{"id":6729,"date":"2019-08-02T00:31:16","date_gmt":"2019-08-01T21:31:16","guid":{"rendered":"http:\/\/www.dursunozden.com.tr\/?p=6729"},"modified":"2019-08-16T01:18:00","modified_gmt":"2019-08-15T22:18:00","slug":"curumenin-estetigi-kitap-tanitimi","status":"publish","type":"post","link":"http:\/\/www.dursunozden.com.tr\/?p=6729","title":{"rendered":"\u00c7\u00fcr\u00fcmenin Esteti\u011fi (Kitap tan\u0131t\u0131m\u0131)"},"content":{"rendered":"\n

\u201c\u00c7\u00fcr\u00fcmenin Esteti\u011fi\u201d \u00fczerinde, uzun y\u0131lllard\u0131r ara\u015ft\u0131rmalar yapan, \u00e7e\u015fitli dergi ve gazetelerde konuyla ilgili makaleler yazan, de\u011ferli ara\u015ft\u0131rmac\u0131 yazar\u0131m\u0131z Mehmet Ulusoy\u2019un, yeni \u00e7\u0131kan bir kitab\u0131n\u0131 heyecanla okuman\u0131n sevinci payla\u015fman\u0131n dayan\u0131lmaz hafifli\u011fini ya\u015f\u0131yorum, yeniden\u2026<\/p>\n\n\n\n

Mehmet Ulusoy<\/strong>\u2019un Berfin Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kan bu kitab\u0131n\u0131n ad\u0131: \u201c\u00c7\u00fcr\u00fcmenin Esteti\u011fi<\/strong> \/ Yeni Orta\u00e7a\u011f\u0131n K\u00fclt\u00fcrel Bi\u00e7imi, Postmodernizm ve Ulusal K\u00fclt\u00fcr\u201d<\/strong><\/p>\n\n\n\n

Ulusoy, bu kitab\u0131 yazma nedenini \u015fu t\u00fcmcelerle \u00f6zetliyor: \u201cElinizdeki kitab\u0131 yazmam\u0131n birka\u00e7 temel nedeni var. Ku\u015fkusuz hepsi de birbiri ile ba\u011flant\u0131l\u0131, ama mutlaka ayr\u0131 ayr\u0131 vurgulanmas\u0131 gereken olgular. En ba\u015fta, \u201cK\u00fcreselle\u015fme\u201d projesinin k\u00fclt\u00fcrel bi\u00e7imi olan postmodernizmin, emperyalist k\u00fclt\u00fcr\u00fcn bug\u00fcne kadar bilinen \u00f6zelliklerini a\u015fan, derin bir \u00e7\u00fcr\u00fcme ve \u00e7\u00f6k\u00fc\u015f\u00fc yans\u0131tan, kapsaml\u0131 bir ideolojik-k\u00fclt\u00fcrel d\u00f6n\u00fc\u015f\u00fcm niteli\u011fi ta\u015f\u0131mas\u0131d\u0131r\u2026\u201d <\/em><\/p>\n\n\n\n

Yazar, asl\u0131nda bir genelleme ve uzun bir zaman dilimi i\u00e7indeki bu t\u00fcr bozukluklar \u00fczerine \u00f6zg\u00fcn bilgiler sunsa da; T\u00fcrkiye toplumsal yap\u0131s\u0131 ve k\u00fclt\u00fcrel dokusu \u00fczerine kapsaml\u0131 \u00f6rnekler ve a\u00e7\u0131klamal\u0131 tahliller yapmaktad\u0131r. T\u00fcrkiye\u2019de ulusal devrimci, toplumcu bir k\u00fclt\u00fcr\u00fcn, sanat ve edebiyat\u0131n yeniden y\u00fckselmesi, \u00e7a\u011fda\u015f d\u00fczeyde ve nitelikte yetkin \u00fcr\u00fcnler\/yap\u0131tlar vermesi, en ba\u015fta liberal-postmodernist k\u00fclt\u00fcrle k\u00f6kl\u00fc bir hesapla\u015fmadan ge\u00e7mekte oldu\u011fu ger\u00e7e\u011fi vurgulanmaktad\u0131r.<\/p>\n\n\n\n

Yazar, postmodern k\u00fclt\u00fcre kar\u015f\u0131, ulusal devrimci k\u00fclt\u00fcr\u00fcn yeni bir uygarl\u0131k at\u0131l\u0131m\u0131yla geli\u015ftirilip y\u00fckseltilmesi, ayn\u0131 zamanda \u00fcretim k\u00fclt\u00fcr\u00fcn\u00fcn, onun sanat ve edebiyatta yarat\u0131c\u0131 estetik ifade bi\u00e7imlerinin yeniden canland\u0131r\u0131lmas\u0131, y\u00fcceltilmesi ve egemen hale getirilmesi vurgusunu yapmaktad\u0131r.<\/p>\n\n\n\n

T\u00fcrk ayd\u0131nlar\u0131n\u0131n kendi \u00f6zg\u00fcn kimli\u011fini bulma g\u00f6revi ve sorumlulu\u011fu oldu\u011fu vurgusunu yapan yazar; \u00f6zellikle Tanzimat\u2019tan g\u00fcn\u00fcm\u00fcze uzanan ayd\u0131nlanma s\u00fcrecini ve yalpalamalar\u0131 anlatmaktad\u0131r. T\u00fcrk entellekt\u00fcellerinin emperyalizm g\u00fcd\u00fcml\u00fc Tanzimat\u00e7\u0131 kesimi; halk\u0131n, emek\u00e7inin, ger\u00e7e\u011fin ve adaletin yan\u0131nda de\u011fil de emperyalizmin, vah\u015fi kapitalizmin ve erki elinde tutan g\u00fc\u00e7l\u00fcn\u00fcn yan\u0131nda yer alarak, bilerek ya da bilmeyerek, bu dalkavukluk r\u00f6llerini benimser g\u00f6r\u00fcnmektedir. Bu olgu, T\u00fcrkiye\u2019de 1880\u2019lerden sonra neredeyse bir \u201c\u00f6zg\u00fcrl\u00fck\u00e7\u00fc(!)\u201d ak\u0131m olu\u015fturan, b\u00fct\u00fcn d\u00f6nek ve hainlerin ortak kimli\u011fini, etkinlik bi\u00e7imini ve ortak karakteristik \u00f6zelli\u011fini olu\u015fturmaktad\u0131r\u2026 <\/p>\n\n\n\n

Yeni Tanzimat\u00e7\u0131lar, g\u00fcn\u00fcm\u00fczde gericile\u015fen, yozla\u015fan ve \u00e7\u00fcr\u00fcyen Bat\u0131\u2019n\u0131n, ak\u0131lc\u0131l\u0131\u011f\u0131 ve toplumculu\u011fu reddeden d\u00fc\u015f\u00fcnce bi\u00e7imine, k\u00fclt\u00fcrel de\u011ferlerine \u00f6zeniyor. Onun maddi ve manevi anlamda \u00e7\u00f6pl\u00fck olan mallar\u0131n\u0131 t\u00fcketmeyi \u00e7a\u011fda\u015fl\u0131k, ilericilik \u00f6l\u00e7\u00fct\u00fc olarak g\u00f6r\u00fcyorlar. Demek ki, yabanc\u0131la\u015fmaya son verip ki\u015finin kendi olma ya da kendi b\u00fct\u00fcnl\u00fc\u011f\u00fcne kavu\u015fmas\u0131, bir toplumsal sistem m\u00fccadelesiyle m\u00fcmk\u00fcn olaca\u011f\u0131 vurgulanmaktad\u0131r. Emperyalist k\u00fclt\u00fcr, kapitalist liberal bireyci k\u00fclt\u00fcr\u00fcne son verip e\u015fitlik\u00e7i, payla\u015f\u0131mc\u0131, yani toplumcu bir d\u00fczene ge\u00e7i\u015fle ancak yabanc\u0131la\u015fmay\u0131 ad\u0131m ad\u0131m ortadan kald\u0131racak bir s\u00fcrecin ba\u015flat\u0131lmas\u0131 ile m\u00fcmk\u00fcn olabilir. <\/p>\n\n\n\n

Sanat\u00e7\u0131 birey ancak, i\u00e7inde ya\u015fad\u0131\u011f\u0131 toplumsal ger\u00e7ekli\u011fi daha ileri bir toplum y\u00f6n\u00fcnde de\u011fi\u015ftirme s\u00fcrecine, sanatsal \u00fcretimiyle kat\u0131larak, kendi olma y\u00f6n\u00fcnde ciddi bir ad\u0131m atm\u0131\u015f olur. Bu s\u00fcre\u00e7te toplumu ve onun bir par\u00e7as\u0131 olarak kendini yeniden \u00fcreterek, tan\u0131yarak ve de\u011fi\u015ftirerek yabanc\u0131la\u015fmaya son verebilir. B\u00f6ylece toplumsal\/ulusal ger\u00e7ekli\u011fin, evreselli\u011fini de i\u00e7eren b\u00fct\u00fcnl\u00fckl\u00fc aynas\u0131nda, kendi b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc ke\u015ffedebilir, kendisi olabilir. De\u011filse, Nasrettin Hoca\u2019n\u0131n ah\u0131rda paras\u0131n\u0131 d\u00fc\u015f\u00fcr\u00fcp, bah\u00e7ede aramas\u0131 gibi\u2026 Kimlikte, ki\u015filikte ba\u015fka toplumlarda; Amerika\u2019da, Avrupa\u2019da ve ulus \u00f6tesi olmayan sa\u00e7ma yerlerde aranmaya devam edilir\u2026<\/p>\n\n\n\n

Mehmet Ulusoy, \u00c7\u00fcr\u00fcmenin Esteti\u011fi adl\u0131 bu eserinde; Emperyalist Yeni Orta\u00e7a\u011f\u2019\u0131n k\u00fclt\u00fcrel bi\u00e7imi olarak, postmodernizmi incelerken, asalakla\u015fman\u0131n ve mafyala\u015fman\u0131n doru\u011fa \u00e7\u0131kt\u0131\u011f\u0131, \u00fcreticili\u011fin ve yarat\u0131c\u0131l\u0131\u011f\u0131n de\u011ferinin g\u00f6zden d\u00fc\u015ft\u00fc\u011f\u00fc; \u201cT\u00fcketim Toplumu\u201d da denen bu \u00e7a\u011f\u0131n d\u00fc\u015f\u00fcnce ve ya\u015fam tarz\u0131n\u0131, k\u00fclt\u00fcr ve sanat anlay\u0131\u015f\u0131n\u0131, \u00e7ok boyutlu ele ald\u0131\u011f\u0131 bu \u00f6zg\u00fcn eserde, asl\u0131nda \u00f6zet ve sonu\u00e7 olarak \u015funu demekte yarar vard\u0131r: \u201c\u00c7\u00fcr\u00fcmenin Esteti\u011fi\u201d g\u00fcn\u00fcm\u00fcz\u00fcn ruhsuzla\u015fm\u0131\u015f ve \u00e7orakla\u015fm\u0131\u015f k\u00fclt\u00fcr, sanat ve edebiyat d\u00fcnyas\u0131nda d\u00fczeyli, ufuk a\u00e7\u0131c\u0131, diyalektik \u00e7\u00f6z\u00fcml\u00fc, bilgilendirici, d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc, ayaklar\u0131 yere basan ciddi bir \u00e7al\u0131\u015fma \u00f6rne\u011fi ve Bat\u0131 merkezli yalan, yanl\u0131\u015f ve tabular\u0131 y\u0131kmada \u00f6nemli bir yap\u0131tt\u0131r\u2026<\/p>\n\n\n\n

K\u00fclt\u00fcr, sanat, edebiyat ve politika d\u00fcnyas\u0131nda kirlili\u011fin artt\u0131\u011f\u0131 bu zaman ve mekanda; cesaretli ve ak\u0131lc\u0131 ara\u015ft\u0131rmalar\u0131 ve \u00f6zg\u00fcn eserleriyle; putperestli\u011fin, k\u00f6leci kabulun, k\u00f6r itaatsizli\u011fin, \u00e7\u0131karc\u0131, bencil ve faydac\u0131 teslimiyetin ya da suskunlu\u011fun \u00fczerine giden; dil bayra\u011f\u0131m\u0131z T\u00fcrk\u00e7e\u2019nin ve T\u00fcrk K\u00fclt\u00fcr\u00fcn\u00fcn \u00f6d\u00fcns\u00fcz sava\u015f\u0131mc\u0131s\u0131, T\u00fcrk\u00e7e\u2019nin y\u00fccelmesi, korunmas\u0131, ar\u0131nmas\u0131 ve ya\u015fat\u0131lmas\u0131nda \u00f6nc\u00fcl\u00fck yapan, Karamano\u011flu Mehmet Beyin torunu, Ermenekli Toros Da\u011f\u0131 Y\u00f6r\u00fcklerinden Mehmet Ulusoy, asl\u0131nda 68 Ku\u015fa\u011f\u0131 gen\u00e7li\u011fin \u00f6nc\u00fclerindendir. \u0130stanbul \u00dcniversitesi Fen Fak\u00fcltesi Fizik B\u00f6l\u00fcm\u00fc mezunu olan Ulusoy, 12 Mart 1971 d\u00f6neminde Dev-Gen\u00e7 Davas\u0131 ve 12 Eyl\u00fcl 1980 d\u00f6neminde yarg\u0131land\u0131 ve i\u00e7erde yatt\u0131. 2000\u2019den sonra ise, 68\u2019liler Birli\u011fi Vakf\u0131\u2019n\u0131n yakla\u015f\u0131k 15 y\u0131l Y\u00f6neyim Kurulu \u00fcyeli\u011fini yapt\u0131. Son 20 y\u0131l boyunca Teori Dergisi Genel Yay\u0131n Y\u00f6netmenli\u011fi, Bilim \u00dctopya, Ayd\u0131nl\u0131k, Papir\u00fcs, Sanat\u00e7\u0131n\u0131n At\u00f6lyesi, Berfin Bahar Dergilerinde yaz\u0131lar yazd\u0131. Mehmet Ulusoy<\/strong>\u2019un yay\u0131nlanm\u0131\u015f eserleri ise \u015funlard\u0131r: Ulusal Devrim ve K\u00fcresel Kar\u015f\u0131-devrim, T\u00fcrk Devrimi ve Milliyet\u00e7ilik, \u00c7\u00fcr\u00fcmenin Esteti\u011fi<\/strong>. <\/p>\n\n\n\n

\u015eimdiye dek yay\u0131nlad\u0131\u011f\u0131 y\u00fczlerce eserle, T\u00fcrk ayd\u0131nlama seferberli\u011fine b\u00fcy\u00fck katk\u0131lar sa\u011flayan Berfin Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kan, \u00e7ok fazla kaynak\u00e7a eserden yararlan\u0131larak haz\u0131rlanm\u0131\u015f olan Mehmet Ulusoy\u2019un bu yap\u0131t\u0131; \u201c\u00c7\u00fcr\u00fcmenin Esteti\u011fi\u201d adl\u0131 384 sayfa bu ba\u015fucu kitap, mutlaka okunmal\u0131. Bayramda ve tatilde sevdiklerinize kitap arma\u011fan edin. \u00c7\u00fcr\u00fcmenin Esteti\u011fi, se\u00e7kin kitap\u00e7\u0131larda ve internet sat\u0131\u015f noktalar\u0131nda\u2026<\/p>\n\n\n\n

\u00c7\u00fcr\u00fcmenin Esteti\u011fi \/ Mehmet Ulusoy<\/strong><\/p>\n\n\n\n

Berfin Yay\u0131nlar\u0131, \u0130stanbul, Temmuz 2019<\/strong><\/p>\n\n\n\n

ISBN 978-605-4399-79-6<\/strong><\/p>\n\n\n\n

Ederi: 40 TL.<\/p>\n\n\n\n