0131klar\u0131d\u0131r\u2026&nbsp;<\/p>\n\n\n\n<p>Bende, <strong>Han Duvarlar\u0131 Belgeseli<\/strong> filmini \u00e7ekmek i\u00e7in; <strong>Faruk Nafiz (Mart 1923)<\/strong> gibi, Mart 2016\u2019da, tam 93 y\u0131l sonra, ayn\u0131 zamanda ve ayn\u0131 trenle (<strong>Toros Ekspresi)<\/strong> ile <strong>Haydarpa\u015fa-Uluk\u0131\u015fla<\/strong> aras\u0131nda yolculuk yapt\u0131m. Daha o tarihte, Uluk\u0131\u015fla-Ni\u011fde-Kayseri tren yolu yoktu. Bu hat, 1935\u2019de yap\u0131ld\u0131. Bu nedenle, bu g\u00fczergah\u0131 at arabas\u0131yla gitmek zorunda kald\u0131k. S\u0131ras\u0131yla; <strong>Uluk\u0131\u015fla \u00d6k\u00fcz Mehmet Pa\u015fa Kervansaray\u0131, Ni\u011fde Ak Medrese, \u0130ncesu Kara Mustafa Pa\u015fa Kervansaray\u0131 ve Kayseri Lisesi\u2019<\/strong>ne uzanan, bu zor mevsim ve bozuk yol ko\u015fullar\u0131nda yolculuk yapt\u0131m.&nbsp;<\/p>\n\n\n\n<p>Mektubumda; yol arkada\u015f\u0131m Faruk Nafiz\u2019e, bu yolculuk s\u0131ras\u0131nda g\u00f6rd\u00fcklerimi ve an\u0131msad\u0131klar\u0131m\u0131 anlatt\u0131m, yazd\u0131m\u2026 Bu i\u00e7erikte kaleme ald\u0131\u011f\u0131m ve yol arkada\u015f\u0131m Faruk Nafiz\u2019a; Uluk\u0131\u015fla, Ni\u011fde, \u0130ncesu ve Kayseri PTT\u2019sinden postalad\u0131\u011f\u0131m bu anlaml\u0131 mektuplar; asl\u0131nda \u015fiin yol \u00f6yk\u00fcs\u00fcd\u00fcr. Bu anlamda, kurtulu\u015ftan kurulu\u015fa giden yolda, Anadolu ayd\u0131nlanma seferberli\u011fine, 1924 M\u00fcbadele Ac\u0131s\u0131na ve pek \u00e7ok g\u00f6\u00e7 \u00f6yk\u00fcs\u00fcne tan\u0131kl\u0131k etmi\u015f olan bu Han Duvarlar\u0131, bana ve buralarda konaklayan pek \u00e7ok gezgine korunak ve k\u0131\u015flak olmu\u015f ve de <strong>\u201cadrese teslim\u201d<\/strong> yeni mektuplar\u0131n g\u00f6nderici adresi olarak, farkl\u0131 zaman dilimlerinde tarihe not d\u00fc\u015f\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n<p>Kimi zamnlar vard\u0131r, belleklerden silinmez. Kimi ki\u015fi ve olaylar vard\u0131r, belle\u011fimize ve oniks mermer s\u00fctunlara kaz\u0131n\u0131r ve tarihin her d\u00f6neminde bize tan\u0131kl\u0131k eder. Faruk Nafiz \u00c7aml\u0131bel (1973-Fethiye), sevgilisi \u015euk\u00fcfe Nihal (1973-A\u015fiyan), aras\u0131ndaki mektupla\u015fmalar\u0131, 1973 ayn\u0131 \u00f6l\u00fcm y\u0131llar\u0131, \u0130stanbul sokaklar\u0131, <strong>Erenk\u00f6y \u015eiir Ak\u015famlar\u0131 <\/strong>gibi pek \u00e7ok ortak yanlar\u0131 bulunmaktad\u0131r\u2026 Bu ikilinin mektupla\u015fmalar\u0131, edebi a\u00e7\u0131danda ilgin\u00e7 yaz\u0131 \u00f6zelli\u011findedir.&nbsp;<\/p>\n\n\n\n<p>Asl\u0131nda, bu mektuplardaki baz\u0131 dip notlar, \u00f6\u011f\u00fct ve ders niteli\u011findedir\u2026 \u00d6rne\u011fin: Afrika\u2019da aslan, ceylan, \u00e7akal, maymun, fil, z\u00fcrafa, y\u0131lan, kartal ve pek \u00e7ok canl\u0131; birlikte, yan yana ve ayn\u0131 y\u00f6nde ka\u00e7\u0131yorlarsa, ormanda yang\u0131n var demektir. Zor ko\u015fulda kurt k\u0131\u015f\u0131 ge\u00e7irir ama a\u00e7 kal\u0131p, yedi\u011fi ayaz\u0131 unutmazm\u0131\u015f. Unutmamak i\u00e7in foto\u011fraf \u00e7ekin, hayat\u0131 belgeleyin, mektup yaz\u0131n ve en k\u00f6t\u00fc ihtimal, baz\u0131 mektuplar\u0131n\u0131z\u0131 kendinize postalay\u0131n\u0131z. Biliriz ki, ya\u015fam\u0131m\u0131z; deneyimlerle doludur. Deneyimler ise, yenilen kaz\u0131klar\u0131n bile\u015fkesidir\u2026<\/p>\n\n\n\n<p>Ba\u015fkas\u0131 i\u00e7in \u00f6lmek mi yoksa, kendin i\u015fin ya\u015famak m\u0131? Tercih sizin\u2026 Zor ve bunal\u0131ml\u0131 g\u00fcnlerden ge\u00e7iyoruz. Ama her \u015feye kar\u015f\u0131n, umut ve \u00fctopyam\u0131z\u0131 yitirmeden, k\u00fc\u00e7\u00fck sevin\u00e7lerden mutlu olmal\u0131y\u0131z, yeniden&#8230; D\u00fcnyay\u0131 ku\u015fatan ve insanlar\u0131 eve hapseden mikro d\u00fc\u015fman korona vir\u00fcse kar\u015f\u0131, makro m\u00fccadele verdi\u011fimiz bu g\u00fcnlerde; bolca kitap okumaktay\u0131m&#8230; Tra\u015ftan sonra aynaya bak\u0131p, a\u011f\u0131z dolusu g\u00fclerek, g\u00fcne \u201cmerhaba-g\u00fcnayd\u0131n\u201d&nbsp;demekteyim, her sabah&#8230; Yazarak, sevgimi sebil eylemekteyim&#8230;&nbsp;<\/p>\n\n\n\n<p>Ve ge\u00e7enlerde evde ar\u015fivimi kar\u0131\u015ft\u0131r\u0131rken, \u00e7ok\u00e7a eski mektuplar\u0131m\u0131 buldum. Onlar\u0131 yeniden okurken, h\u00fcz\u00fcnlendim ve g\u00fcld\u00fcm&#8230; Devlet paras\u0131z yat\u0131l\u0131 olarak okudu\u011fum lise \u00f6\u011frencilik y\u0131llar\u0131nda ve i\u015f hayat\u0131m s\u0131ras\u0131nda, el yaz\u0131s\u0131 ile mektup yazard\u0131m. \u00d6nce daktilo ve sonra da bilgisayar kullan\u0131m al\u0131\u015fkanl\u0131\u011f\u0131m\u0131z ard\u0131ndan,&nbsp;elimize kalem ve ka\u011f\u0131t al\u0131p, yazmay\u0131 unuttu\u011fumuz bu zamanda; \u00e7abucak t\u00fckenmesine kar\u015f\u0131n, ad\u0131na t\u00fckenmez denen kalemle ya da namlusunu patlatan o siyah kur\u015fun-kalemle mektup yaz\u0131yorum, inad\u0131na&#8230; \u00c7\u00fcnk\u00fc, kalem kur\u015fundan g\u00fc\u00e7l\u00fcd\u00fcr&#8230;&nbsp;<\/p>\n\n\n\n<p>Yat\u0131l\u0131 okulda, askerde, mapushanede, s\u00fcrg\u00fcnde ve ailemden uzakta, \u00e7al\u0131\u015ft\u0131\u011f\u0131m ba\u015fka kentlerde iken, \u00e7ok\u00e7a mektup yazd\u0131m sevdiklerime. Hatta baz\u0131 mektup zarflar\u0131 i\u00e7inde, kendi el yaz\u0131mla karalad\u0131\u011f\u0131m \u015fiirlerde olurdu. Saklad\u0131\u011f\u0131m kimi \u00f6zel, a\u00e7\u0131k mektup zarflar\u0131 \u00fczerinde, k\u0131rm\u0131z\u0131 <strong>\u201cG\u00d6R\u00dcLM\u00dc\u015eT\u00dcR\u201d<\/strong> m\u00fchr\u00fc de bulunmaktad\u0131r.&nbsp;<\/p>\n\n\n\n<p>Evde kitapl\u0131\u011f\u0131m\u0131 d\u00fczenlerken, Faruk Nafiz \u00c7aml\u0131bel\u2019in; sevgilisi \u015fair \u015euk\u00fcfe Nihal\u2019e yazd\u0131\u011f\u0131 mektuplardan esinlenerek; 2016 y\u0131l\u0131nda, <strong>TC. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131, Ni\u011fde Valili\u011fi, Uluk\u0131\u015fla ve Kemerhisar Belediyesi\u2019<\/strong>nin katk\u0131s\u0131yla \u00e7ekti\u011fim, <strong>Han Duvarlar\u0131 <\/strong>belgeselinin DVD kopyas\u0131 geldi elime.<\/p>\n\n\n\n<p>Bu belgesel (Han Duvarlar\u0131) hakk\u0131ndaki izlenimlerimi ve \u015fiirin yol \u00f6yk\u00fcs\u00fc olan an\u0131lar\u0131m\u0131 yeniden yaz\u0131yorum size\u2026 Bu mektup, ayn\u0131 zamanda kimi konu ve ya\u015famsal deneyimler konusunda, kader birli\u011fimiz, ortak yanlar\u0131m\u0131z oldu\u011funun g\u00fcvencesi ile kaleme ald\u0131\u011f\u0131m\u0131 bilmenizi ve hatal\u0131 bir s\u00f6ylemim varsa, ho\u015fg\u00f6r\u00fcn\u00fcze s\u0131\u011f\u0131nd\u0131\u011f\u0131m\u0131 bilmenizi isterim \u00fcstad\u0131m\u2026<\/p>\n\n\n\n<p>De\u011ferli \u00fcstad\u0131m, bu mektup; yi\u011fit Anadolu insan\u0131n\u0131n konuksever \u00f6zelli\u011fini ve sizin yol \u00f6yk\u00fcn\u00fcz\u00fcn zorlu\u011funa parmak bas\u0131yor. Sizinde g\u00f6rd\u00fc\u011f\u00fcn\u00fcz ve tan\u0131k oldu\u011funuz gibi; Anadolu co\u011frafyas\u0131n\u0131n g\u00fcneyinde, boydan boya uzanan do\u011fal g\u00fcvenlik ku\u015fa\u011f\u0131 olan Toros Da\u011flar\u0131 ve \u00e7ok\u00e7a konuklar\u0131na ev sahipli\u011fi yapan tarihi kervansaraylar, Ulusal Kurtulu\u015f Sava\u015f\u0131m\u0131zda, \u00e7ok\u00e7a yararl\u0131klar g\u00f6stermi\u015fti\u2026<\/p>\n\n\n\n<p><strong>Anadolu Ayd\u0131nlanma Seferberli\u011fi<\/strong>nin ba\u015flad\u0131\u011f\u0131 o g\u00fcnlerde, 1923 y\u0131l\u0131 bahar\u0131n\u0131n ilk g\u00fcnlerinde; cemrenin havaya, suya ve topra\u011fa d\u00fc\u015ft\u00fc\u011f\u00fc Mart ay\u0131 i\u00e7inde, do\u011fa ile birlikte; Anadolu insan\u0131n\u0131n silkinip \u00f6z\u00fcne d\u00f6nerek, Cumhuriyet Devrimlerinin ve yeniden dirili\u015fin \u00f6yk\u00fcs\u00fc yaz\u0131l\u0131yordu o g\u00fcnlerde. Kurtulu\u015ftan kurulu\u015fa giden bu yolda, t\u00fcm \u00fclkenin ayd\u0131nlar\u0131 ve yazarlar\u0131 da birer nefer olarak yola koyuldular, tek tek\u2026 Edebiyat \u00f6\u011fretmeni ve \u015fair Faruk Nafiz\u2019in \u0130stanbul\u2019dan trenle Uluk\u0131\u015fla\u2019ya geli\u015fi, <strong>\u00d6k\u00fcz Mehmet Pa\u015fa Kervansaray\u0131<\/strong>\u2019nda konaklad\u0131ktan sonra, yayl\u0131 denen at arabas\u0131yla \u00fc\u00e7 g\u00fcn s\u00fcren yolcululu\u011fun ard\u0131ndan, Kayseri Lisesi\u2019ndeki edebiyat \u00f6\u011fretmenli\u011fi g\u00f6revine ba\u015flamas\u0131; asl\u0131nda bu yolcu\u011fun, \u015fiirin yol \u00f6yk\u00fcs\u00fc oldu\u011funu an\u0131msatmaktad\u0131r\u2026&nbsp;<\/p>\n\n\n\n<p>Uluk\u0131\u015fla\u2019dan ba\u015flayan bu zor yolculuk; Seyhan Nehri\u2019ni besleyen \u00c7ak\u0131t Deresi kayna\u011f\u0131ndaki ve \u00d6z ad\u0131 verilen dere kenar\u0131ndaki \u00e7\u0131plak kavak ve i\u011fde a\u011fa\u00e7lar\u0131, uzaktan g\u00f6r\u00fclen karla kapl\u0131 <strong>Bolkar Da\u011flar<\/strong>\u0131, sabah G\u00fcne\u015fini ilk \u00f6pen <strong>Beya\u011f\u0131l K\u00f6y\u00fc<\/strong>\u2019n\u00fcn g\u00fcn do\u011fumunda, bir ulu hisar gibi y\u00fckselen <strong>\u00c7atal Kaya<\/strong>\u2019y\u0131 selamlayan \u015fair; Hacet Tepesi\u2019ne ya\u011fmur duas\u0131na \u00e7\u0131kan k\u00f6yl\u00fclere el sallad\u0131 ve Tosba\u011fal\u0131k mevkisini ge\u00e7tikten sonra, Arif Kaya \u00c7iftli\u011findeki \u00e7am oluklu \u00e7e\u015fme ba\u015f\u0131nda, koyun sa\u011fan emektar k\u00f6yl\u00fc kad\u0131nlar\u0131 g\u00f6r\u00fcnce, at arabas\u0131n\u0131 durdurdu ve k\u00f6yl\u00fclerle sohbet etti. Ve \u015fair, bu candan sohbetin ard\u0131ndan derin bir i\u00e7 \u00e7ekip, hemen orac\u0131kta; <strong>\u201c\u00c7oban \u00c7e\u015fmesi\u201d <\/strong>\u015fiirini yazd\u0131\u2026&nbsp;<\/p>\n\n\n\n<p><em>\u201cDerinden derine \u0131rmaklar a\u011flar<\/em><\/p>\n\n\n\n<p><em>Uzaktan uza\u011fa \u00e7oban \u00e7e\u015fmesi<\/em><\/p>\n\n\n\n<p><em>Ey suyun sesinden anlayan ba\u011flar<\/em><\/p>\n\n\n\n<p><em>Ne s\u00f6yler \u015fu da\u011fa \u00e7oban \u00e7e\u015fmesi.<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/em><\/p>\n\n\n\n<p><em>Ne \u015fair ya\u015f d\u00f6ker, ne a\u015f\u0131k a\u011flar<\/em><\/p>\n\n\n\n<p><em>Tarihe kar\u0131\u015ft\u0131, eski sevdalar<\/em><\/p>\n\n\n\n<p><em>Beyhude seslenir, beyhude \u00e7a\u011flar<\/em><\/p>\n\n\n\n<p><em>Bir sola, bir sa\u011fa \u00e7oban \u00e7e\u015fmesi.\u201d<\/em><\/p>\n\n\n\n<p>Yayl\u0131 at arabas\u0131yla yola \u00e7\u0131kan \u015fair, uzunca yoku\u015flu bu toprak yoldun sonunda, 1610 rak\u0131ml\u0131 <strong>\u00c7aykavak Ge\u00e7idi\u2019<\/strong>ne eri\u015fti. Uzaktan ta\u015f p\u0131nar\u0131n buzu \u00e7\u00f6z\u00fclen ve \u015f\u0131r\u0131l \u015f\u0131r\u0131l akan so\u011fuk su sesi geliyordu\u2026 \u00c7aykavak Tepesi\u2019nden arkaya d\u00f6n\u00fcp bakan \u015fair, beyaz bir zincir gibi s\u0131ra s\u0131ra uzanan Toros Da\u011flar\u0131\u2019na bakar ve derin bir nefes al\u0131r. Ni\u011fde y\u00f6n\u00fcnde, ilerideki bir vadide; <strong>Ovac\u0131k, H\u00fcsniye ve Eminlik <\/strong>k\u00f6y evlerinin toprak daml\u0131 kerpi\u00e7 bacalar\u0131ndan duman y\u00fckseliyordu\u2026 Tipik ve \u00f6zg\u00fcn bir Anadolu k\u00f6y\u00fc manzaras\u0131 idi, \u015fairin g\u00f6rd\u00fckleri\u2026 De\u011ferli konu\u011funu \u00e7ok uzaklara ta\u015f\u0131yan yayl\u0131 at arabas\u0131, yoku\u015f a\u015fa\u011f\u0131 h\u0131zla yol al\u0131rken; d\u00f6nen tekerleklerin inleyen sesine, at ki\u015fnemesi ve nal sesine kar\u0131\u015fan k\u0131rba\u00e7 \u015faklamas\u0131, koro halinde bir birine kar\u0131\u015f\u0131yor ve ya\u011f\u0131z at\u0131n \u00f6zg\u00fcr yelesi, r\u00fczgarla dans ediyordu\u2026 Uluk\u0131\u015fla\u2019dan ba\u015flayan ve Orta Anadolu co\u011frafyas\u0131n\u0131 ar\u015f\u0131nlayan yolculu\u011funda, elinde kalemiyle, tam da bu s\u0131rada; Anadolu topraklar\u0131na can veren, bir co\u015fkulu \u0131rmak gibi i\u00e7imizde \u00e7a\u011flayan ve bu g\u00fczel \u015fiirin yol \u00f6yk\u00fcs\u00fc olan <strong>\u201cHan Duvarlar\u0131\u201d<\/strong> adl\u0131 manzum hikayeyi, uzun bu epik \u015fiiri yaz\u0131yordu\u2026<\/p>\n\n\n\n<p><em>\u201dYa\u011f\u0131z atlar ki\u015fnedi, me\u015fin k\u0131rba\u00e7 \u015faklad\u0131<\/em><\/p>\n\n\n\n<p><em>Bir dakika araba, yerinde duraklad\u0131<\/em><\/p>\n\n\n\n<p><em>Neden sonra sars\u0131ld\u0131, alt\u0131mda demir raylar<\/em><\/p>\n\n\n\n<p><em>G\u00f6zlerimin \u00f6n\u00fcnde, ge\u00e7ti kervansaraylar.<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.<\/em><\/p>\n\n\n\n<p><em>Gidiyorum, gurbeti g\u00f6nl\u00fcmde duya duya<\/em><\/p>\n\n\n\n<p><em>Uluk\u0131\u015fla yolundan, Orta Anadolu\u2019ya<\/em><\/p>\n\n\n\n<p><em>\u0130lk sevgiye benzeyen ilk ac\u0131, ilk ayr\u0131l\u0131k<\/em><\/p>\n\n\n\n<p><em>Y\u00fcre\u011fimin yakt\u0131\u011f\u0131 ate\u015fle, hava \u0131l\u0131k<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/em><\/p>\n\n\n\n<p><em>\u201dG\u00f6k sar\u0131, toprak sar\u0131, \u00e7\u0131plak a\u011fa\u00e7lar sar\u0131<\/em><\/p>\n\n\n\n<p><em>Arkada zincirlenen, y\u00fcksek Toros Da\u011flar\u0131<\/em><\/p>\n\n\n\n<p><em>\u00d6nde, uzun bir k\u0131\u015f\u0131n soldurdu\u011fu etekler<\/em><\/p>\n\n\n\n<p><em>Sonra d\u00f6nen, d\u00f6nerken inleyen tekerlekler\u2026\u201d<\/em><\/p>\n\n\n\n<p>Bir \u0130stanbul beyefendisi olan \u00f6\u011fretmen \u015fair Faruk Nafiz, \u0130stanbul\u2019da al\u0131\u015f\u0131k olmad\u0131\u011f\u0131 bir do\u011fa ve insan manzaras\u0131 ile kar\u015f\u0131la\u015f\u0131nca; k\u0131sa bir an i\u00e7in bile olsa, kendini buralarda yabanc\u0131 hisseder. Iss\u0131z, sert ve so\u011fuk Anadolu co\u011frafyas\u0131 ve yoksul ama onurlu, konuksever ve yi\u011fit Anadolu insan\u0131, \u015fairi derinden etkiler\u2026 Yayl\u0131 at arabas\u0131 ve k\u0131ymetli yolcusu Faruk Nafiz, <strong>Kolsuz Ge\u00e7idi <\/strong>ard\u0131ndan a\u015fa\u011f\u0131ya do\u011fru, \u00d6k\u00fcz \u00c7\u00f6keren mevkisini ge\u00e7erken, kar\u015f\u0131da <strong>Bor Ovas\u0131 <\/strong>s\u00fcz\u00fcl\u00fcyordu. Yayl\u0131n\u0131n alt\u0131nda ince bir \u015filte gibi uzanan toprak yol, \u015fairi gurbete \u00e7ekiyordu sanki\u2026 Ve \u015fair, ince ince serpi\u015ftiren ya\u011fmurun \u0131slatt\u0131\u011f\u0131 \u015filteye bakarak, duyguland\u0131 yeniden:<\/p>\n\n\n\n<p><em>\u201cSerpilmeye ba\u015flad\u0131 bir ya\u011fmur ince ince<\/em><\/p>\n\n\n\n<p><em>Son yoku\u015f noktas\u0131ndan d\u00fczl\u00fc\u011fe \u00e7evrilince<\/em><\/p>\n\n\n\n<p><em>Nihayetsiz bir ova, a\u011fartt\u0131 benzimizi<\/em><\/p>\n\n\n\n<p><em>Yollar bir \u015ferit gibi ufka ba\u011flad\u0131 bizi<\/em><\/p>\n\n\n\n<p><em>Gurbet beni muttas\u0131l \u00e7ekiyordu kendine<\/em><\/p>\n\n\n\n<p><em>Yol, hep yol, daima yol, bitmiyor d\u00fczl\u00fck yine\u2026<\/em><\/p>\n\n\n\n<p>Bu bitmeyen d\u00fczl\u00fck sonunda, ufukta y\u00fcce bir da\u011f belirdi\u2026 Ba\u015f\u0131 dumanl\u0131 m\u0131, yoksa beyaz \u00f6rt\u00fcl\u00fc karla kapl\u0131 m\u0131? Uzakta y\u00fckselen bu ba\u015f\u0131 karl\u0131 ulu da\u011f; Aksakal-bilge, bir Anadolu Dervi\u015fi edas\u0131yla, \u00f6n\u00fcnden ge\u00e7enleri selamlayan<strong> Hasan Da\u011f\u0131<\/strong> idi. Deniz seviyesinden 3253 metre y\u00fcksekte olan Hasan Da\u011f\u0131, Konya Ovas\u0131 ve Tuz G\u00f6l\u00fc\u2019nden sonra, Aksaray topraklar\u0131 ile Ni\u011fde ba\u011flar\u0131na can veren su kaynaklar\u0131n\u0131n ve pek \u00e7ok sevda \u00f6yk\u00fclerinin de ya\u015fand\u0131\u011f\u0131 s\u0131rda\u015f yerlerdendir. \u00d6zellikle, <strong>Hasan Dede<\/strong> ile <strong>Ali Baba<\/strong>\u2019n\u0131n tatl\u0131 hikayesine; <strong>Kar ile Kor <\/strong>\u00f6yk\u00fcs\u00fcne esin kayna\u011f\u0131 olmu\u015ftur. Bektik Ovas\u0131\u2019ndan <strong>Kemerhisar<\/strong>\u2019a do\u011fru ilerlerken, \u015fifal\u0131 kapl\u0131calar\u0131 ge\u00e7tikten sonra; S\u00fcmerler, Hititler, Tuvana, \u0130lhanl\u0131lar ve Do\u011fu Roma Medeniyetinin izleri, Roma Havuzu ve tarihi su kemerlerinin zengin g\u00f6rseli \u00f6n\u00fcnden s\u00fcz\u00fclerek ge\u00e7en yayl\u0131 araban\u0131n k\u0131ymetli yolcusu Faruk Nafiz, uzaktan bir Hisar gibi y\u00fckselen <strong>Ni\u011fde Kalesi <\/strong>ve o gece konuk olaca\u011f\u0131 <strong>Ak Medrese\u2019<\/strong>ye do\u011fru s\u00fcz\u00fcl\u00fcyordu\u2026&nbsp; \u015eair, yayl\u0131n\u0131n \u015filtesine uzanm\u0131\u015f ve uyuyakalm\u0131\u015ft\u0131. Arabac\u0131, \u015fairi uyand\u0131rmam\u0131\u015ft\u0131.<\/p>\n\n\n\n<p><em>\u201cBir sars\u0131nt\u0131, uyand\u0131m uzun s\u00fcren uykudan<\/em><\/p>\n\n\n\n<p><em>Ge\u00e7iyordu araba, yola benzer bir sudan<\/em><\/p>\n\n\n\n<p><em>Kar\u015f\u0131dan Hisar gibi Ni\u011fde y\u00fckseliyordu<\/em><\/p>\n\n\n\n<p><em>Sa\u011f tarafta, \u00e7\u0131ng\u0131rak sesleri geliyordu\u2026\u201d<\/em><\/p>\n\n\n\n<p>Bir Sel\u00e7uklu eseri olan tarihi <strong>Ak Medrese<\/strong>, asl\u0131nda bak\u0131ml\u0131 bir kervansaray \u00f6zelli\u011finde idi. Giri\u015finde atlar\u0131n ba\u015fland\u0131\u011f\u0131 yerler, k\u00fc\u00e7\u00fck odalar ve \u00fcst katta ise, konuklar\u0131n yataca\u011f\u0131 odalar bulunuyordu. Uluk\u0131\u015fla \u00d6k\u00fcz Mehmet Pa\u015fa Kervansaray\u0131\u2019nda ilk gece konaklayan ve ard\u0131ndan, 50 kilometrelik uzakl\u0131ktaki Ni\u011fde\u2019ye gelen Faruk Nafiz, yolculu\u011funun ikinci g\u00fcn\u00fcn\u00fc burada, Ak Medrese\u2019de ge\u00e7irdi. Konuksever Ni\u011fdeliler, konu\u011funu en g\u00fczel \u015fekilde a\u011f\u0131rlad\u0131\u2026 Ni\u011fde Kalesi, Sungurbey ve Alaaddin Camisi ile H\u00fcdavent Hatun T\u00fcrbesini ziyaret eden Faruk Nafiz, yayl\u0131s\u0131na binerek tekrar yola koyuldu. <strong>Arapl\u0131 Beli\u2019<\/strong>ne varmadan, Karaburun K\u00f6pr\u00fcs\u00fcn\u00fc ge\u00e7tikten sonra, Arapl\u0131 Kalesindekilere selam verdi. Faruk Nafiz, Arapl\u0131 Beli\u2019nden a\u015fa\u011f\u0131 s\u00fcz\u00fcl\u00fcrken; bir beyaz \u00f6rt\u00fcye b\u00fcr\u00fcnen dervi\u015f gibi kar\u015f\u0131da y\u00fckselen <strong>Erciyes Da\u011f\u0131 <\/strong>ve a\u015fa\u011f\u0131daki d\u00fczl\u00fckte yer alan <strong>Sultan Sazl\u0131\u011f\u0131\u2019<\/strong>nda, g\u00f6\u00e7men ku\u015flar\u0131n ve y\u0131lk\u0131 atlar\u0131n bahar tela\u015f\u0131na tan\u0131kl\u0131k etti\u2026 Ye\u015filhisar Ovas\u0131n\u0131 d\u00f6rtnala ge\u00e7en yayl\u0131, \u0130ncesu kasabas\u0131nda onu bekleyen tarihi hana ula\u015fman\u0131n tela\u015f\u0131 ile yorgunlu\u011funu unutmu\u015ftu\u2026&nbsp;<\/p>\n\n\n\n<p><strong>\u0130ncesu Kara Mustafa Pa\u015fa Kervansaray\u0131,<\/strong> Faruk Nafiz\u2019in \u00fc\u00e7\u00fcnc\u00fc konaklama yeri idi. Yeni konuklar\u0131n\u0131 s\u0131cak bir dostlukla kar\u015f\u0131layan <strong>Hanc\u0131 Ahmet K\u0131z\u0131l\u0131\u015f\u0131k<\/strong>, arabac\u0131ya at\u0131n ba\u011flanaca\u011f\u0131 yeri g\u00f6sterdi, ata yiyecek yem verdi, konuklar\u0131n karn\u0131n\u0131 doyurdu ve onlarla sohbet etti. Daha \u00f6nce bu handa pek \u00e7ok yolcu kalm\u0131\u015ft\u0131. Han\u0131n duvar\u0131nda onlardan kalan izler vard\u0131. Hanc\u0131 Ahmet, burada konaklayan asker ka\u00e7aklar\u0131n\u0131, ticaret kervanlar\u0131n\u0131, Yemen, Filistin, \u00c7anakkale ve Kurtulu\u015f sava\u015f\u0131na giden ve d\u00f6nenler ile kendinde iz b\u0131rakan, onlar\u0131n an\u0131lar\u0131n\u0131 anlatt\u0131. \u00d6zellikle, hem de \u015fair olan <strong>Mara\u015fl\u0131 \u015eeyho\u011flu Sat\u0131lm\u0131\u015f<\/strong>\u2019tan s\u00f6z etti. Ve Sat\u0131lm\u0131\u015f\u2019\u0131n nas\u0131l \u00f6ld\u00fc\u011f\u00fcn\u00fc anlatt\u0131 yeni konu\u011funa. \u0130nce hastal\u0131ktan (veremden) ya\u015fam\u0131n\u0131 bu handa yitiren Mara\u015fl\u0131 \u015eeyho\u011flu Sat\u0131lm\u0131\u015f\u2019in hikayesi, \u00d6\u011fretmen \u015eair Faruk Nafiz\u2019i \u00e7ok \u00fczd\u00fc. Ve \u00fc\u00e7 g\u00fcnl\u00fck \u015fiirin yol \u00f6yk\u00fcs\u00fc olan <strong>\u201cHan Duvarlar\u0131\u201d<\/strong> \u015fiirinin dizeleri, kervansaray\u0131n so\u011fuk ve isli duvarlar\u0131nda ve ate\u015f ba\u015f\u0131nda \u00e7\u00f6melmi\u015f konuklar\u0131n y\u00fcreklerinde yank\u0131land\u0131\u2026<\/p>\n\n\n\n<p><em>Toplanm\u0131\u015ft\u0131 garipler, \u015fimdi kervansaraya<\/em><\/p>\n\n\n\n<p><em>Bir noktada birle\u015fmi\u015f, vatan\u0131n d\u00f6rt buca\u011f\u0131<\/em><\/p>\n\n\n\n<p><em>Gurbet \u00e7eken g\u00f6n\u00fcller, ku\u015fatm\u0131\u015ft\u0131 oca\u011f\u0131<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/em><\/p>\n\n\n\n<p><em>Bizden \u00f6nce buraya inen \u00fc\u00e7 d\u00f6rt arkada\u015f<\/em><\/p>\n\n\n\n<p><em>Kurmu\u015flar tutu\u015fan oca\u011fa kar\u015f\u0131 ba\u011fda\u015f<\/em><\/p>\n\n\n\n<p><em>\u00c7\u0131t\u0131rdayan \u00e7al\u0131lar, d\u00f6rt yana can kat\u0131yor<\/em><\/p>\n\n\n\n<p><em>Kimi haydut, kimi kurt masal\u0131 anlat\u0131yor<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/em><\/p>\n\n\n\n<p><em>Bu gurbetten gurbete giden yolun \u00fcst\u00fcnde<\/em><\/p>\n\n\n\n<p><em>Ben \u00fc\u00e7 mevsim de\u011fi\u015fmi\u015f g\u00f6r\u00fcyordum \u00fc\u00e7 g\u00fcnde<\/em><\/p>\n\n\n\n<p><em>Uzun bir yolculuktan sonra \u0130ncesu\u2019dayd\u0131k<\/em><\/p>\n\n\n\n<p><em>Bir handa, yorgun arg\u0131n, tatl\u0131 bir uykudayd\u0131k.<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/em><\/p>\n\n\n\n<p><em>G\u00fcn do\u011farken bir \u00f6l\u00fcm r\u00fcyas\u0131yla uyand\u0131m<\/em><\/p>\n\n\n\n<p><em>Ba\u015fucumda g\u00f6rd\u00fc\u011f\u00fcm \u015fu sat\u0131rlarla yand\u0131m:<\/em><\/p>\n\n\n\n<p><em>\u2018Garibim nam\u0131ma Kerem diyorlar<\/em><\/p>\n\n\n\n<p><em>Asl\u0131\u2019m\u0131 el alm\u0131\u015f haram diyorlar<\/em><\/p>\n\n\n\n<p><em>Hastay\u0131m derdime verem diyorlar<\/em><\/p>\n\n\n\n<p><em>Mara\u015fl\u0131 \u015eeyho\u011flu Sat\u0131lm\u0131\u015f\u2019\u0131m ben.\u201d<\/em><\/p>\n\n\n\n<p>Faruk Nafiz\u2019in yayl\u0131 at arabas\u0131, sabah erkenden <strong>\u0130ncesu Kara Mustafa Pa\u015fa Kervansaray\u0131\u2019<\/strong>ndan hareket ederek, Kayseri\u2019ye do\u011fru yola koyulur.&nbsp; \u00d6\u011fretmen \u015fair Faruk Nafiz, yolculu\u011funun son g\u00fcn\u00fc, ge\u00e7 olmadan <strong>Kayseri Sultanisi (Lisesi)<\/strong>\u2019ne varmal\u0131 ve yeni g\u00f6revine ba\u015flamal\u0131d\u0131r. Bu duygu ve heyacan ile yola \u00e7\u0131karken, akl\u0131nda Mara\u015fl\u0131 \u015eeyho\u011flu Sat\u0131lm\u0131\u015f vard\u0131r yanlar\u0131nda\u2026<\/p>\n\n\n\n<p><em>\u201cArabam\u0131z tutarken Erciyes!in yolunu<\/em><\/p>\n\n\n\n<p><em>Hanc\u0131 dedim, bildin mi Mara\u015fl\u0131 \u015eeyho\u011flu\u2019nu?<\/em><\/p>\n\n\n\n<p><em>G\u00f6zleri uzun uzun burkuldu kald\u0131 bende<\/em><\/p>\n\n\n\n<p><em>Dedi: Hana sa\u011f indi, \u00f6l\u00fc \u00e7\u0131kt\u0131 ge\u00e7ende.<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..<\/em><\/p>\n\n\n\n<p><em>Aradan y\u0131llar ge\u00e7ti, i\u015fte o g\u00fcnden beri<\/em><\/p>\n\n\n\n<p><em>Ne zaman yolda bir han rastlasam irkilirim<\/em><\/p>\n\n\n\n<p><em>\u00c7\u00fcnk\u00fc sizde gizlenen dertleri ben bilirim<\/em><\/p>\n\n\n\n<p><em>Ey k\u00f6yleri hududa ba\u011flayan ya\u015fl\u0131 yollar<\/em><\/p>\n\n\n\n<p><em>D\u00f6nmeyen yolculara a\u011flayan yasl\u0131 yollar<\/em><\/p>\n\n\n\n<p><em>Ey garip \u00e7izgilerle dolu han duvarlar\u0131<\/em><\/p>\n\n\n\n<p><em>Ey hanlar\u0131n g\u00f6nl\u00fcm\u00fc s\u0131zlatan duvarlar\u0131.\u201d<\/em><\/p>\n\n\n\n<p>\u015eair Faruk Nafiz \u00c7aml\u0131bel, \u0130stanbul\u2019dan ba\u015flayan ve ard\u0131ndan da Uluk\u0131\u015fla\u2019dan hareketle, \u00fc\u00e7 g\u00fcn \u00fc\u00e7 gece, yayl\u0131 at arabas\u0131yla s\u00fcren bu zor yolculuk sonuda; Edebiyat \u00f6\u011fretmeni olarak Kayseri Lisesi\u2019ndeki yeni g\u00f6revine ba\u015flar. \u00d6\u011frencilerine; Anadolu ayd\u0131nlanma seferberli\u011fi ard\u0131ndan ba\u015flat\u0131lan ve kurtulu\u015ftan kurulu\u015fa giden yolun ba\u015f\u0131nda; ulusal ve toplumsal geli\u015fmeyi, \u00e7ok \u00e7al\u0131\u015fmay\u0131, d\u00fcr\u00fcst olmay\u0131, gelece\u011fe umutla bakmay\u0131, \u00e7a\u011fda\u015fl\u0131k ve teknik olanaklar\u0131 \u00e7abuk \u00f6\u011frenmeyi, yurtsever yurtta\u015f ve iyi insan olmay\u0131, okumay\u0131 ve edebiyatla, t\u0131p ve fen ile sanat ve k\u00fclt\u00fcrle ilgilenmeyi, milli edebiyat ak\u0131m\u0131n\u0131n \u00f6nemini kavramay\u0131 ve Cumhuriyet Devrimlerine ba\u011fl\u0131l\u0131k gibi pek \u00e7ok dalda ba\u015far\u0131l\u0131 yeni nesiller yeti\u015fmesi i\u00e7in; \u00e7al\u0131\u015fmalarda bulunan Faruk Nafiz \u00c7aml\u0131bel, hala okulda s\u00f6ylenen o \u00fcnl\u00fc <strong>Kayseri Lisesi Mar\u015f<\/strong>\u0131\u2019n\u0131 yazm\u0131\u015ft\u0131r. <strong>Kemal<\/strong> <strong>Atat\u00fcrk\u2019<\/strong>\u00fcn iste\u011fi \u00fczerine, 1933 y\u0131l\u0131nda, <strong>Faruk Nafiz \u00c7aml\u0131bel,<\/strong> Kayseri Lisesi\u2019nden \u00f6\u011frencisi <strong>Beh\u00e7et Kemal \u00c7a\u011flar<\/strong> ile birlikte yazd\u0131\u011f\u0131 ve <strong>Cemal Re\u015fit Rey<\/strong>\u2019in besteledi\u011fi, <strong>Onuncu Y\u0131l Mar\u015f\u0131<\/strong>\u2019n\u0131 yazm\u0131\u015f ve ard\u0131ndan da \u00e7ok\u00e7a topluma faydal\u0131 nesiller, sanat\u00e7\u0131, bilim ve devlet adam\u0131 yeti\u015firmi\u015ftir.&nbsp;<\/p>\n\n\n\n<p><em>\u201c<\/em><strong><em>Onuncu Y\u0131l Mar\u015f<\/em><\/strong><em>\u0131<\/em><\/p>\n\n\n\n<p><em>\u00c7\u0131kt\u0131k a\u00e7\u0131k al\u0131nla on y\u0131lda her sava\u015ftan,<\/em><\/p>\n\n\n\n<p><em>On y\u0131lda on be\u015f milyon gen\u00e7 yaratt\u0131k her ya\u015ftan;<\/em><\/p>\n\n\n\n<p><em>Ba\u015fta b\u00fct\u00fcn d\u00fcnyan\u0131n sayd\u0131\u011f\u0131 Ba\u015fkumandan;<\/em><\/p>\n\n\n\n<p><em>Demir a\u011flarla \u00f6rd\u00fck anayurdu d\u00f6rt ba\u015ftan<\/em><\/p>\n\n\n\n<p><em>T\u00fcrk&#8217;\u00fcz, Cumhuriyet&#8217;in g\u00f6\u011fs\u00fcm\u00fcz tun\u00e7 siperi,<\/em><\/p>\n\n\n\n<p><em>T\u00fcrk&#8217;e durmak yara\u015fmaz, T\u00fcrk \u00f6nde, T\u00fcrk ileri!<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u201d<\/em><\/p>\n\n\n\n<p>\u00c7ok partili se\u00e7im sistemine ge\u00e7ildikten sonra, <strong>Celal Bayar ve Adnan Menderes <\/strong>yan\u0131nda politikaya at\u0131lan <strong>Faruk Nafiz \u00c7aml\u0131bel, <\/strong>1950 Genel Se\u00e7imlerinde, Demokrat Parti\u2019den \u0130stanbul Milletvekili se\u00e7ilmi\u015ftir. 1960 y\u0131l\u0131na dek \u0130stanbul Milletvekili olan Faruk Nafiz \u00c7aml\u0131bel; 1960 Askeri Darbesi ard\u0131ndan, Ba\u015fbakan Menderes ile birlikte tutuklanm\u0131\u015f ve 17 ay Yass\u0131ada\u2019da yarg\u0131lanm\u0131\u015ft\u0131r. Daha sonra da Kayseri\u2019de s\u00fcrg\u00fcnde kalm\u0131\u015ft\u0131r. \u0130\u00e7eride ve d\u0131\u015far\u0131da yazd\u0131\u011f\u0131 kitaplar, makaleler ve \u015fiirleriyle, T\u00fcrk Edebiyat\u0131nda \u00f6nemli yere sahip olan Faruk Nafiz \u00c7aml\u0131bel, \u00f6zellikle onun i\u00e7in \u015fiirler yazd\u0131\u011f\u0131 \u015fair \u015euk\u00fcfe Nihal Ba\u015far\u2019a olan a\u015fk\u0131, dillere destan olmu\u015ftur. Pek \u00e7ok \u015fair ve yazar gibi Faruk Nafiz \u00c7aml\u0131bel\u2019de, ad\u0131na mersiyeler dizdi\u011fi ve ideal a\u015fk i\u00e7in, eri\u015filmez g\u00fczel kad\u0131n, \u015fiirlerine esin kayna\u011f\u0131 olan <strong>\u015euk\u00fcfe Nihal, <\/strong>onun ya\u015fam\u0131nda iz b\u0131rakm\u0131\u015f ender kad\u0131n \u015fairdir. Onun i\u00e7in yazd\u0131\u011f\u0131 mektuplar, \u015fiirler dolusu zarf i\u00e7inde saklanan ya da d\u0131\u015fa vurulup payla\u015f\u0131lan manzum dizeler olarak, kitaplar\u0131n\u0131n en s\u0131rda\u015f sayfalar\u0131n\u0131 s\u00fcslemi\u015ftir\u2026<\/p>\n\n\n\n<p>Faruk Nafiz \u00c7aml\u0131bel, bir edebiyat \u00f6\u011frenmeni olanak, \u0130stanbul\u2019dan Kayseri Lisesi\u2019ne uzanan, zor ve hasret y\u00fckl\u00fc bu yolculukta, onu yaln\u0131z b\u0131rakmayan ve manevi olarak hep yan\u0131nda oldu\u011funu hissetti\u011fi sevgilisi, \u00e7ekici, g\u00fczel \u015fair kad\u0131n \u015euk\u00fcfe Nihal\u2019i hi\u00e7 unutam\u0131yordu\u2026 Asl\u0131nda bu yolculuk hasret dolu bir uzakla\u015fman\u0131n ve istemiyerek de olsa, ka\u00e7\u0131s\u0131n yol \u00f6yk\u00fcs\u00fcyd\u00fc\u2026 Oysa, \u015fairin onu b\u0131rakt\u0131\u011f\u0131 b\u00fcy\u00fck kentin dar sokaklar\u0131nda yank\u0131lanan, \u015fiir ve sevda na\u011fmelerine kar\u0131\u015fan, yeni sevdalara gebe olan bu g\u00fczel kad\u0131n\u0131, ba\u015fka \u015fairler de seviyordu\u2026<\/p>\n\n\n\n<p>Naz\u0131m Hikmet, \u015euk\u00fcfe Nihal i\u00e7in; \u201cBir Ayr\u0131l\u0131k Hikayesi\u201d adl\u0131 \u015fiir yazm\u0131\u015ft\u0131. \u00c7\u00fcnk\u00fc ona a\u015f\u0131kt\u0131. 1920\u2019li y\u0131llard\u0131\u2026 Erenk\u00f6y Edebiyat Bah\u00e7esinde her hafta toplana \u015fairler, bir araya gelip edebi sohbet yap\u0131yorlard\u0131. Bu toplant\u0131lar\u0131ndan birinde Naz\u0131m Hikmet, bir ka\u011f\u0131da \u015fu dizeleri yaz\u0131p \u015euk\u00fcfe Nihal\u2019e vermesi i\u00e7in, <strong>P\u0131nar K\u00fcr<\/strong>\u2019\u00fcn karde\u015fi yazar <strong>Halide Nusret Zorlutuna\u2019<\/strong>ya uzatt\u0131. \u015euk\u00fcfe Nihal hemen orac\u0131kta \u015fiiri okudu ve Naz\u0131m\u2019\u0131 g\u00fcl\u00fcmseyerek selamlad\u0131. Naz\u0131m Hikmet, sevgilisi \u015euk\u00fcfe Nihal i\u00e7in yazd\u0131\u011f\u0131 \u015fiirin alt\u0131ndaki notta: <em>\u201cBen sizin i\u00e7in \u00e7\u0131ld\u0131r\u0131yorum. Siz bana ald\u0131r\u0131\u015f bile etmiyorsunuz\u2026\u201d demi\u015fti.<\/em><\/p>\n\n\n\n<p>Ve <strong>Naz\u0131m Hikmet<\/strong>\u2019\u0131n \u015euk\u00fcfe\u2019ye yazd\u0131\u011f\u0131 <strong>\u201cBir Ayr\u0131l\u0131k Hikayesi\u201d <\/strong>adl\u0131 bu \u00f6zel \u015fiirde \u015f\u00f6yle diyordu:<\/p>\n\n\n\n<p><em>\u201cErkek kad\u0131na dedi ki; seni seviyorum, ama nas\u0131l?<\/em><\/p>\n\n\n\n<p><em>Avu\u00e7lar\u0131mda camdan bir par\u00e7a gibi kalbimi s\u0131k\u0131p<\/em><\/p>\n\n\n\n<p><em>Parmaklar\u0131m\u0131 kanatarak, k\u0131ras\u0131ya, \u00e7\u0131ld\u0131ras\u0131ya\u2026<\/em><\/p>\n\n\n\n<p><em>\u2026\u2026\u2026\u2026<\/em><\/p>\n\n\n\n<p><em>Kad\u0131n erke\u011fe dedi ki; bakt\u0131m, duda\u011f\u0131mla, y\u00fcre\u011fimle, kafamla<\/em><\/p>\n\n\n\n<p><em>Severek, korkarak, e\u011filerek; duda\u011f\u0131na, y\u00fcre\u011fine, kafana<\/em><\/p>\n\n\n\n<p><em>\u015eimdi ne s\u00f6yl\u00fcyorsam, karanl\u0131kta bir f\u0131s\u0131lt\u0131 gibi sen \u00f6\u011frettin bana\u2026\u201d<\/em><\/p>\n\n\n\n<p>\u015eair <strong>Ahmet Kutsi Tecer, Cenap \u015eahabettin<\/strong>\u2019in karde\u015fi ressam ve kara sevdas\u0131 y\u00fcz\u00fcnden intihar etti\u011fi s\u00f6ylenen \u015fair <strong>Osman Fahri,<\/strong> edebiyat\u00e7\u0131 <strong>Mithat Sadullah Sander <\/strong>ve Faruk Nafiz \u00c7aml\u0131bel\u2019de \u015euk\u00fcfe Nihal han\u0131ma a\u015f\u0131kt\u0131. \u015euk\u00fcfe Nihal, sevgilisi Faruk Nafiz i\u00e7in; \u201cYaln\u0131z D\u00f6n\u00fcyorum\u201d adl\u0131 roman\u0131nda bu a\u015f\u0131 anlat\u0131r. Faruk Nafiz ise, \u015euk\u00fcfe Nihal\u2019i, halas\u0131n\u0131n Erenk\u00f6y\u2019deki evinde, ilk g\u00f6rd\u00fc\u011f\u00fcnde a\u015f\u0131k olmu\u015f ve onun i\u00e7in; <strong>\u201cY\u0131ld\u0131z Ya\u011fmuru\u201d<\/strong> adl\u0131 \u015fu \u015fiiri yazm\u0131\u015ft\u0131\u2026<\/p>\n\n\n\n<p><em>\u201c\u0130nce bir k\u0131zd\u0131, bu solgun sar\u0131 heykel gibi lal<\/em><\/p>\n\n\n\n<p><em>Sanki ruhumdan uzak, sisli bir ak\u015famd\u0131 Nihal<\/em><\/p>\n\n\n\n<p><em>Ben k\u00fcreklerde, Nihal\u2019in g\u00f6z\u00fc enginlerde<\/em><\/p>\n\n\n\n<p><em>Gizli sevdalar i\u00e7in, yol soruyorduk: Nerde?<\/em><\/p>\n\n\n\n<p><em>Sadece \u015fiir mi? A\u015fklar\u0131 \u00fczerine roman yazd\u0131lar.\u201d<\/em><\/p>\n\n\n\n<p><strong>\u015euk\u00fcfe Nihal,<\/strong> kendisi i\u00e7in <strong>\u201c\u00c7oban \u00c7e\u015fmesi\u201d <\/strong>\u015fiirini yazan, sevgilisi Faruk Nafiz\u2019den habersiz ve \u00e7ok uzaklarda, ayn\u0131 zaman diliminde, ayn\u0131 esin kayna\u011f\u0131 ve ayn\u0131 duygu y\u00fckl\u00fc tema i\u00e7in \u015fiir yazm\u0131\u015ft\u0131. Edebiyat-\u0131 Cedide, Fecri Ati ve Milli Edebiyat Ak\u0131m\u0131n\u0131n i\u00e7inde yer alan <strong>\u015euk\u00fcfe Nihal<\/strong>, \u0130stanbul Fatih Mitinginde, <strong>T\u00fcrk Kad\u0131nlar Birli\u011fi<\/strong> ad\u0131na yapt\u0131\u011f\u0131 co\u015fkulu konu\u015fmas\u0131nda, Milli Uyan\u0131\u015f Hareketi\u2019nde ayd\u0131nlar\u0131n ve kad\u0131nlar\u0131n \u00f6nc\u00fc yeri ve \u00f6nemini vurgulam\u0131\u015ft\u0131. Sevgilisi Faruk Nafiz gibi o da, Anadolu\u2019dan insan manzaralar\u0131 temal\u0131 epik \u015fiirlere imza atan \u015euk\u00fcfe Nihal\u2019in yazd\u0131\u011f\u0131 <strong>\u201c\u00c7oban Nine\u201d<\/strong> \u015fiirinden bir ka\u00e7 dize;<\/p>\n\n\n\n<p><em>\u201cBir tarlada do\u011fmu\u015ftu, burada b\u00fck\u00fcld\u00fc beli<\/em><\/p>\n\n\n\n<p><em>Hi\u00e7 durmadan uludu, baht\u0131n\u0131n kara yeli<\/em><\/p>\n\n\n\n<p><em>O, yerinde oyuldu, bir \u00e7\u0131nar vakariyle.<\/em><\/p>\n\n\n\n<p><em>Er verdi, evlat verdi, t\u00fckenmeyen cenklere<\/em><\/p>\n\n\n\n<p><em>Hastal\u0131kla, k\u0131tl\u0131kla ka\u00e7 torun g\u00f6md\u00fc yere<\/em><\/p>\n\n\n\n<p><em>Sa\u00e7\u0131 bir \u00f6rnek oldu, da\u011flar\u0131n kariyle.<\/em><\/p>\n\n\n\n<p>\u2026\u2026\u2026\u2026\u201d<\/p>\n\n\n\n<p>De\u011ferli \u00fcstad\u0131m, bir mektubunuzda yazd\u0131\u011f\u0131n\u0131z gibi sizin \u00f6neriniz \u00fczerine; Erenk\u00f6y Edebiyat Sohbetlerine kat\u0131lan pek \u00e7ok \u015fair ve yazara esin kayna\u011f\u0131 olan, bu g\u00fczel \u015fair <strong>\u015euk\u00fcfe Nihal\u2019<\/strong>in \u015fu kitaplar\u0131n\u0131 okumak i\u00e7in s\u0131raya koydum: <strong>\u00c7\u00f6l G\u00fcne\u015fi, Renksiz Izd\u0131rap, Yaln\u0131z D\u00f6n\u00fcyorum, Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu, Ayd\u0131nl\u0131k Kap\u0131, Y\u0131ld\u0131zlar ve G\u00f6lgeler, Hazan R\u00fczgarlar\u0131, Su, S\u0131la Yollar\u0131, Sabah Ku\u015flar\u0131, Yerden G\u00f6\u011fe, Finlandiya <\/strong>vb.<\/p>\n\n\n\n<p>De\u011ferli \u00fcstad\u0131m, son mektubunda; \u0130stanbul\u2019a d\u00f6nd\u00fc\u011f\u00fcmde <strong>\u015euk\u00fcfe Nihal Ba\u015far <\/strong>han\u0131mefendinin, A\u015fiyan\u2019da bulunan kabrini ziyaret etmemi istemi\u015ftin. Uluk\u0131\u015fla \u00d6k\u00fcz Mehmet Pa\u015fa Kervansaray\u0131 avlusundan getirdi\u011fim \u00e7i\u00e7ek topra\u011f\u0131n\u0131, size ve \u015euk\u00fcfe Han\u0131ma vermek i\u00e7in geldim. Ben de sizin Karacaahmet G\u00f6m\u00fctl\u00fc\u011f\u00fc\u2019nde bulunan kabrinizi ziyaret ettim ve ard\u0131ndan da, sizin selam ve sevginizi ona iletmek \u00fczere, A\u015fiyan G\u00f6m\u00fctl\u00fc\u011f\u00fc\u2019nde yatan \u015euk\u00fcfe Nihal\u2019i ziyaret ettim. Ayr\u0131ca, ayn\u0131 mekanda yatan \u00f6teki dostlar\u0131nda size selamlar\u0131 var\u2026&nbsp;<\/p>\n\n\n\n<p>Ayr\u0131ca; 24 Eyl\u00fcl 1973\u2019den beri A\u015fiyan\u2019da yatan \u015euk\u00fcfe Nihal\u2019in kom\u015fusu olan: Tevfik Fikret, Atilla \u0130lhan, Onat Kutlar, Orhan Veli, Yahya Kemal Beyatl\u0131, Ahmet Hamdi Tanp\u0131nar, Edip Cansever, \u00d6zdemir Asaf, Tezer \u00d6zl\u00fc, Demirta\u015f Ceyhun, Nihat Sami Banarl\u0131, Ahmet Ayd\u0131n Bolak, Fenni Mehmed Dede gibi pek \u00e7ok edebiyat\u00e7\u0131n\u0131n ortak yan\u0131, hi\u00e7 ku\u015fkusuz; edebiyat\u0131m\u0131za olan b\u00fcy\u00fck katk\u0131lar\u0131 ve usta sanat\u00e7\u0131 olma \u00f6zelliklerini ta\u015f\u0131yorlard\u0131. \u015euk\u00fcfe Han\u0131m ba\u015fta olmak \u00fczere, hemen hepsinin size \u00f6zel selamlar\u0131 var.&nbsp;<\/p>\n\n\n\n<p>\u00d6zellikle, Erenk\u00f6y Edebiyat Sohbetlerinde, sizin yazd\u0131\u011f\u0131n\u0131z ve <strong>Dr. Alaattin Yava\u015f\u00e7a<\/strong>\u2019n\u0131n besteledi\u011fi <strong>\u201c\u00c7oban \u00c7e\u015fmesi\u201d<\/strong> \u015fark\u0131s\u0131n\u0131n, epik ve didaktik zenginli\u011fini ve Anadolu insan\u0131n\u0131 ve do\u011fas\u0131n\u0131 en yal\u0131n, s\u00fczs\u00fcz, i\u00e7ten, anla\u015f\u0131l\u0131r ve bir o kadar da imge y\u00fckl\u00fc dizelerinde anlam bulan, memleketimden insan manzaralar\u0131n\u0131 anlatan ve \u015fiirin yol \u00f6yk\u00fcs\u00fc olan, <strong>HAN DUVARLARI <\/strong>\u015fiirini konu\u015fuyor okurlar\u0131n\u0131z\u2026&nbsp;<\/p>\n\n\n\n<p>Biz de, Marmara K\u0131raathanesi ve Beyaz\u0131t \u00c7\u0131naralt\u0131 Edebiyat Toplant\u0131lar\u0131 sonras\u0131, sizin Erenk\u00f6y\u2019de ba\u015flatt\u0131\u011f\u0131n\u0131z o g\u00fczel Edebiyat Sohbetleri toplant\u0131 gelenekinizi s\u00fcrd\u00fcr\u00fcyoruz. Ahmet Miskio\u011flu\u2019nun y\u00f6netti\u011fi T\u00fcrk Dili Dergisi Bostanc\u0131 S\u00f6yle\u015fileri ve Kad\u0131k\u00f6y Bar\u0131\u015f Man\u00e7o K\u00fclt\u00fcr Merkezi\u2019nde her Per\u015fembe toplan\u0131yoruz ve Edebi sohbetler ediyoruz ve de sizden, sizin ku\u015faktan \u00e7ok\u00e7a s\u00f6z ediyoruz\u2026 Edebiyatta mektup geleneki \u00fczerine tart\u0131\u015f\u0131yoruz\u2026<\/p>\n\n\n\n<p>De\u011ferli \u00fcstad\u0131m, bende, sizin izninizle bu mektuplara konu olan an\u0131lar\u0131m ve izlenimlerim \u0131\u015f\u0131\u011f\u0131nda; <strong>\u201cHan Duvarlar\u0131 Belgeseli\u201d<\/strong> \u00e7ektim ve <strong>Uluk\u0131\u015fla \u00d6k\u00fcz Mehmet Pa\u015fa Kervansaray\u0131<\/strong> i\u00e7inde; sizin 1923\u2019de konaklad\u0131\u011f\u0131n\u0131z o mekanda, \u00e7ok say\u0131da destek\u00e7i ve kat\u0131l\u0131mc\u0131n\u0131n geldi\u011fi, belgesel ilk g\u00f6sterimi ve galas\u0131na kat\u0131lan izleyicilerin, size \u00e7ok \u00f6zel selamlar\u0131 var.&nbsp;<\/p>\n\n\n\n<p>De\u011ferli \u00fcstad\u0131m, bir sonraki mektubumda, 1960\u2019da Yass\u0131ada\u2019da tutukluluk g\u00fcnlerinizi ve Kayseri\u2019de ge\u00e7en s\u00fcrg\u00fcn an\u0131lar\u0131n\u0131z\u0131, sevgili okurlar\u0131n\u0131zla payla\u015faca\u011f\u0131m\u2026<\/p>\n\n\n\n<p>Bu y\u0131l t\u00fcm insanl\u0131\u011f\u0131 esir alan <strong>Korona Vir\u00fcs\u00fc<\/strong> salg\u0131n\u0131 nedeniyle, soka\u011fa \u00e7\u0131kma yasa\u011f\u0131 s\u00fcr\u00fcyor. Bu ko\u015fullarda; evlerimizde kutlad\u0131\u011f\u0131m\u0131z; <strong>1 May\u0131s Emek Bayram\u0131; Birlik, M\u00fccadele, Dayan\u0131\u015fma G\u00fcn\u00fc<\/strong>\u2019n\u00fc \u0131sl\u0131k \u00e7alarak kutlad\u0131k\u2026<\/p>\n\n\n\n<p>Sayg\u0131lar\u0131mla \u00fcstad\u0131m, acele cevap beklerim\u2026 1 May\u0131s 2020.<\/p>\n\n\n\n<p><strong>Dursun \u00d6zden<\/strong><\/p>\n\n\n\n<p><strong>P. O. Box: 10 (34431), Beyo\u011flu &#8211; \u0130stanbul<\/strong><\/p>\n\n\n\n<p><strong>Kaynak: <\/strong>Han Duvarlar\u0131 \/ Dursun \u00d6zden, Kategori Yay\u0131nlar\u0131, Mart 2017, \u0130stanbul.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"650\" height=\"650\" src=\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/faruk-nafiz.jpg\" alt=\"\" class=\"wp-image-7898\" srcset=\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/faruk-nafiz.jpg 650w, http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/faruk-nafiz-300x300.jpg 300w, http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/faruk-nafiz-55x55.jpg 55w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"533\" height=\"728\" src=\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/2018-03-25-PHOTO-00000052-533x728.jpg\" alt=\"\" class=\"wp-image-7899\" srcset=\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/2018-03-25-PHOTO-00000052-533x728.jpg 533w, http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/2018-03-25-PHOTO-00000052-220x300.jpg 220w, http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/2018-03-25-PHOTO-00000052.jpg 649w\" sizes=\"(max-width: 533px) 100vw, 533px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"510\" height=\"728\" src=\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/24862470_10211076618850946_2945589533808365870_n-510x728.jpg\" alt=\"\" class=\"wp-image-7900\" srcset=\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/24862470_10211076618850946_2945589533808365870_n-510x728.jpg 510w, http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/24862470_10211076618850946_2945589533808365870_n-210x300.jpg 210w, http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/05\/24862470_10211076618850946_2945589533808365870_n.jpg 672w\" sizes=\"(max-width: 510px) 100vw, 510px\" \/><\/figure>\n\n\n\n<p>\u015fiirim<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Faruk Nafiz\u2019a A\u00e7\u0131k Mektup. Dursun \u00d6zden (Han Duvarlar\u0131 Belgeseli Y\u00f6netmeni) Merhaba \u00fcstad\u0131m\u2026&nbsp; Bu mektubu, memleketim Uluk\u0131\u015fla\u2019dan yaz\u0131yorum. Bir elimde; sevgiliniz \u015fair \u015euk\u00fcfe Nihal\u2019in yazd\u0131\u011f\u0131 \u201cS\u0131la Yollar\u0131\u201d kitab\u0131; di\u011ferinde ise, benim de belgeselini \u00e7ekti\u011fim, sizin ba\u015f tac\u0131 eseriniz olan \u201cHan Duvarlar\u0131\u201d kitab\u0131 var. S\u0131rt \u00e7antamda ise, bir d\u00f6neme damga vuran ve bunca y\u0131l biriktirdi\u011fim, i\u00e7inde kendi &#8230;<\/p>\n","protected":false},"author":2,"featured_media":7898,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[66,49],"tags":[],"_links":{"self":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7897"}],"collection":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7897"}],"version-history":[{"count":2,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7897\/revisions"}],"predecessor-version":[{"id":7905,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7897\/revisions\/7905"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/media\/7898"}],"wp:attachment":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7897"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}