{"id":364,"date":"2013-09-04T19:57:50","date_gmt":"2013-09-04T16:57:50","guid":{"rendered":"http:\/\/www.liliumreklam.com\/dur\/?p=364"},"modified":"2018-05-23T01:15:34","modified_gmt":"2018-05-22T22:15:34","slug":"kapi-komsumuz-iran-kultur-turizmi","status":"publish","type":"post","link":"http:\/\/www.dursunozden.com.tr\/?p=364","title":{"rendered":"Kap\u0131 kom\u015fumuz \u0130ran (K\u00fclt\u00fcr turizmi)"},"content":{"rendered":"

$\"\"$ $\"7C99A77310B3-1\"$ <\/a>\u015eiirin ba\u015fkenti: \u015eiraz<\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u0130ran K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131\u2019n\u0131n konu\u011fu olarak gitti\u011fim; Azadi Meydan\u0131 ve Derbent Vadisi ile tan\u0131d\u0131\u011f\u0131m ba\u015fkent Tahran;<\/strong> Ses, \u0131\u015f\u0131k ve g\u00f6lgenin oyununa tan\u0131kl\u0131k etti\u011fim, ta\u015f\u0131n ve hal\u0131n\u0131n oya gibi i\u015flendi\u011fi \u0130sfahan;<\/strong> a\u015fk\u0131n ve\u00a0\u015fiirin ba\u015fkenti \u015eiraz<\/strong> gezimde; \u00f6zellikle belle\u011fimde iz b\u0131rakan \u015eiraz\u2019dan s\u00f6z edece\u011fim. Bir T\u00fcrk atas\u00f6z\u00fcnde; “Kom\u015fu kom\u015funun k\u00fcl\u00fcne $\"\"$ <\/span><\/span> muhta\u00e7t\u0131r”<\/strong> derler. Kap\u0131 kom\u015fumuz \u0130ran\u2019dan, lacivert g\u00f6zl\u00fc g\u00fczellerin bal akan dilinden ve cefakar kom\u015fudan\u00a0\u015fiir s\u0131cakl\u0131\u011f\u0131nda dost eli uzan\u0131yor, yeniden\u2026\u00a0Lozan Antla\u015fmas\u0131 sonunda, Ermenistan’\u0131n araya girmesinin ard\u0131ndan, Azerbaycan’la olan s\u0131n\u0131r ba\u011f\u0131m\u0131z\u0131n kopmas\u0131 \u00fczerine, Kemal Atat\u00fcrk<\/span><\/strong> kendi paras\u0131yla \u0130ran \u015eah\u0131 R\u0131za\u00a0Pehlevi<\/strong>‘den<\/span><\/span>, I\u011fd\u0131r’\u0131 \u00a0Nahcivan’a ba\u011flayan\u00a016 km. uzunlu\u011fundaki \u015fimdiki topraklar\u0131 sat\u0131n alm\u0131\u015ft\u0131. Tarihte, \u0130ran’la olan diplomatik ve k\u00fclt\u00fcrel ba\u011flar\u0131m\u0131z olduk\u00e7a zengin \u00f6rneklerle doludur.<\/p>\n

\u015eair \u0130mam Humeyni’nin en g\u00fczel \u015fiirlerini Bursa’da yazd\u0131\u011f\u0131n\u0131 biliyoruz.<\/strong><\/span> Mevlana, Hac\u0131 Bekta\u015f\u0131 Veli, Ahmet Yesevi, \u015eah \u0130smail, Fuzuli ve \u00d6mer Hayyam ortak paydas\u0131ndaki sanat ba\u011f\u0131m\u0131z\u00a0da ya\u015f\u0131yor. \u015eiraz<\/strong><\/span> \u015eairler Derne\u011fi \u0130kinci B $\"\"$ <\/span>a\u015fkan\u0131 Sedra Zulriasetin, N\u00e2z\u0131m Hikmet ve Orhan Veli hayran\u0131. <\/strong><\/span>Ad\u0131na uluslararas\u0131 \u015fiir yar\u0131\u015fmas\u0131 d\u00fczenlenen Sadi \u015eirazi’nin mezar\u0131 ziyaret\u00e7ilerle doluyor. <\/strong><\/span>\u0130ran \u015fiirinin gelene\u011fi binlerce y\u0131l geriye uzan\u0131yor. Fars dilinde yaz\u0131lan \u015fiirin g\u00fcn\u00fcm\u00fczdeki ba\u015fkenti \u015eiraz, $\"\"$ <\/span><\/span>uluslararas\u0131 bir \u015fiir yar\u0131\u015fmas\u0131na da ev sahipli\u011fi yap\u0131yor.\u00a0Horasan T\u00fcrkmenleri ve Deylem Zazalar\u0131\u2019n\u0131n vatan\u0131 olmas\u0131n\u0131n yan\u0131 s\u0131ra; “\u015eiraz” ad\u0131 ile an\u0131lan d\u00fcnyaca \u00fcnl\u00fc \u015farapl\u0131k kara \u00fcz\u00fcm\u00fc, mobilyas\u0131, hal\u0131s\u0131, sanatsal zenginlikleri ve e\u015fcinsel b\u00fcy\u00fck \u0130skender’in zehirlenerek \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fc Persepolis Antik Kenti\u2019yle tan\u0131nan, \u015fiirin ba\u015fkenti \u015eiraz; tarih, k\u00fclt\u00fcr, sanat, a\u015fk, \u015fiir ve gizemli ya\u015fam\u0131n oda\u011f\u0131d\u0131r. Sadi \u015eirazi’nin-Haf\u0131z’\u0131n vatan\u0131d\u0131r \u015eiraz<\/span>. ‘Bostan’<\/span><\/strong>\u0131n ye\u015ferdi\u011fi, ‘G\u00fclistan<\/span><\/strong>‘\u0131n \u00e7i\u00e7ek a\u00e7t\u0131\u011f\u0131 yer. Sanki d\u00fcnya da ilk a\u015fk \u015eiraz’da ya\u015fanm\u0131\u015f, ‘Haf\u0131z’\u0131n \u015fiir dizelerinde. ‘Bostan’dan bir demet al. G\u00fclistan’da seyreyle. ‘Haf\u0131z’la hemdem ol. ‘Sadi’ ile sohbet eyle…<\/p>\n

\u0130ran \u015eiiri’nin tarihi k\u00f6kleri <\/strong><\/p>\n

\u0130ran ya da Fars \u015fiirini \u00fc\u00e7 d\u00f6nemde ele almak gerekli: \u0130slamiyet \u00f6ncesi \u0130ran \u015fiiri M.\u00d6. 6. y\u00fczy\u0131lda ba\u015flar. Bu d\u00f6nemde, \u00f6zellikle Eski Fars ve Sasani edebiyat\u0131n\u0131n yan\u0131 s\u0131ra Zerd\u00fc\u015ftl\u00fc\u011f\u00fcn kutsal kitab\u0131 ‘Avesta’, \u0130ran Edebiyat\u0131’n\u0131n ve \u00f6zel olarak da \u0130ran \u015eiiri’nin en eski \u00f6rneklerinden say\u0131l\u0131r. Eski, Orta ve Yeni Fars\u00e7a yaz\u0131lm\u0131\u015f \u0130ran \u015eiiri’nin t\u00fcm\u00fc, asl\u0131nda \u0130slam \u00f6ncesi ve sonras\u0131 olarak iki b\u00f6l\u00fcmde ele al\u0131nmal\u0131.<\/p>\n

\u0130slamiyet sonras\u0131 \u0130ran \u015fiiri ise, Sasani H\u00fck\u00fcmdar\u0131 III. Yezdegerd’in 651’de Araplara yenilmesiyle ba\u015flar. \u0130ranl\u0131lar\u0131n \u0130slamiyeti kabullenmesiyle daha da \u00f6nem kazan\u0131r. Bu d\u00f6nemde, Pehlevi yaz\u0131s\u0131n\u0131 b\u0131rak\u0131p Arap harfleriyle yaz\u0131lmaya ba\u015fland\u0131. Her alanda h\u0131zl\u0131 de\u011fi\u015fikliklere kar\u015f\u0131n, Zerd\u00fc\u015ftl\u00fc\u011f\u00fcn etkisiyle ate\u015fe tapan \u0130ranl\u0131lar, kendi k\u00fclt\u00fcrlerini, \u015fark\u0131lar\u0131n\u0131, destanlar\u0131n\u0131, efsanelerini ve \u015fiirlerini ya\u015fatt\u0131lar. 200 y\u0131l s\u00fcren Arap istilas\u0131na kar\u015f\u0131n, \u0130ranl\u0131lar ulusal dillerini korudular. B\u00f6ylece Fars\u00e7a, edebiyat\u0131n dili olarak kabul g\u00f6rd\u00fc ve dilbilgini Ebu H\u0131fs Sogdi (9. yy.) ve Abbas Merzevi (\u00d6. 816) \u015fiirlerini ilk kez Fars\u00e7a yazan \u015fairler oldu.<\/p>\n

Asya’da Mo\u011fol sald\u0131r\u0131s\u0131ndan ka\u00e7an \u015fairlerin bir s\u0131\u011f\u0131nma merkezi olan \u0130ran topraklar\u0131, Yak\u0131n Do\u011fu’nun da k\u00fclt\u00fcr merkezi olma \u00f6zelli\u011fini korudu. \u015eiirin ba\u015fkenti \u015eiraz, bu anlamda \u015fiirsel bak\u0131mdan, d\u00fcn\u00fc yar\u0131na ba\u011flama i\u015flevi g\u00f6rmektedir. \u00d6zellikle Gazneliler d\u00f6neminde d\u00fcnya edebiyat\u0131na katk\u0131da bulunan \u00f6nemli \u015fairler yeti\u015fti. Bu d\u00f6nemde \u015fiir, bi\u00e7im ve i\u00e7erik a\u00e7\u0131s\u0131ndan tam bir olgunlu\u011fa ula\u015ft\u0131ysa da \u015fiir t\u00fcrlerinde \u00f6nemli bir de\u011fi\u015fiklik olmad\u0131. \u015eairler kaside, gazel, k\u0131ta, mesnevi ve rubai tarz\u0131nda yap\u0131tlar verdiler. Bu d\u00f6nemin yenili\u011fi ise, Musammat tarz\u0131yd\u0131. Firdevsi ve Unsuri, d\u00f6nemin \u00f6rnek \u015fairlerindendir.<\/p>\n

Mavera\u00fcnnehir, Horasan, Kirman, Irak, Azerbaycan ve Anadolu’da egemen olan B\u00fcy\u00fck Sel\u00e7uklular d\u00f6neminde, \u0130ran \u015fiiri en \u00fcst \u00fcr\u00fcnlerini verdi. \u015eair ve yazarlar\u0131 \u00f6zendiren Sultan ve Vezirler sayesinde, h\u00fck\u00fcmet merkezleri \u015fairlerin topland\u0131klar\u0131 yerler durumuna geldi. B\u00fcy\u00fck kentlerde Nizamiye medreseleri kuruldu. Buralarda tasavvuf \u015fairleri yeti\u015fti. Kom\u015fu devletlerden ka\u00e7an \u015fairleri de koruyan Sel\u00e7uklular d\u00f6neminde mesnevi, gazel, k\u0131ta, rubai, kaside ve hapsiyatlar\u0131yla tan\u0131nan \u00fcnl\u00fc \u015fairler yeti\u015fti. Baba Tahir ve \u015eirazi secili ve uyakl\u0131 d\u00fcz yaz\u0131n\u0131n (serbest vezin \u015fiirin) ilk temsilcisi Abdullah Ensari (\u00d6:1088) bunlardan baz\u0131lar\u0131d\u0131r.<\/p>\n

Bu iki d\u00f6nemin ba\u015fta gelen \u015fairlerinden baz\u0131lar\u0131 \u015funlard\u0131r: Mevlana, \u00d6mer Hayyam, \u015eah \u0130smail, Sam Mirza, \u015eirazl\u0131 Sadi, Sultan Veled, Ahmet Yesevi, Hac\u0131 Bekta\u015f Veli, Attar, Firdevsi, Fuzuli, Nizami, \u015eehriya, Ebu Mansur, Ferruhi, Baba Tahir, Abdullah Ensari, Naz\u0131r H\u00fcsrev, Enveri, Feleki \u015eirvani, \u0130raki, Necmettin Razi, Alaettin Keykubad, Baba Figani, Ali \u015eir Nevai, Ne\u015fat, Visal \u015eirazi ve Sad\u0131k bin Mehdi…<\/p>\n

\u00c7a\u011fda\u015f \u0130ran \u015eiiri D\u00f6nemi<\/strong>, asl\u0131nda 1906’da Me\u015frutiyetin ilan\u0131 ile ba\u015flar. Bu d\u00f6nemde, \u0130ranl\u0131 \u015fairlerin bir\u00e7o\u011fu Avrupal\u0131 \u015fairlerin etkisinde kalarak onlar\u0131n tarz\u0131nda \u015fiirler yazd\u0131lar. E\u015fitlik, d\u00fc\u015f\u00fcnce \u00f6zg\u00fcrl\u00fc\u011f\u00fc, vatanseverlik ve devrimcilik \u015fiirde en \u00e7ok i\u015flenen konular oldu. Genellikle halk\u0131n gereksinimine ve be\u011fenisine uygun olmayan, belli bir s\u0131n\u0131fa y\u00f6nelik eski \u015fiirler b\u0131rak\u0131ld\u0131. Halk\u0131n anlayaca\u011f\u0131 bir dille, toplumsal i\u00e7erikli \u015fiirler yaz\u0131ld\u0131. Yeni ve uygar tarzda edebiyat okullar\u0131 a\u00e7\u0131ld\u0131. Bat\u0131dan ve d\u00fcnya klasiklerinden \u00fcnl\u00fc \u015fiir kitaplar\u0131 \u00e7evrildi. Baz\u0131 \u015fairler aruz vezniyle \u015fiir yazmay\u0131 s\u00fcrd\u00fcr\u00fcrken, bir\u00e7ok \u015fair serbest \u00f6l\u00e7\u00fcy\u00fc kullanmaya ba\u015flad\u0131.<\/p>\n

\u0130ran Edebiyat\u0131na T\u00fcrk \u015fiirinin etkisi <\/strong><\/p>\n

\u00c7a\u011fda\u015f \u0130ran \u015eiiri’nin do\u011fusunda T\u00fcrk \u015eiiri’nin b\u00fcy\u00fck etkisi oldu\u011fu s\u00f6ylenebilir. \u00c7\u00fcnk\u00fc Me\u015frutiyet d\u00f6neminde yeti\u015fen \u0130ran \u015fairlerinin \u00e7o\u011fu, Avrupa ile ili\u015fkilerini s\u00fcrd\u00fcr\u00fcrken, ilk konak yeri durumundaki \u0130stanbul’da uzun s\u00fcre kalm\u0131\u015flar. Hatta burada, bir\u00e7ok edebiyat dergisi yay\u0131nlam\u0131\u015flard\u0131r. Burada T\u00fcrk \u015eiiri’nden esinlenmi\u015fler ve bu d\u00f6nemde; Fars\u00e7a \u015fiir, hem bi\u00e7im, hem de i\u00e7erik bak\u0131m\u0131ndan de\u011fi\u015fime u\u011fram\u0131\u015ft\u0131r. Aruz, yava\u015f yava\u015f b\u0131rak\u0131l\u0131rken, \u015fiirin konusunu da toplumsal olaylar olu\u015fturmaya ba\u015flam\u0131\u015ft\u0131r. Bu d\u00f6nemin ba\u015fta gelen \u015fairleri ise \u015funlard\u0131r: Ummid, \u0130rec Mirza, Muhammed Taki, Bahar, Pervin \u0130tisami ve Hanleri…<\/p>\n

F\u00fcru\u011f Ferruhzad ve Nima Yusic ise \u0130ran \u015fiirinin 20. y\u00fczy\u0131ldaki belli ba\u015fl\u0131 temsilcilerindendir. Nima Yusi\u00e7 ad\u0131 ile \u00fcn yapan Ali \u0130sfandiyari (1897-1953) \u015fiirde ‘yeni dalga’<\/strong> ad\u0131 ile bir \u00e7\u0131\u011f\u0131r a\u00e7t\u0131. \u015eiirle ilgili ba\u011flay\u0131c\u0131 ve bi\u00e7imsel nitelikteki t\u00fcm kurallar\u0131n kald\u0131r\u0131lmas\u0131n\u0131, \u015fairin i\u00e7ine do\u011fdu\u011fu, akl\u0131na geldi\u011fi gibi yazmas\u0131n\u0131 \u00f6nerdi. Ali \u0130sfandiyari’nin ba\u015flatt\u0131\u011f\u0131 bu ak\u0131m\u0131 Tevell\u00fcli, Nadirpur, \u015eamlu, Ahavan-\u0131 Salis ve F\u00fcru\u011f Ferruhzade gibi \u015fairler geli\u015ftirdiler.<\/p>\n

Bu gelene\u011fin takip\u00e7isi ve \u00c7a\u011fda\u015f \u0130ran \u015eiiri’<\/strong>nin ustalar\u0131ndan olan \u015eiraz \u015eairler Derne\u011fi ikinci ba\u015fkan\u0131 Sedra Zulriasetin<\/strong> ise, \u0130ran’da \u00e7ok okunan bir gazetedeki ‘k\u00fclt\u00fcr – sanat’ sayfas\u0131nda yay\u0131nlanan, esin kayna\u011f\u0131 oldu\u011funu s\u00f6yledi\u011fi T\u00fcrk \u015eairi N\u00e2z\u0131m Hikmet i\u00e7in \u00f6vg\u00fc dolu yaz\u0131lar ve se\u00e7ki \u015fiirlerle, T\u00fcrk – \u0130ran dostlu\u011funa ve b\u00f6lgede esen bar\u0131\u015f r\u00fczg\u00e2r\u0131na katk\u0131da bulunman\u0131n doyumuna ula\u015f\u0131yor. \u015eiir yazan, d\u00fcnya g\u00fczeli ikiz k\u0131z torunu ile \u00f6v\u00fcnen, N\u00e2z\u0131m Hikmet ve Orhan Veli hayran\u0131 oldu\u011funu s\u00f6yleyen \u015fair Zulriasetin, ‘\u00c7a\u011fda\u015f T\u00fcrk \u015eairleri’ ile tan\u0131\u015fmak istedi\u011fini s\u00f6yl\u00fcyor. Zulraisetin’in ‘\u00c7a\u011fda\u015f \u0130ran \u015eiir Antolojisi’<\/strong> kitab\u0131 ise, \u00e7ok okunan kitaplar aras\u0131nda bulunuyor.<\/p>\n

T\u00fcrk\u00e7eye \u00e7evrilen ve Cem Yay\u0131nlar\u0131 taraf\u0131ndan sat\u0131\u015fa sunulan ‘K\u00fc\u00e7\u00fck Kara Bal\u0131k’ ve ‘Bir \u015eeftali Bin \u015eeftali’<\/strong> isimli \u00e7ocuk masallar\u0131 kitaplar\u0131yla tan\u0131d\u0131\u011f\u0131m\u0131z, \u015eah rejimine kar\u015f\u0131 \u00e7\u0131kt\u0131\u011f\u0131 i\u00e7in 1968 y\u0131l\u0131nda \u00f6ld\u00fcr\u00fclerek Aras nehrine at\u0131lan \u00fcnl\u00fc yazar Samed Behrengi’<\/strong>nin kitaplar\u0131 ise, unutulmaya y\u00fcz tutmu\u015f. Baz\u0131 ele\u015ftirmenler, ‘Behrengi modas\u0131 ge\u00e7ti(!)’ diyorlar.<\/p>\n

\u015eiirin ba\u015fkenti kabul edilen \u015eiraz’da, her y\u0131l geleneksel olarak d\u00fczenlenen ‘Ulusal ve Uluslararas\u0131 Sadi \u015eirazi \u015eiir Yar\u0131\u015fmalar\u0131’<\/strong> t\u00fcm d\u00fcnya \u015fairlerini birle\u015ftiriyor. Kirlenen d\u00fcnyan\u0131n bar\u0131\u015f el\u00e7isi olan \u015fairler, \u015eiraz’da bir araya gelerek; \u015fiirin i\u00e7eri\u011fini, bi\u00e7imini ve konusunu tart\u0131\u015f\u0131yorlar. A\u015fk\u0131, sevday\u0131, \u00f6zg\u00fcrl\u00fc\u011f\u00fc, bar\u0131\u015f\u0131 ve insandan yana olan her \u015feyi \u015fiire konu edip; kirliliklere, \u015feytanl\u0131klara, k\u00f6t\u00fcl\u00fcklere, ABD\u2019nin ba\u015f\u0131n\u0131 \u00e7ekti\u011fi \u201cbat\u0131\u201d merkezli yalanlara ve d\u00fc\u015fmanlara \u015fiir – oku’nu f\u0131rlat\u0131yorlar\u2026<\/strong> Mimarl\u0131k ve Sanat galerisi \u0130sfahan\u2019dan, T\u00fcrkmen ota\u011f\u0131 Horasan\u2019dan ve \u015eiirin ba\u015fkenti \u015eiraz\u2019dan, kom\u015fulara dost eli uzan\u0131yor\u2026 \u015eiir s\u0131cakl\u0131\u011f\u0131nda ve ganat-kar\u0131z bereketinde\u2026<\/p>\n

\u015eirazl\u0131 Sadi kimdir?<\/strong><\/p>\n

Sadi-i \u015eirazi,\u00a0\u015eeyh Sadi olarak da bilinir. \u015eirazl\u0131 \u015fair ve ilim adam\u0131d\u0131r. 1200’l\u00fc y\u0131llar\u0131n ba\u015flar\u0131nda \u0130ran’\u0131n \u015eiraz \u015fehrinde do\u011fmu\u015ftur. Babas\u0131 da bir imamd\u0131r ve \u00e7evresi taraf\u0131ndan \u00e7ok sevilir. \u0130lk e\u011fitimini babas\u0131ndan ve ailesinden alm\u0131\u015ft\u0131r. Eserlerinde kendi tecr\u00fcbelerine ve k\u0131ssalara yer verir hikmetle y\u00fckl\u00fcd\u00fcr s\u00f6zleri. Rivayet edilir ki; Konya\u2019da ayn\u0131 d\u00f6nemde ya\u015fayan Mevlana<\/a>\u2019ya \u201cG \u00fclistan<\/a>\u201d adl\u0131 eserini sunmu\u015f, fakat o zaman\u0131n \u00fcst\u00fcn \u015fiir anlay\u0131\u015f\u0131na tam uymad\u0131\u011f\u0131 i\u00e7in Mevlana taraf\u0131ndan be\u011fenilmemi\u015ftir. \u015eirazl\u0131 \u015eeyh Sadi uzun ve sa\u011fl\u0131kl\u0131 ge\u00e7irdi\u011fi \u00f6mr\u00fc s\u0131ras\u0131nda, \u00e7ok yer gezmi\u015f ve ya\u015fad\u0131klar\u0131ndan \u00e7ok \u00f6nemli dersler \u00e7\u0131karm\u0131\u015ft\u0131r Bunlar\u0131 da hikayelerine yans\u0131tm\u0131\u015ft\u0131r. En \u00f6nemli eserleri \u201cG \u00fclistan<\/a>\u201d ve \u201cB ostan<\/a>\u201dd\u0131r. Bu iki eseri do\u011fu klasiklerinin ba\u015f eserleri aras\u0131ndad\u0131r ve hala da okullarda-medreselerde okutulmaktad\u0131r. \u0130cazet almak i\u00e7in ge\u00e7ilmesi gereken eserlerdedir. Haf\u0131z’\u0131n eserleri o zaman\u0131n ve yak\u0131n zamana kadar e\u011fitim kaynaklar\u0131 olan medreseler ve alimler arac\u0131l\u0131\u011f\u0131yla halka da yay\u0131lm\u0131\u015f ve deyim ve atas\u00f6zlerine s\u00f6zl\u00fc k\u00fclt\u00fcr sayesinde temel olmu\u015ftur.<\/p>\n

\u015eirazl\u0131 Sadi\u2019den bir beyit:<\/strong><\/p>\n

“Sevgisiz bak\u0131nca Yusuf bile \u00e7irkindir,
\n\u015eeytana a\u015fkla bak\u0131nca onu melek san\u0131rs\u0131n.”<\/em><\/p>\n

www.dursunozden.com.tr<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u015eiirin ba\u015fkenti: \u015eiraz \u0130ran K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131\u2019n\u0131n konu\u011fu olarak gitti\u011fim; Azadi Meydan\u0131 ve Derbent Vadisi ile tan\u0131d\u0131\u011f\u0131m ba\u015fkent Tahran; Ses, \u0131\u015f\u0131k ve g\u00f6lgenin oyununa tan\u0131kl\u0131k etti\u011fim, ta\u015f\u0131n ve hal\u0131n\u0131n oya gibi i\u015flendi\u011fi \u0130sfahan; a\u015fk\u0131n ve\u00a0\u015fiirin ba\u015fkenti \u015eiraz gezimde; \u00f6zellikle belle\u011fimde iz b\u0131rakan \u015eiraz\u2019dan s\u00f6z edece\u011fim. Bir T\u00fcrk atas\u00f6z\u00fcnde; “Kom\u015fu kom\u015funun k\u00fcl\u00fcne muhta\u00e7t\u0131r” derler. Kap\u0131 kom\u015fumuz \u0130ran\u2019dan, …<\/p>\n","protected":false},"author":1,"featured_media":1490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[65],"tags":[],"_links":{"self":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/364"}],"collection":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=364"}],"version-history":[{"count":4,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/364\/revisions"}],"predecessor-version":[{"id":1492,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/364\/revisions\/1492"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/media\/1490"}],"wp:attachment":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=364"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}