I\u015eIK VE G\u00d6LGEN\u0130N OYUNU. \u00a0<\/span>Ni\u011fde’de\u00a0bulunan Alaaddin Camii do\u011fu kap\u0131s\u0131ndaki ta\u00e7 ba\u015fl\u0131 bayan resmini \u00a0anlat\u0131yor\u00a0Ressam Bahtiyar G\u00fclsoy; \u201c<\/span><\/strong>Nas\u0131l g\u00f6rd\u00fcm? \u015eu anki Belediyenin oldu\u011fu yerde ceza evi vard\u0131. Bizim k\u00f6y\u00fcn arabalar\u0131 da oradan kalkt\u0131\u011f\u0131 i\u00e7in orada birka\u00e7 saat konaklama imkan\u0131 oluyordu. Bu camii kap\u0131s\u0131ndaki ta\u00e7 ba\u015fl\u0131 bayan fig\u00fcr\u00fc yaln\u0131z de\u011fil, yan\u0131nda camiyi yapan\u00a0iki mimar karde\u015flerin sol ve sa\u011f profilden bak\u0131lm\u0131\u015f simalar\u0131 da bulunmaktad\u0131r.<\/span><\/strong><\/div>\n
<\/strong>ben bu birka\u00e7 saatlik s\u00fcrede etraftaki foto\u011fraf\u00e7\u0131lar\u0131 gezerdim merak\u0131mdan dolay\u0131. O y\u0131llarda da foto\u011fraflar siyah beyazd\u0131. \u0130lk kez Alaaddin caminin kap\u0131s\u0131ndaki bayan fig\u00fcr\u00fcn\u00fc siyah beyaz olarak foto\u011fraf\u00e7\u0131da g\u00f6rd\u00fcm\u201d diye konu\u015ftu.<\/p>\n
\u201cK\u0131z ba\u015f\u0131n\u0131 g\u00f6rd\u00fcm ama bir \u015fey daha fark ettim\u201d<\/p>\n
Siyah beyaz foto\u011fraflar kara kaleme yak\u0131n oldu\u011fu i\u00e7in kendisinin bu resmi incelemeye ald\u0131\u011f\u0131n\u0131 vurgulayan ressam Bahtiyar G\u00fclsoy; \u201cO tarihlerde de s\u00f6ylentiler vard\u0131. Orada bir k\u0131z ba\u015f\u0131 fig\u00fcr\u00fc oldu\u011fu hakk\u0131nda. Bakt\u0131m, resme ve k\u0131z ba\u015f\u0131n\u0131 g\u00f6rd\u00fcm. Burada ben bir \u015fey daha fark ettim.<\/p>\n
Bu k\u0131z ba\u015f\u0131n\u0131n yan\u0131nda iki sima daha belirmekte idi. \u0130\u015fte bu me\u015fhur Alaaddin camideki k\u0131z resminin bilinmeyen y\u00fcz\u00fc budur. Ben bunu incelemeye ba\u015flad\u0131m. Karar ald\u0131m kendi kendime.<\/p>\n
Buradaki iki resmin ne doldu\u011funu, kime ait oldu\u011funu \u00f6\u011frenmek istedim. Kitaplardan kaynaklardan ve ilimiz Valili\u011finin \u00e7\u0131karm\u0131\u015f oldu\u011fu Alaaddin Camii hakk\u0131ndaki b\u00fct\u00fcn kitaplar\u0131 okudum\u201d dedi.<\/p>\n
\u201cK\u0131z ba\u015f\u0131n\u0131n yan\u0131nda iki sima daha var!\u201d<\/p>\n
Ressam Bahtiyar G\u00fclsoy\u2019un Alaaddin Camii kap\u0131s\u0131 \u00fczerindeki ta\u00e7 ba\u015fl\u0131 kad\u0131n fig\u00fcr\u00fc konusundaki g\u00f6r\u00fc\u015f ve iddialar\u0131n\u0131 hep birlikte okuyal\u0131m:<\/p>\n
\u201cVe \u015f\u00f6yle s\u00f6yleniyor: 1223 y\u0131l\u0131nda Ziynettin Be\u015fare taraf\u0131ndan buraya bu caminin yap\u0131lmas\u0131 i\u00e7in emir buyrulmu\u015f.<\/p>\n
Bu esnada da caminin projesi i\u00e7in ise S\u0131d\u0131k ve Gazi ad\u0131nda iki mimar karde\u015f g\u00f6revlendirilmi\u015f. S\u0131d\u0131k ve Gazi karde\u015fler kollar\u0131 s\u0131vam\u0131\u015f.<\/p>\n
Bunun yan\u0131 s\u0131ra \u00fc\u00e7\u00fcnc\u00fc bir \u015fah\u0131s \u0130msi\u2019de ge\u00e7iyor. Kitaplarda buran\u0131n ta\u015feronlu\u011funu \u00fcstlenen Nissi Nurettin ismi ge\u00e7mektedir.<\/p>\n
Efsaneye g\u00f6re birde d\u00f6rd\u00fcnc\u00fc \u015fah\u0131s var ki ta\u015f ustas\u0131d\u0131r ve bu \u015fah\u0131s bir bayana \u00e2\u015f\u0131k olur. Ve o bayan\u0131 bu camii kap\u0131s\u0131n\u0131n \u00fczerine nak\u015feder. Efsane bu ama ben de diyorum ki, tamam bu i\u015f\u00e7ili\u011fi bu usta yapt\u0131 ise, bu k\u0131z\u0131n yan\u0131ndaki o iki siman\u0131n ne i\u015fi var?<\/p>\n
Benim fikrim ise bu i\u015f\u00e7ili\u011fi herhangi bir ustan\u0131n yapmas\u0131 m\u00fcmk\u00fcn de\u011fil. Neden m\u00fcmk\u00fcn de\u011fil?<\/p>\n
Bu caminin \u00fczerindeki bu resmin ta\u015flar\u0131 yukar\u0131dan a\u015fa\u011f\u0131 s\u0131raya do\u011fru ba\u015flama s\u0131ras\u0131na g\u00f6re \u00e7ok m\u00fcthi\u015f derecede simetrik bir plan\u0131 var. Bu simetriden de anla\u015f\u0131lmaktad\u0131r ki, bu i\u015f bir mimar i\u015fidir. Herhangi bir ta\u015f ustas\u0131n\u0131n yapabilece\u011fi bir \u015fey de\u011fil. Bunun yan\u0131 s\u0131ra ta\u015flar\u0131 sayd\u0131\u011f\u0131m\u0131zda tam 40 adet ta\u015f kullan\u0131larak yap\u0131lm\u0131\u015f bir eser.<\/p>\n
Bu eser bana g\u00f6re d\u00fcnyada e\u015fine rastlanamayacak bir eserdir. Buradaki olay tamamen g\u00f6lge \u0131\u015f\u0131k oyunudur. Bu g\u00f6lge ve \u0131\u015f\u0131k, g\u00fcn\u00fcn belirli saatlerinde 09.30 ile 11.00\u2019da meydana gelir. Bu saatlerde g\u00fcne\u015f \u0131\u015f\u0131nlar\u0131n\u0131n buraya yans\u0131mas\u0131 ile o desenlere d\u00fc\u015fen g\u00f6lge izlenimleri bu resmi ortaya \u00e7\u0131kar\u0131yor.<\/p>\n
Ben diyorum ki, bu eseri ortaya koyabilmek i\u00e7in g\u00fcnlerce \u00e7izim yap\u0131lmal\u0131, geometriyi \u00e7ok iyi bilmeli. Yani k\u0131sacas\u0131 bir ta\u015f ustas\u0131n\u0131n bu resmi \u00e7izmesine imk\u00e2n yok. Benim tahminime g\u00f6re, bu resimler mimari \u00e7izimlerdir. Yani bu tamamen statik hesaplara dayal\u0131 bir eserdir.<\/p>\n
K\u0131sacas\u0131 \u00f6zetleyecek olursak, bu camii kap\u0131s\u0131ndaki ta\u00e7 ba\u015fl\u0131 bayan fig\u00fcr\u00fc yaln\u0131z de\u011fil yan\u0131nda bu iki mimar karde\u015flerin sol ve sa\u011f profilden bak\u0131lm\u0131\u015f simalar\u0131 bulunmaktad\u0131r. Bana g\u00f6re ise her ressam\u0131n resmini \u00e7izdikten sonra b\u0131rakt\u0131\u011f\u0131 imza gibi bu iki karde\u015f mimar\u0131n da imzalar\u0131 bu resimdir.\u201d<\/p>\n
Kaynak: Arif Ac\u0131nd\u0131 (Defterk)<\/p>\n
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CAM\u0130N\u0130N SAKLI Y\u00dcZ\u00dc I\u015eIK VE G\u00d6LGEN\u0130N OYUNU. \u00a0Ni\u011fde’de\u00a0bulunan Alaaddin Camii do\u011fu kap\u0131s\u0131ndaki ta\u00e7 ba\u015fl\u0131 bayan resmini \u00a0anlat\u0131yor\u00a0Ressam Bahtiyar G\u00fclsoy; \u201cNas\u0131l g\u00f6rd\u00fcm? \u015eu anki Belediyenin oldu\u011fu yerde ceza evi vard\u0131. Bizim k\u00f6y\u00fcn arabalar\u0131 da oradan kalkt\u0131\u011f\u0131 i\u00e7in orada birka\u00e7 saat konaklama imkan\u0131 oluyordu. Bu camii kap\u0131s\u0131ndaki ta\u00e7 ba\u015fl\u0131 bayan fig\u00fcr\u00fc yaln\u0131z de\u011fil, yan\u0131nda camiyi yapan\u00a0iki mimar …<\/p>\n","protected":false},"author":1,"featured_media":1601,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[65],"tags":[],"_links":{"self":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/345"}],"collection":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=345"}],"version-history":[{"count":4,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/345\/revisions"}],"predecessor-version":[{"id":1604,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/345\/revisions\/1604"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/media\/1601"}],"wp:attachment":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=345"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}