Edebiyat\u0131n esin kayna\u011f\u0131 ve etki alan\u0131 i\u00e7inde ve \u00f6znesinde, elbette insan ve insan\u0131n ya\u015fad\u0131\u011f\u0131 do\u011fa, ekoloji, \u00e7evre, iktisadi ve sosyal iklim, \u00fcretim ili\u015fkisi, medeniyet, k\u00fclt\u00fcr ve sanatsal estetik, zenginlik ve duygu miras\u0131 gibi konular yer almaktad\u0131r. Gezi yazar\u0131, merak edip ke\u015ffetmek i\u00e7in ara\u015ft\u0131rd\u0131\u011f\u0131 ve yerinde belgeledi\u011fi yer, konu, zaman, k\u00fclt\u00fcr ve estetik g\u00fczellikler, t\u00fcm g\u00f6rsel botuyu ile beslenip; edebi olarak kendi g\u00f6zlem ve sanatsal yorumlar\u0131yla okurun \u00f6n\u00fcne koymas\u0131d\u0131r. <\/span><\/p>\n Gezgin yazar\u0131n; asl\u0131nda var olan, koca bir da\u011f\u0131n alt\u0131ndaki \u00e7ok k\u0131ymetli som alt\u0131n\u0131n varl\u0131\u011f\u0131n\u0131 ke\u015ffetmesi, d\u00fc\u015f\u00fcnmesi, inanmas\u0131, onu \u00e7\u0131karmak i\u00e7in karar vermesi, proje yapmas\u0131, kollar\u0131 s\u0131vamas\u0131, ara\u015ft\u0131rmas\u0131, olanak yaratmas\u0131, gitmesi, i\u015fe koyulmas\u0131, \u00e7\u0131karmak i\u00e7in \u00e7al\u0131\u015fmas\u0131, zaman harcamas\u0131, terlemesi, emek sarfetmesi, bulup \u00e7\u0131karmas\u0131, i\u015flemesi ve kullan\u0131m de\u011feri verip, pazara sunmas\u0131 gereklidir\u2026 Elbette, do\u011fa-\u00e7evre-ekoloji-mitoloji-k\u00fclt\u00fcr i\u00e7erikli gezi yaz\u0131s\u0131n\u0131n okurla bulu\u015fmas\u0131; maddi bir \u00fcr\u00fcn\u00fcn m\u00fc\u015fterisiyle bulu\u015fmas\u0131 olarak, benzer alg\u0131lanmamal\u0131d\u0131r. Gezi edebiyat\u0131, ak\u0131l ve mant\u0131k s\u00fczgeci yan\u0131nda, daha \u00e7ok duygu ve g\u00f6n\u00fcl i\u015fidir\u2026 \u0130\u00e7sel, keyifli, zor, ser\u00fcven dolu ve delice bir yolculukta denebilir, bu u\u011fra\u015fa\u2026 <\/span><\/p>\n Yakla\u015f\u0131k 50 y\u0131ld\u0131r geziyor, tozuyor ve yaz\u0131yorum\u2026 Gitti\u011fim 99 \u00fclkede ve ar\u015f\u0131nlad\u0131\u011f\u0131m Anadolu co\u011frafyas\u0131ndaki g\u00f6zlemledi\u011fim her \u015fey, bildik ve al\u0131\u015f\u0131k olduklar\u0131m\u0131z d\u0131\u015f\u0131nda, alternatif gezi ve turizm potansiyeli olan alg\u0131, g\u00f6zlem ve \u00f6nerimi derinden etkiliyor. T\u00fcm insanl\u0131\u011f\u0131n ortak miras\u0131 olan zengin do\u011fa, bereketli ve ya\u015fanas\u0131 temiz \u00e7evre, ya\u015fam s\u0131rr\u0131m\u0131z ekolojik denge, insan eliyle yap\u0131lan medeniyet miraslar\u0131 ve insan eliyle yok edilen do\u011fal \u00e7evre ve gelece\u011fimiz, adaletsiz gelir da\u011f\u0131l\u0131m\u0131, avc\u0131l\u0131k, vars\u0131l zevkler ve maceralar, \u00e7ocuk istismar\u0131, kad\u0131na \u015fiddet, t\u00f6re, bask\u0131, s\u00f6m\u00fcr\u00fc, g\u00f6\u00e7, salg\u0131n hastal\u0131klar, sava\u015f ve ter\u00f6r gibi tan\u0131k oldu\u011fumuz her \u015fey; k\u00fclt\u00fcr\u00fc, sanat\u0131 ve gezi edebiyat\u0131n\u0131da derinden etkiliyor\u2026<\/p>\n Bir yazar\u0131n gezdi\u011fi, g\u00f6rd\u00fc\u011f\u00fc ve inceledi\u011fi yerlerden edindi\u011fi bilgi, g\u00f6rg\u00fc ve izlenimleri yans\u0131tan yaz\u0131 t\u00fcr\u00fcne \u2018gezi yaz\u0131s\u0131\u2019 denebilir. Gezi yaz\u0131lar\u0131nda yaln\u0131z gezilip g\u00f6r\u00fclen yerlerin do\u011fal \u00f6zelliklerinin belirtilmesiyle yetinilmez. O yerlerdeki insanlar\u0131n gelenek, g\u00f6renek ve zevkleri de tan\u0131t\u0131lmaya \u00e7al\u0131\u015f\u0131l\u0131r. Do\u011fru bilgi ve g\u00f6zlemlere dayal\u0131 gezi yaz\u0131lar\u0131 do\u011fa, arkeoloji, tarih, co\u011frafya, toplumbilim, folklor gibi bilim dallar\u0131 i\u00e7inde, yararl\u0131 bir kaynak olarak de\u011ferlendirilebilir. Bu t\u00fcr yaz\u0131lar; merak etme, ke\u015ffetme, hayat\u0131 belgeleme gibi ki\u015finin \u00f6\u011frenme ve yeni bilgilerle donanma istek ve arzusunu, sanatsal anlat\u0131m ve g\u00f6rsel destekle beslenme, ayr\u0131ca okurlar\u0131n genel k\u00fclt\u00fcrlerini geli\u015ftirmede \u00f6nemli bir rol oynar.<\/p>\n Gezi yaz\u0131lar\u0131, ger\u00e7ekten ya\u015fanm\u0131\u015f bir hayat kesiminin, \u00f6yk\u00fcs\u00fcn\u00fcn \u00fcr\u00fcn\u00fcd\u00fcr. Bu t\u00fcr yaz\u0131lar\u0131n a\u011f\u0131r basan y\u00f6n\u00fc, anlat\u0131lanlar\u0131n dikkatli bir g\u00f6zleme dayanm\u0131\u015f olmas\u0131d\u0131r. Yazar \u015f\u00fcphesiz, g\u00f6rd\u00fcklerini anlat\u0131rken an\u0131lar\u0131ndan s\u00f6z edebilir, birtak\u0131m yaz\u0131l\u0131 veya s\u00f6zel kaynaklardan yararlanabilir, kar\u015f\u0131la\u015ft\u0131rmalar ve \u00e7\u00f6z\u00fcmlemeler yapabilir. Ancak t\u00fcm bu \u00e7abalar\u0131n keskin ve sa\u011flam bir g\u00f6zlem g\u00fcc\u00fcnden kaynaklanmas\u0131 \u015fartt\u0131r. Biz buna ‘g\u00f6rmesini bilme yetene\u011fi’ <\/b>de diyebiliriz. Gezi yazarlar\u0131, uzun bir s\u00fcre, daha \u00e7ok insanlar\u0131n hi\u00e7 gezip g\u00f6rme olana\u011f\u0131 bulamad\u0131klar\u0131 co\u011frafyalar\u0131, k\u00fclt\u00fcrleri, \u00fclkeleri, b\u00f6lge ve kentleri tan\u0131tma amac\u0131 g\u00fctm\u00fc\u015flerdir. Vah\u015fi yaban\u0131l ya\u015fam, \u00e7evre ve do\u011fal hayat, a\u00e7l\u0131k, kurakl\u0131k, g\u00f6\u00e7, sava\u015flar, su kaynaklar\u0131 ve suyollar\u0131, su medeniyeti, dip denizde ya\u015fam gibi temalar ve g\u00f6rsel zenginlikler, gezi edebiyat\u0131n\u0131n konular\u0131 aras\u0131ndad\u0131r.<\/p>\n \u0130\u00e7 geziler bir yana; kutuplar (Arktika-Antarktika)<\/b>, Afrika\u2019n\u0131n balta girmemi\u015f ormanlar\u0131, \u00e7\u00f6lleri ile Orta Asya, G\u00fcney Amerika ve t\u00fcm anakaralarda-k\u0131talarda ya\u015fayan insan topluluklar\u0131<\/b>n\u0131n ilgin\u00e7 ya\u015fay\u0131\u015f bi\u00e7imlerini, kaybolan etnik k\u00fclt\u00fcrleri, dans, m\u00fczik, mutfak ve spor k\u00fclt\u00fcrlerini tan\u0131tan gezi yaz\u0131lar\u0131n\u0131n yan\u0131nda; gitti\u011fim ve mutlaka g\u00f6r\u00fclmesi gerekli baz\u0131 kentler \u015funlard\u0131r: Moskova, Havana, Santa Clara, Santiago de Cuba, Varadero, Trinidad, Karakas, Lapez, Santiago, Montvideo, Arizona, Alaska, Tokyo, Kuala Lumpur, Sarawak, Paris, Hartum, Poart Sudan, Suakin, Juba, Dofar, Tunus, Douz, Bamako, Kongo, Muscat, Salalah, Kuveyt, Katmandu, Yeni Delhi, Hanoi, Pekin, \u015eankay, Kunming, \u015eian, Ka\u015fgar, Turfan, Toksin, Urum\u00e7i, K\u0131z\u0131l, Altay, Bi\u015fkek, Ufa, Yakutky, Kuznetky, Votkinsky, K\u0131r\u0131m, Batum, Kazan, Mekke, Medine, Cidde, \u015eam, Laskiye, Malmira, Beyrut, Amman, Tahran, \u015eiraz, \u0130sfahan, Yazd, Bak\u00fc, Bilesuvar, B\u00fckre\u015f, Rus\u00e7uk, Budape\u015fte, Sofya, Tul\u00e7ea, Ma\u00e7in, \u00dcsk\u00fcp, Selanik, Kavala, Nea Kalvari, Kozani, \u0130ske\u00e7e, Ayan Oros, Midilli, Rodos, Roma, Mayarko, Londra, Berlin <\/b>gibi b\u00fcy\u00fck\u015fehirleri anlatan yaz\u0131lara da rastlanmaktad\u0131r. \u0130nsanlar, kendi yak\u0131n \u00e7evreleri d\u0131\u015f\u0131nda olup bitenleri \u00f6\u011frenmek isterler. Kitaplarda okuduklar\u0131, duyduklar\u0131, haritada g\u00f6rd\u00fckleri k\u0131ta, \u00fclke veya kentlerde ya\u015fayan insanlar\u0131n gelenek ve g\u00f6reneklerini merak ederler. G\u00f6rmeyi hayal ettikleri yerleri, usta yazarlar\u0131n arac\u0131l\u0131\u011f\u0131yla tan\u0131maktan, gezer gibi olmaktan zevk duyarlar.<\/p>\n Bir gezi yaz\u0131s\u0131n\u0131n kendi t\u00fcr\u00fcnde de\u011ferli olabilmesi, baz\u0131 nitelikler ta\u015f\u0131mas\u0131na ba\u011fl\u0131d\u0131r. Bu niteliklerden biri, okuyucu i\u00e7in ilgin\u00e7 g\u00f6r\u00fcn\u00fcm, durum veya olaylar\u0131 kapsayabilmesidir. \u0130kinci nitelik, gezilen yerler ile g\u00f6r\u00fclen \u015feylerin d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015f\u00fcnden \u00e7ok \u00f6ze inen ve insanlar\u0131n i\u00e7 d\u00fcnyalar\u0131n\u0131 yans\u0131tan hususlar\u0131 g\u00f6zler \u00f6n\u00fcne serebilmesidir. \u00dc\u00e7\u00fcnc\u00fc nitelik ise, g\u00f6r\u00fclen yerler, k\u00fclt\u00fcrleri ve insanlar\u0131, edinilen izlenimleri yal\u0131n, s\u00fcr\u00fckleyici ve renkli bir \u00f6yk\u00fc diliyle anlatabilmesidir. Gezi yaz\u0131lar\u0131<\/b>n\u0131, ele al\u0131nan konular ve anlat\u0131m bak\u0131m\u0131ndan; \u2018seyahatname\u2019, ‘an\u0131’ ve ‘r\u00f6portaj’ <\/b>t\u00fcr\u00fcnden yaz\u0131lara benzer baz\u0131 y\u00f6nleri bulunur. \u00c7\u00fcnk\u00fc gezi, an\u0131 ve r\u00f6portaj diye adland\u0131r\u0131lan yaz\u0131lar geni\u015f \u00f6l\u00e7\u00fcde yazar\u0131n g\u00f6zlem, izlenim ve yorumlar\u0131na dayan\u0131r. Bu nedenle bu t\u00fcrlerde yaz\u0131lm\u0131\u015f eserleri bir s\u0131n\u0131flamaya tabi tutmak bazen g\u00fc\u00e7t\u00fcr. Bununla birlikte, her \u00fc\u00e7 t\u00fcr\u00fcn de birtak\u0131m ay\u0131r\u0131c\u0131 \u00f6zellikleri vard\u0131r. \u0130yi bir okur bu \u00f6zellikleri bilir veya belirlemede g\u00fc\u00e7l\u00fck \u00e7ekmez. Gezi t\u00fcr\u00fcn\u00fcn uzun bir ge\u00e7mi\u015fi vard\u0131r. Bu g\u00fcnk\u00fc tan\u0131m\u0131na ve niteli\u011fine tam uymasa da \u00e7ok eski \u00e7a\u011flarda gezi t\u00fcr\u00fcnden say\u0131labilecek \u00f6rneklerin bulundu\u011fu bilinmektedir. S\u00fcmerler, Hititler, Frigyal\u0131lar, Lidyal\u0131lar, Hintliler, Persler, Romal\u0131lar ve Helenlerden ba\u015flayarak, g\u00fcn\u00fcm\u00fcze kadar \u00e7e\u015fitli \u00fclkelerden bir\u00e7ok gezgin, co\u011frafyac\u0131, tarih\u00e7i, el\u00e7i, \u015fair ve yazarlar, gezip g\u00f6rd\u00fckleri yerleri anlatan eserler meydana getirmi\u015flerdir. Son 2 bin y\u0131lda ise, gezi edebiyat\u0131 daha bir zenginliklerle doludur. Foto\u011fraf makinas\u0131 ve kameran\u0131n icad\u0131 ile gezi yaz\u0131lar\u0131, zengin g\u00f6rsel dokularla g\u00fc\u00e7lenmi\u015ftir.<\/p>\n Gezi edebiyat\u0131na bir \u00f6rnek, farkl\u0131 ve \u00f6zg\u00fcn bir gezi yaz\u0131s\u0131 ile siz de\u011ferli okurlar\u0131m\u0131 selaml\u0131yorum, yeniden… \u00d6ncelikle, Gezi Edebiyat\u0131 <\/b>tarihinde iz b\u0131rakan ve \u00e7ok okunan, yerli ve yabanc\u0131 baz\u0131 gezi yazarlar\u0131n\u0131 an\u0131msamakta yarar vard\u0131r.<\/p>\n Baz\u0131 yabanc\u0131 gezi yazarlar\u0131:<\/b> Egeli Heredot, Amasyal\u0131 Strabon, Tarih\u00e7i Priskos, Klikyal\u0131 Zemarkhos, Marco Polo, \u0130bn Battuta, Ibn Jubayr, Pausanias, Fan Chengda, Su Shi, Xu Xiake, Erling Kagge, Fraye Stark, David Livingstone, \u0130sabella Bird, Fridtjaf Nansen, Kristof Kolomb, Xuang Zang, Gertude Bell, Junko Tabei, Heinrich Barth, Simon Grynaeus, Nas\u0131r Husrev, Ernest Hemingway vb.<\/p>\n Baz\u0131 y<\/b>erli gezi yazarlar\u0131:<\/b> Piri Reis, Evliya \u00c7elebi, Seydi Ali Reis, G\u0131yasettin Nakka\u015f, Ali Ekber Hatai, Tokatl\u0131 \u0130brahimo\u011flu Ahmet, Trabzonlu Mehmet A\u015f\u0131k, Ke\u00e7izade \u0130zzet Molla, \u00d6mer L\u00fctfi, Katip \u00c7elebi, Yetmi\u015fsekiz \u00c7elebi Mehmet, Celalettin Ezine, Ahmet Mithat Efendi, Nam\u0131k Kemal, Ali Suavi, Ziya Pa\u015fa, Ahmet Ha\u015fim, Burhan Arpat, Re\u015fat Nuri G\u00fcltekin, Cenap \u015eahabettin, Falih R\u0131fk\u0131 Atay, Saik Sabri Duran, \u015e\u00fckufe Nihal, Faruk Nafiz \u00c7aml\u0131bel, Sadri Ertem, Azra Erhat, Haldun Taner, Melih Cevdet Anday, Bedii Faik Ak\u0131n, Bedri Rahmi Ey\u00fcbo\u011flu, Yavuz B\u00fclent Bakiler, Y\u0131lmaz \u00c7etiner, Atilla \u0130lhan, Burhan Felek, Nevzat \u00dcst\u00fcn, Orhan Kural, Alpay Kabacal\u0131, Dursun \u00d6zden, Nedim G\u00fcrsel, Zeynep Oral, Banu Avar, Mustafa Balbay, Yahya Benekay, Selahattin Batu, \u00d6zcan Yurdalan, Mehmet Emin, Ahmet \u0130lhan, Ebru Erke, Ayhan Sicimo\u011flu, Saffet Emre Tongu\u00e7, \u0130smail Sar\u0131, Tolga \u00d6zbek, Bahar Ak\u0131nc\u0131, Halil \u00c7elik, Hakan \u015een, Servet Somuncuo\u011flu, Halil \u00d6mer Camc\u0131 vb.<\/p>\n Yoleri \u00c7elebi Dervi\u015f, Seyyah-\u0131 \u015eaman, Modern Seyyah, Gezgin \u015eair ve Turizm Yazar\u0131<\/b> s\u0131fat\u0131yla, hayat\u0131 belgelerken; d\u00fcnyan\u0131n 99 haline tan\u0131kl\u0131k etmenin ve bereketli Anadolu co\u011frafyas\u0131n\u0131 ar\u015f\u0131nlaman\u0131n yan\u0131 s\u0131ra, pek \u00e7ok gezgin co\u011frafyac\u0131dan (bunlar\u0131n bir k\u0131sm\u0131 ise misyonerdir) farkl\u0131 olarak, do\u011fay\u0131, kaybolan etnik halk k\u00fclt\u00fcrlerini, g\u00f6\u00e7leri, sava\u015f ve ter\u00f6rden ac\u0131 \u00e7eken \u00e7ocuk ve kad\u0131nlar\u0131, s\u00f6zl\u00fc edebiyat\u0131n folklorik zenginlikleri, insanl\u0131\u011f\u0131n ortak miras\u0131 olan \u00f6teki de\u011ferleri, sanat ve esteti\u011fin izlerini merakla ke\u015ffetmeyi ve hayat\u0131 belgelemeyi ama\u00e7laman\u0131n yan\u0131 s\u0131ra; Anadolu Su Medeniyetini ve su k\u00fclt\u00fcr\u00fcn\u00fc yeniden ke\u015ffetmenin ve belgelemenin heyecan\u0131, ayr\u0131cal\u0131\u011f\u0131 ve mutlulu\u011funu ya\u015famaktay\u0131m.<\/i> <\/span><\/p>\n \u00d6zellikle, yakla\u015f\u0131k 40 y\u0131ld\u0131r gezen ve yazan bir modern seyyah olarak; \u00f6ncelikle Evliya \u00c7elebi\u2019nin Anadolu co\u011frafyas\u0131na yapt\u0131\u011f\u0131 gezilerinin izini s\u00fcrd\u00fcm. Sonra da, Roma\u2019dan hareketle Balkanlar, Trakya, \u0130stanbul, Bolu, Samsun, Ankara, Kayseri, Ni\u011fde, G\u00fclek Bo\u011faz\u0131, Adana, Antep, Ba\u011fdat, Tahran, Hazar Denizi g\u00fcneyinden, Deylem, \u015eiraz, \u0130sfahan, Horasan, Yazd, Tacikistan, Tibet, Ka\u015fkar, \u015eian, \u015eankay, Yuan, Himalaya Da\u011flar\u0131, Katmandu, Yeni Delhi yolunu takip ettim. Bu gezim, Hindistan ve \u00c7inden hareketle bat\u0131ya uzanan Tarihi \u0130pek Baharat Yolu<\/b>\u2019nun g\u00fcney hatt\u0131 idi. Bu yolun kuzey hatt\u0131 olan; Pasifik renklerinin bereketi olan Kuala Lumpur, Kamerun \u00e7ay bah\u00e7eleri, Sabah ve Sarawak Adas\u0131 yerlileri ile ba\u015flayan Aborjin dans\u0131; Vietnam\u2019da Hanoi\u2019deki Ho \u015ei Ming izleri ve Taylan mutfak k\u00fclt\u00fcr\u00fc ard\u0131ndan ba\u015flayan \u00c7in Seddi gezimiz; beyaz piramitleri ve 8 bin seramik asker ordusu m\u00fczesi ile \u00fcnl\u00fc \u015eian, Asya\u2019n\u0131n borsa merkezi olan \u015eankay ve ba\u015fkent Pekin\u2019den Taklamakan \u00c7\u00f6l\u00fc\u2019ne kadar uzan\u0131r. <\/span><\/p>\n Ka\u015fkar, Turfan, Urum\u00e7i, Altay, K\u0131z\u0131l, Yakutsky, Hakas, Kuznetsky, Votkinsky, Ufa, Kazan, Moskova, K\u0131r\u0131m, Odesa, \u0130smaliye, Tul\u00e7a, Ma\u00e7in, Russe, B\u00fckre\u015f, Sofya, Budape\u015fte, K\u0131rcali, \u00dcsk\u00fcp, Radovi\u00e7, Kozani, \u0130onya, Selanik, Nea Epivades, Nea Kalvari, \u0130ske\u00e7e, G\u00fcm\u00fcld\u00fcr, Ayanoros yolu ile de farkl\u0131 bir g\u00fczergah takip ettim. Bu yolun tersini ise, 1530-1535 aras\u0131nda, Osmanl\u0131 padi\u015fah\u0131 Organ Gazi\u2019nin parasal deste\u011fi ile Cezayirli gezgin \u0130bni Batuta yapm\u0131\u015ft\u0131. \u0130bni Batuta; Kuzey Bat\u0131 Afrika\u2019dan (Rabat, Cezayir, Tunus, Douz) hareketle, B\u00fcy\u00fck Sayray\u0131 ge\u00e7ip, Mali, \u00c7ad, Sudan Piramitleri, Mavi ve Beyaz Nil Nehri, Hartum, Port Sudan, Savakin liman\u0131, K\u0131z\u0131ldeniz, Yemen, Umman Denizi, Salalah, Muscat, Kuveyt, Basra, Palmira, Cidde, Mekke, Medine, Kahire, Amman, \u015eam, Halep, Urfa, Antep, Adana ve Mersin liman\u0131nda biten bir ba\u015fka yolculuktu bu\u2026 <\/span><\/p>\n Akdeniz\u2019in incisi olan Mayorka Adas\u0131 ve K\u0131br\u0131s Adas\u0131 gezim ise, ayr\u0131 bir rota olarak ele al\u0131nd\u0131\u2026 \u00c7\u00fcnk\u00fc bu iki adad\u0131n ortak paydas\u0131 olan Magosa Zindan\u0131\u2019<\/b>nda, farkl\u0131 zamanlarda Donki\u015fot yazar\u0131 Cervantez <\/b>ile Vatan yahut Silistre yazar\u0131 Nam\u0131k Kemal <\/b>yatm\u0131\u015f olmalar\u0131yd\u0131\u2026 Karayiplerin prensesi olarak bilinen Che ve Fidel<\/b>\u2019in devrim \u015fark\u0131lar\u0131 e\u015fli\u011finde gezece\u011finiz K\u00fcba<\/b>\u2019ya yapt\u0131\u011f\u0131m 5 ayr\u0131 zamandaki gezimle ilgili izlenimlerim, \u00fc\u00e7 ay\u0131 kitap olarak yay\u0131nland\u0131. Latin Amerika\u2019da izleri var olan Astek, \u0130nka ve Maya<\/b> gelene\u011finin izlerini s\u00fcrmek i\u00e7in; Bu gezilerimi Uruguay, \u015eili, Peru ve Arjantin\u2019i selamlayan Ant Da\u011flar\u0131n\u0131 mutlaka gezi haritan\u0131za ekleyiniz. B\u00fcy\u00fck Amazon Nehri\u2019<\/b>nin Karayip Denizi\u2019ne d\u00f6k\u00fcld\u00fc\u011f\u00fc co\u011frafyada bulunan Venezuela\u2019n\u0131n ba\u015fkenti Karakas <\/b>ve yerli kabile k\u00fclt\u00fcrlerini mutlaka g\u00f6r\u00fcn\u00fcz. 1930\u2019lu y\u0131llarda Atat\u00fcrk\u2019\u00fcn Nazilli\u2019de kurdurdu\u011fu Basma Fabrikas\u0131nadaki G\u0131d\u0131g\u0131d\u0131 Treni<\/b>\u2019ni \u00f6rmek alan Chavez\u2019<\/b>in eserlerini de g\u00f6r\u00fcn\u00fcz\u2026 D\u00fcnyan\u0131n 99 haline tan\u0131kl\u0131k etti\u011fim bu gezilerimde; tarihin ba\u015fka zamanlar\u0131nda yap\u0131lm\u0131\u015f gezilerin seyyahlar\u0131; bana rehberlik eden \u015fu gezginlerin izini s\u00fcrd\u00fcm yaln\u0131zca: Egeli Heredot, Amasyal\u0131 Strabon, Tarih\u00e7i Priskos, Klikyal\u0131 Zemarkhos, Marco Polo, \u0130bn Battuta, Ibn Jubayr, Pausanias, Fan Chengda, Su Shi, Xu Xiake, Erling Kagge, Fraye Stark, David Livingstone, \u0130sabella Bird, Fridtjaf Nansen, Kristof Kolomb, Xuang Zang, Gertude Bell, Junko Tabei, Heinrich Barth, Simon Grynaeus, Nas\u0131r Husrev, Ernest Hemingway vb.<\/b><\/p>\n Yay\u0131nlanm\u0131\u015f onlarca kitab\u0131m ve belgesellerimle; Uluslararas\u0131 TurizmYazarlar\u0131 ve Gazetecileri Federasyonu (FIJET) <\/b>\u00fcyesi olarak gezilerim s\u00fcr\u00fcyor\u2026 Emekli maa\u015f\u0131m ve kitaplar\u0131mdan gelen s\u0131n\u0131rl\u0131 olanaklar\u0131n yan\u0131 s\u0131ra; farkl\u0131 \u00fclkelerin K\u00fclt\u00fcr ve Turizm Bakanl\u0131klar\u0131n\u0131n davetlisi olarak gitti\u011fim \u00fclkeleri tan\u0131tan gezi yaz\u0131lar\u0131mla, yok olmaya y\u00fcz tutan Gezi Edebiyat\u0131<\/b>na katk\u0131 sa\u011flamaya \u00e7al\u0131\u015f\u0131yorum\u2026 UNESCO-IHP D\u00fcnya Su Forumlar\u0131<\/b>na, \u00e7ok kez kendi olanaklar\u0131mla kat\u0131ld\u0131m ve \u00fclkemi temsil ettim. Pek \u00e7ok davetlere maddi olanaks\u0131zl\u0131k nedeniyle kat\u0131lam\u0131yorum. Can\u0131m sa\u011folsun\u2026 Bu ko\u015fullarda okuman\u0131n, gezmenin ve yazman\u0131n fark\u0131nday\u0131m\u2026 <\/span><\/p>\n Gezi Yazar\u0131 Kimdir?<\/b><\/p>\n S\u0131n\u0131rlar \u00f6tesinde iz b\u0131rakan, ke\u015ffeden ve ara\u015ft\u0131ran; g\u00f6rsel, belgesel, do\u011fal ve k\u00fclt\u00fcrel kaynaklardan hareketle, insan ve uygarl\u0131k manzaras\u0131n\u0131n konu\u015fan ve anlatan foto\u011fraf alt\u0131 \u00f6yk\u00fcs\u00fcn\u00fc yazmakt\u0131r, gezi edebiyat\u0131\u2026 <\/span><\/p>\n Eline foto\u011fraf makinas\u0131 al\u0131p, resmi rehberler \u00f6nc\u00fcl\u00fc\u011f\u00fcnde yaln\u0131zca bakan ama g\u00f6remeyen paral\u0131 turistlerin dola\u015fmas\u0131 ve kimi dergi ve gazetelerde an\u0131lar\u0131n\u0131 yay\u0131nlamas\u0131 ya da internetten haz\u0131r bilgi ve foto\u011fraflar\u0131 \u00e7alarak yay\u0131nlamak de\u011fildir gezi yazarl\u0131\u011f\u0131. Peki nedir? Gezmek ve u\u00e7u\u015f keyfini ya\u015fayarak mutlu olan ve ke\u015ffedendir. Yoksul ve mutlu olan\u0131 g\u00f6ren, insanl\u0131\u011f\u0131n ortak k\u00fclt\u00fcrel miraslar\u0131n\u0131 belgeleyen ve onlar\u0131n korunup ya\u015fat\u0131lmas\u0131na katk\u0131da bulunand\u0131r. Ke\u015ffetti\u011fini \u00f6zg\u00fcn, \u00f6zg\u00fcr, farkl\u0131 ve ayk\u0131r\u0131 olarak yazan ve payla\u015fand\u0131r. Zaman ve yer olgusu i\u00e7inde, sonsuz ve zamans\u0131z evrende g\u00fczelliklere dokunmak ve sevgide odaklanmakt\u0131r. Sevginin ve d\u00fc\u015flerin foto\u011fraf\u0131n\u0131 \u00e7ekmek ve umuda yolculuk yapan g\u00f6\u00e7erlerin kervan\u0131na kat\u0131lmakt\u0131r\u2026 <\/span><\/p>\n Binlerce y\u0131ld\u0131r g\u00f6\u00e7 eden atalar\u0131m\u0131z, su ba\u015f\u0131nda durmu\u015flar ve oralara ota\u011f kurup, uygarl\u0131klar\u0131na yenilerini katm\u0131\u015flar. Belki de, bizim gezme ve ke\u015ffetme arzumuz genetiktir. S\u00f6zl\u00fc edebiyat k\u00fclt\u00fcr\u00fcm\u00fcz, gezi edebiyat\u0131yla yaz\u0131l\u0131 eserlere d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Gezi edebiyat\u0131; h\u0131r\u00e7\u0131n fiziki topo\u011frafya, do\u011fa olaylar\u0131, zengin tarihi miras, k\u00fclt\u00fcrel ve folklorik co\u011frafyan\u0131n fark\u0131na varmak ve onu tan\u0131mak ve \u00f6\u011frenmek gereksiniminin \u00fcr\u00fcn\u00fcd\u00fcr. Danslar ve zikirlerin ritmi ile do\u011fan\u0131n dingin ve \u00fcrk\u00fct\u00fcc\u00fc-korkutucu m\u00fczi\u011finin ortak paydas\u0131, bizi yollara d\u00fc\u015f\u00fcren. Ya da; sevdal\u0131lar\u0131n da\u011flar\u0131 delip ay\u0131rmas\u0131na tan\u0131kl\u0131k etmektir. Bel ki de; g\u00f6zya\u015f\u0131 \u015fi\u015fesinde biriken ba\u011fl\u0131l\u0131\u011f\u0131n ve h\u00fcz\u00fcnl\u00fc sevginin kan\u0131t\u0131d\u0131r bir damla okyanusta k\u00fcrek \u00e7eken k\u00f6lelerin al\u0131n yaz\u0131s\u0131n\u0131 bozmakt\u0131r, gezi edebiyat\u0131\u2026<\/p>\n Pek \u00e7ok kayna\u011fa g\u00f6re; bir yazar\u0131n gezdi\u011fi, g\u00f6rd\u00fc\u011f\u00fc, ara\u015ft\u0131r\u0131p ve inceledi\u011fi yerlerden edindi\u011fi bilgi, g\u00f6rg\u00fc ve izlenimleri yans\u0131tan yaz\u0131ya gezi yaz\u0131s\u0131 denir. Bu yaz\u0131lar\u0131n teknik, dil, resim alt\u0131 \u00f6yk\u00fc, edebi bir kurgu ve \u00fcslup i\u00e7inde olanlar\u0131na da edebi gezi yaz\u0131lar\u0131 denir. Konu\u015fan ve anlatan foto\u011fraflar ve \u00f6teki g\u00f6rsel materyallerle zenginle\u015fen gezi yaz\u0131lar\u0131na olan ilgi, \u00f6zellikle resmi ve haz\u0131r-bildik gezi programlar\u0131 ya da profesyonel rehberlerin mekanik turlar\u0131 d\u0131\u015f\u0131nda; arka sokaklar, k\u00f6yler, mezralar, kaybolan etnik k\u00fclt\u00fcrler, danslar, m\u00fczikler, folklor, tarih, zengin do\u011fa ve insan manzaralar\u0131 ile y\u00fckl\u00fc ve yazar\u0131n duygular\u0131 (\u00f6nyarg\u0131lar\u0131 de\u011fil) ile de s\u00fcr\u00fcklenen ve gezmek, g\u00f6rmek, e\u011flenmek ve al\u0131\u015f veri\u015f yapman\u0131n yan\u0131 s\u0131ra; ser\u00fcven, heyecan, aksiyon, \u00f6\u011frenme ve ke\u015ffetme iste\u011finin okuyarak-bilerek-g\u00f6rerek-alg\u0131layarak-yazarak yerine getirilmesi eylemidir gezginlik. Buna; okuyan ve yazan Yoleri gezgin dervi\u015fleri de eklersek, gezi edebiyat\u0131 daha bir zenginle\u015fmektedir.<\/p>\n \u00dclkemizde bilinen \u00e7a\u011fda\u015f 550 gezi yazar\u0131 (bunun 50\u2019si gezi edebiyat\u0131 alan\u0131nda olup) ve ISBN tescilli 750 gezi kitab\u0131 bulunmaktad\u0131r. Peki; gezi foto\u011fraf\u0131, gezi notlar\u0131, gezi yaz\u0131lar\u0131, gezi edebiyat\u0131 nedir ve gezi yazar\u0131 kimdir?<\/p>\n Gezi yazar\u0131; \u201cyenilen kaz\u0131klar\u0131n bile\u015fkesi olan deneyimler\u201d \u0131\u015f\u0131\u011f\u0131nda, bilgi, belge, ak\u0131l, el yordam\u0131, \u00f6ng\u00f6r\u00fc, cesaret, disiplin, duygu, ke\u015ffetme ve ara\u015ft\u0131rma merak\u0131 ile harmanlanan g\u00f6rsel malzemelerin s\u0131rt \u00e7antas\u0131ndan gazete, dergi ve kitap sayfalar\u0131nda okurla payla\u015f\u0131lmas\u0131n\u0131 sa\u011flayan gezgin bilge dervi\u015ftir gezi yazar\u0131. Ya da; konu\u015fan ve anlatan foto\u011fraflarla desteklenen \u00f6zg\u00fcn, \u00f6zg\u00fcr, duygu y\u00fckl\u00fc ve nesnel gezi notlar\u0131n\u0131; daha bir okunur duruma getirmesi i\u00e7in, \u015fu ana kurallara yan\u0131t olacak kaynaklarla beslenmelidir. <\/span><\/p>\n Bunlar; 4K (Kafa, Kol, Kuvvet, Kalp) ve 5N1K (Ne, Nas\u0131l, Neyle, Nerede, Ne zaman, Kim)? Ayn\u0131 zamanda, \u00fcretici ve yarat\u0131c\u0131 da olan gezi yazar\u0131; her gezi notunun bir resim alt\u0131 \u00f6yk\u00fcs\u00fc oldu\u011funu unutmamal\u0131d\u0131r. Yani; somut, candan, s\u0131cak, s\u00fcr\u00fckleyici, nesnel, duygu y\u00fckl\u00fc, zaman ve mekan i\u00e7indeki do\u011fa ve insan manzaralar\u0131n\u0131 topo\u011frafik, sosyolojik, folklorik ve k\u00fclt\u00fcrel bak\u0131mdan zenginle\u015ftiren usta ve profesyonel yarat\u0131c\u0131 g\u00f6zlemlerini, en s\u0131radan ve en ilgili okurla payla\u015fand\u0131r. <\/span><\/p>\n Hatta, zaman zaman da okurlarla; u\u00e7uk, ayk\u0131r\u0131, farkl\u0131, gizemli, \u00e7ocuksu ve delice ser\u00fcvenlere s\u00fcr\u00fckleyen; bilinmeyene, s\u0131r olana, merek edilene, eri\u015filmesi g\u00fc\u00e7 olana, zora, maceraya, g\u00f6rmek ve ke\u015ffetmek istedi\u011fimize, ara\u015ft\u0131rma ve incelemeye de\u011fer olana, belgesel ve turizm potansiyeli zengin konu, ki\u015fi, yer, olay, zaman ve tarihi miras zenginli\u011fi bulunan\u0131 yazmak ve okurla payla\u015fmak, okuru da ayn\u0131 ser\u00fcvene te\u015fvik ve tahrik etmenin ayr\u0131cal\u0131\u011f\u0131n\u0131 ya\u015famakt\u0131r. \u0130r Belki de; alt\u0131nda hi\u00e7bir a\u00e7\u0131klama ve dipnot olmayan, zamans\u0131z ve yersiz sonsuzlukta hep var olan bir kare foto\u011fraf etraf\u0131nda konu\u015fulan, anlat\u0131lan ve ahkam kesilen edebi gevezeliklerdir gezi yaz\u0131lar\u0131\u2026<\/p>\n Ama en ilginci hi\u00e7 ku\u015fkusuz bir gezi yazar\u0131; dil bilmeden ve paras\u0131z d\u00fcnyay\u0131 dola\u015fmakt\u0131r. G\u00f6n\u00fcll\u00fc-fahri bir k\u00fclt\u00fcr ve turizm el\u00e7isi olmakt\u0131r. Bar\u0131\u015f ve \u00e7evreci olmak ve a\u00e7l\u0131kla, yoksullukla, kirli sava\u015flarla, \u00e7evreyi kirleten, ekolojik dengeyi bozan s\u00f6m\u00fcr\u00fcc\u00fc ve t\u00fcketici g\u00fc\u00e7lerle sava\u015fmakt\u0131r. Vars\u0131l, zengin, iyi, k\u00f6t\u00fc, g\u00fczel, \u00e7irkin, g\u00fcnah, ay\u0131p, yasak\u2026vb. gibi kavram ve \u00f6nyarg\u0131lardan ar\u0131nm\u0131\u015f, bunlar\u0131n farkl\u0131 co\u011frafyalardaki ve toplumsal ya\u015fam ili\u015fkilerindeki ayk\u0131r\u0131 yorumunu, \u00f6zg\u00fcn bir ya\u015fam tarz\u0131 veya yerel k\u00fclt\u00fcrel zenginlik olarak kabul etmek, \u00e7at\u0131\u015fmac\u0131 e\u011filimlere kar\u015f\u0131 sa\u011fduyu ve ho\u015fg\u00f6r\u00fcy\u00fc kal\u0131c\u0131 k\u0131lan anlay\u0131\u015f\u0131n neferidir gezi yazar\u0131. \u00d6rt\u00fcnme k\u00fclt\u00fcr\u00fc olmayan ve konuklar\u0131na e\u015flerini sunan ve bu sunuyu kabul etmezseniz \u00e7ok \u00fcz\u00fclen ve ac\u0131 \u00e7eken Afrika yerli kabilelerin tamtaml\u0131 e\u011flencesi, ate\u015f dans\u0131 ve hamham m\u00fczi\u011fi ile zenginle\u015fen bu konukseverli\u011fi kar\u015f\u0131s\u0131nda ne yapmal\u0131? Erkek konuklara sundu\u011fu e\u015finin k\u0131rm\u0131z\u0131 \u00e7amurla boyanmas\u0131 bir yana, bayan konuklara kendini ve o\u011fullar\u0131n\u0131 sunan kabile reisinin zurnas\u0131nda pe\u015frev olmay\u0131\u015f\u0131, bir ba\u015fka zenginlik mi? Bilinmez, ya\u015fan\u0131r\u2026 <\/span><\/p>\n \u0130nsani de\u011ferlere sahip \u00e7\u0131kmak, etik ve ahlaki de\u011ferlere sayg\u0131 duymak, farkl\u0131 etnik k\u00fclt\u00fcrlerin varl\u0131\u011f\u0131n\u0131 zenginlik kabul etmek, onlar\u0131n korunup ya\u015famas\u0131n\u0131 dillendirmek, hangi \u00fclkede ve hangi co\u011frafyada olursa olsun, insanl\u0131\u011f\u0131n ortak miras\u0131 olan tarihi ve k\u00fclt\u00fcrel zenginliklerin ortaya \u00e7\u0131kar\u0131lmas\u0131, korunmas\u0131 ve ya\u015fat\u0131lmas\u0131 i\u00e7in sava\u015f\u0131m verendir gezi yazar\u0131. S\u00f6zl\u00fc, g\u00f6rsel, i\u015fitsel, dokunsal ve koklamak gibi \u00f6zelliklerimizin yard\u0131m\u0131yla, teknik olanaklar\u0131nda katk\u0131s\u0131yla yerinde ve zaman\u0131nda ara\u015ft\u0131r\u0131p, belgeleyen ve yazand\u0131r gezi yazar\u0131. S\u00f6zl\u00fc ve yaz\u0131l\u0131 edebiyat\u0131n ortak paydas\u0131d\u0131r gezi edebiyat\u0131. Gelenekten gelece\u011fe, do\u011fadan insana ve bar\u0131\u015fa, a\u015fklara ve sevgiye uzanan \u0131\u015f\u0131k ve edebiyat\u0131m\u0131z\u0131n ayd\u0131nl\u0131k y\u00fczleridir gezi yazarlar\u0131\u2026 Sevgide odaklanand\u0131r. Sonsuz ve zamans\u0131z evrende, yitik zaman \u0131\u015f\u0131\u011f\u0131nda \u015fiir \u00fclkesinden gelen ve d\u00fc\u015fe d\u00fc\u015fen bir umut habercisidir, s\u0131lay\u0131 gurbete ba\u011flayan bitmez t\u00fckenmez yollarda; s\u0131rt \u00e7antas\u0131nda pasaportu, az\u0131\u011f\u0131, haritas\u0131, kalemi, not defteri ve foto\u011fraf makinesi ile gezen ve mola veren sevgi el\u00e7isidir, \u00e7elebidir gezi yazar\u0131\u2026 Bize, \u201c\u00c7a\u011fda\u015f Evliya \u00c7elebi\u201d demeleri, bo\u015funa de\u011fildir\u2026<\/p>\n Biz, \u201cdoluya ko\u015far, bo\u015fa k\u00fcrek \u00e7ekmeyiz.\u201d Yelkenler fora!.. F\u0131rt\u0131nal\u0131 ya\u015fam tipi, bora!.. Ya\u015fad\u0131\u011f\u0131m ve yazd\u0131\u011f\u0131m d\u00fcnyan\u0131n 66 hali yetmez. Daha ke\u015ffedilecek \u00e7ok yerimiz var. Gitmeliyim ora, bura\u2026 Ya\u015fam\u0131 ve deneyimleri payla\u015fmak mutluluktur, hurra!.. Leyle\u011fi tavada-havada g\u00f6ren Yoleri Gezgin Dervi\u015f\u2019le d\u00fc\u015felim yola\u2026 Ke\u015ffedilecek ve ya\u015fanacak d\u00fc\u015fler bizi bekliyor. \u00c7\u0131lg\u0131nca, dostlukla, sevgiyle ve umutla gezme zaman\u0131\u2026 Zaman\u0131 kovalamak, \u015fimdi\u2026 D\u00fcnyan\u0131n bin bir haline tan\u0131k olmak i\u00e7in yollarday\u0131z yeniden\u2026 Yeniye eri\u015fmek i\u00e7in, yolcu yolunda gerek\u2026 Gerekli olan\u0131 yan\u0131n\u0131za almay\u0131 unutmay\u0131n sak\u0131n\u2026 Unutma! \u00d6m\u00fcr \u00e7ok k\u0131sa ve yollar uzun\u2026 Gezi yazar\u0131; \u00e7al\u0131\u015fkan, disiplinli, planl\u0131-darmada\u011f\u0131n, \u00f6zverili, \u00f6zg\u00fcn, \u00f6zg\u00fcr, arayan ve sorgulayan, a\u011f\u0131z dolusu g\u00fclerken h\u0131\u00e7k\u0131rarak a\u011flayan, okuyan, gezen ve yazand\u0131r, deli ve bilge ki\u015fi\u2026 S\u0131n\u0131rlar \u00f6tesinde iz b\u0131rakma zaman\u0131\u2026 Yolumuz ve baht\u0131m\u0131z a\u00e7\u0131k olsun\u2026<\/p>\n G\u00fcne\u015f yanmadan ve ay sallanmadan, d\u00fc\u015flerin ve renklerin g\u00f6lgesinde a\u00e7\u0131lma zaman\u0131\u2026 \u0130nsanl\u0131\u011f\u0131n ortak ge\u00e7mi\u015fi ve gelece\u011fine \u0131\u015f\u0131k tutan uygarl\u0131k tarihimizin Bilge Kaan\u2019\u0131 ve Piri Reisi\u2019ni selamlarken; Asya-Anadolu T\u00fcrk k\u00fclt\u00fcr\u00fcn\u00fcn bek\u00e7isi ay y\u0131ld\u0131z\u0131n g\u00f6lgesinde, Mu K\u0131tas\u0131\u2019na ula\u015fmak i\u00e7in Kemal Atat\u00fcrk\u2019\u00fcn pusulas\u0131yla yollara d\u00fc\u015fmenin ayr\u0131cal\u0131\u011f\u0131d\u0131r, gezi yazarl\u0131\u011f\u0131\u2026 Yaz gelmeden, gezmek ve yazmak i\u00e7in, yolcu yolunda gerek\u2026 Abbas yolcu\u2026<\/p>\n Pek \u00e7ok kayna\u011fa g\u00f6re; bir yazar\u0131n gezdi\u011fi, g\u00f6rd\u00fc\u011f\u00fc ve inceledi\u011fi yerlerden edindi\u011fi bilgi, g\u00f6rg\u00fc ve izlenimleri yans\u0131tan yaz\u0131ya gezi yaz\u0131s\u0131 denir. Gezi yaz\u0131lar\u0131nda yaln\u0131z gezilip g\u00f6r\u00fclen yerlerin do\u011fal \u00f6zelliklerinin belirtilmesiyle yetinilmez. O yerlerdeki insanlar\u0131n gelenek, g\u00f6renek ve zevkleri de tan\u0131t\u0131lmaya \u00e7al\u0131\u015f\u0131l\u0131r. Do\u011fru bilgi ve g\u00f6zlemlere dayal\u0131 gezi yaz\u0131lar\u0131 tarih, co\u011frafya, toplumbilim gibi bilim dallar\u0131 i\u00e7in de yararl\u0131 bir kaynak olarak de\u011ferlendirilebilir. Bu t\u00fcr yaz\u0131lar ayr\u0131ca okurlar\u0131n genel k\u00fclt\u00fcrlerini geli\u015ftirmede \u00f6nemli bir rol oynar\u2026<\/p>\n \u0130nsanlar, kendi yak\u0131n \u00e7evreleri d\u0131\u015f\u0131nda olup bitenleri \u00f6\u011frenmek isterler. Kitaplarda okuduklar\u0131, haritada g\u00f6rd\u00fckleri k\u0131ta, \u00fclke veya kentlerde ya\u015fayan insanlar\u0131n gelenek ve g\u00f6reneklerini merak ederler. G\u00f6rmeyi hayal ettikleri yerleri, usta yazarlar\u0131n arac\u0131l\u0131\u011f\u0131yla tan\u0131maktan, gezer gibi olmaktan zevk duyarlar. Kendisi de gezi t\u00fcr\u00fcnde eser vermi\u015f olan Ahmet Ha\u015fim bu duyguyu \u015f\u00f6yle dile getirir, seyahatname okuman\u0131n tad\u0131n\u0131 \u00f6teden beri bilirim. B\u00fct\u00fcn \u00e7ocuklu\u011fum onlar\u0131 okumakla ge\u00e7ti. K\u0131\u015f geceleri d\u0131\u015far\u0131da r\u00fczgar olurken, bir gaz lambas\u0131n\u0131n \u0131\u015f\u0131\u011f\u0131n\u0131 g\u00f6zbebeklerimde iki alt\u0131n nokta gibi ta\u015f\u0131yarak zengin bir ate\u015f kar\u015f\u0131s\u0131nda, rahat bir koltukta okudu\u011fum o Afrika ve Amerika seyahatnamelerinin masum ve namuslu \u00fcslubundan ald\u0131\u011f\u0131m tad\u0131 bana pek az edebiyat eseri verebilmi\u015ftir. (Bize G\u00f6re, Gurebahane-i Laklakan, Frankfurt Seyahatnamesi.)<\/p>\n Gezi yaz\u0131lar\u0131 ger\u00e7ekten ya\u015fanm\u0131\u015f bir hayat kesiminin \u00fcr\u00fcn\u00fcd\u00fcr. Bu t\u00fcr yaz\u0131lar\u0131n a\u011f\u0131r basan y\u00f6n\u00fc, anlat\u0131lanlar\u0131n dikkatli bir g\u00f6zleme dayanm\u0131\u015f olmas\u0131d\u0131r. Yazar, \u015f\u00fcphesiz, g\u00f6rd\u00fcklerini anlat\u0131rken an\u0131lar\u0131ndan s\u00f6z edebilir, birtak\u0131m yaz\u0131l\u0131 veya s\u00f6zel kaynaklardan yararlanabilir, kar\u015f\u0131la\u015ft\u0131rmalar ve \u00e7\u00f6z\u00fcmlemeler yapabilir. Ancak t\u00fcm bu \u00e7abalar\u0131n keskin ve sa\u011flam bir g\u00f6zlem g\u00fcc\u00fcnden kaynaklanmas\u0131 \u015fartt\u0131r. Biz buna g\u00f6rmesini bilme yetene\u011fi de diyebiliriz.<\/p>\n Gezi yazarlar\u0131, uzun bir s\u00fcre, daha \u00e7ok insanlar\u0131n hi\u00e7 gezip g\u00f6rme imkan\u0131 bulamad\u0131klar\u0131 \u00fclkeleri, b\u00f6lge ve kentleri tan\u0131tma amac\u0131 g\u00fctm\u00fc\u015flerdir. Kutuplar, Afrika\u2019n\u0131n balta girmemi\u015f ormanlar\u0131 ile Orta Asya, G\u00fcney Amerika gibi k\u0131talarda ya\u015fayan insan topluluklar\u0131n\u0131n ilgin\u00e7 ya\u015fay\u0131\u015f bi\u00e7imlerini tan\u0131tan gezi yaz\u0131lar\u0131n\u0131n yan\u0131nda New York, Tokyo, Paris, Londra gibi b\u00fcy\u00fck \u015fehirleri anlatan yaz\u0131lara da rastlanmaktad\u0131r.<\/p>\n Bir gezi yaz\u0131s\u0131n\u0131n kendi t\u00fcr\u00fcnde de\u011ferli olabilmesi, baz\u0131 nitelikler ta\u015f\u0131mas\u0131na ba\u011fl\u0131d\u0131r. Bu niteliklerden biri, okuyucu i\u00e7in ilgin\u00e7 g\u00f6r\u00fcn\u00fcm, durum veya olaylar\u0131 kapsayabilmesidir. \u0130kinci nitelik, gezilen yerler ile g\u00f6r\u00fclen \u015feylerin d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015f\u00fcnden \u00e7ok \u00f6ze inen ve insanlar\u0131n i\u00e7 d\u00fcnyalar\u0131n\u0131 yans\u0131tan hususlar\u0131 g\u00f6zler \u00f6n\u00fcne serebilmesidir. \u00dc\u00e7\u00fcnc\u00fc nitelik ise g\u00f6r\u00fclen yerler ve insanlar\u0131, edinilen izlenimleri yal\u0131n, s\u00fcr\u00fckleyici ve renkli bir dille anlatabilmesidir.<\/p>\n Gezi yaz\u0131lar\u0131n\u0131, ele al\u0131nan konular ve anlat\u0131m bak\u0131m\u0131ndan, an\u0131 ve r\u00f6portaj t\u00fcr\u00fcnden yaz\u0131lara benzer baz\u0131 y\u00f6nleri bulunur. \u00c7\u00fcnk\u00fc gezi, an\u0131 ve r\u00f6portaj diye adland\u0131r\u0131lan yaz\u0131lar geni\u015f \u00f6l\u00e7\u00fcde yazar\u0131n g\u00f6zlem, izlenim ve yorumlar\u0131na dayan\u0131r. Bu nedenle bu t\u00fcrlerde yaz\u0131lm\u0131\u015f eserleri bir s\u0131n\u0131flamaya tabi tutmak bazen g\u00fc\u00e7t\u00fcr. Bununla birlikte, her \u00fc\u00e7 t\u00fcr\u00fcn de birtak\u0131m ay\u0131r\u0131c\u0131 \u00f6zellikleri vard\u0131r. \u0130yi bir okur bu \u00f6zellikleri bilir veya belirlemede g\u00fc\u00e7l\u00fck \u00e7ekmez.<\/p>\n Gezi T\u00fcr\u00fcn\u00fcn Geli\u015fimi<\/b><\/p>\n Gezi t\u00fcr\u00fcn\u00fcn uzun bir ge\u00e7mi\u015fi vard\u0131r. Bu g\u00fcnk\u00fc tan\u0131m\u0131na ve niteli\u011fine tam uymasa da \u00e7ok eski \u00e7a\u011flarda gezi t\u00fcr\u00fcnden say\u0131labilecek \u00f6rneklerin bulundu\u011fu bilinmektedir. Eski Yunanistan\u2019dan ba\u015flayarak g\u00fcn\u00fcm\u00fcze kadar \u00e7e\u015fitli \u00fclkelerden bir\u00e7ok gezgin, el\u00e7i, \u015fair ve yazar gezip g\u00f6rd\u00fckleri yerleri anlatan eserler meydana getirmi\u015flerdir.<\/p>\n Ba\u015fka \u00fclkelere yap\u0131lan yolculuklarla ilgili ilk gezi yaz\u0131lar\u0131na \u00f6rnek olmak \u00fczere M.S. 448 de Hun h\u00fck\u00fcmdar\u0131 Atilla ya g\u00f6nderilen el\u00e7ilik heyetinde g\u00f6revli tarih\u00e7i Priskos\u2019un eseri ile M.S. 568 de Kilikyal\u0131 Zemarkhos\u2019un G\u00f6kt\u00fcrkler \u00fclkesinde Bizans \u0130mparatorlu\u011fu el\u00e7isi iken tuttu\u011fu notlar\u0131 g\u00f6sterebiliriz.<\/p>\n \u0130ranl\u0131 \u015fair ve din adam\u0131 Nas\u0131r H\u00fcsrev\u2019in hac maksad\u0131yla yapt\u0131\u011f\u0131 Mekke gezisini ve bu arada M\u0131s\u0131r ve Anadolu\u2019nun do\u011fusunda g\u00f6rd\u00fcklerini anlatan Sefername adl\u0131 eserini de ilk gezi kitaplar\u0131 aras\u0131nda sayabiliriz.<\/p>\n Gezi t\u00fcr\u00fcn\u00fcn ilk \u00f6nemli eselerini verenlerin ba\u015f\u0131nda \u015f\u00fcphesiz Venedikli \u00fcnl\u00fc gezgin Marco Polo ile yine \u00fcnl\u00fc Arap gezgini \u0130bn-i Batuta\u2019yu anmam\u0131z gerekir.<\/p>\n Marco Polo, Yak\u0131n Do\u011fu ve Orta Asya \u00fclkelerini kapsayan uzun bir yolculu\u011fa \u00e7\u0131km\u0131\u015f ve bu yolculu\u011funda gezip g\u00f6rd\u00fc\u011f\u00fc yerleri anlatan bir eser yazm\u0131\u015ft\u0131r. Bir\u00e7ok dile \u00e7evrilen bu eser gezi edebiyat\u0131n\u0131n ilk klasik \u00f6rneklerinden biri say\u0131l\u0131r. Arap gezgini \u0130bn Batuta da Anadolu, Harezm, Mavera\u00fcnnehir ve Horasan\u2019\u0131 dola\u015farak oralarda ya\u015fayan T\u00fcrklerin teknik ve toplumsal \u00f6zelliklerini anlatan bir kitap yazm\u0131\u015ft\u0131r.<\/p>\n \u00d6nceleri daha \u00e7ok tarih\u00e7ilerin ilgi g\u00f6sterdikleri bu eserler, sonradan edebiyat\u00e7\u0131lar\u0131n da dikkatini \u00e7ekmi\u015ftir. Ele al\u0131nan konular, kullan\u0131lan dil, yazarlar\u0131n g\u00f6zlem ve anlat\u0131m \u00f6zellikleri bak\u0131m\u0131ndan gezi yaz\u0131 ve kitaplar\u0131 art\u0131k edebiyat\u0131n bir kolu, bir ba\u015fka deyi\u015fle bir yaz\u0131 t\u00fcr\u00fc \u00f6zelli\u011fi kazanm\u0131\u015ft\u0131r.<\/p>\n Gezi Yaz\u0131lar\u0131n\u0131n \u00c7e\u015fitleri<\/b><\/p>\n Gezi yaz\u0131lar\u0131n\u0131, yolculuk yap\u0131lan yer bak\u0131m\u0131ndan ikiye ay\u0131rmak m\u00fcmk\u00fcnd\u00fcr: yurti\u00e7i gezi yaz\u0131lar\u0131 ve yurt d\u0131\u015f\u0131 gezi yaz\u0131lar\u0131; yurti\u00e7i gezi yaz\u0131lar\u0131, bir yazar\u0131n herhangi bir ama\u00e7la kendi \u00fclkesinde yapt\u0131\u011f\u0131 bir yolculuk s\u0131ras\u0131nda gezip g\u00f6rd\u00fc\u011f\u00fc yerleri ve edindi\u011fi izlenimleri anlatt\u0131\u011f\u0131 yaz\u0131lard\u0131r. Bu t\u00fcr gezi yaz\u0131lar\u0131na, Re\u015fat Nuri G\u00fcntekin\u2019in <\/span><\/p>\n Anadolu Notlar\u0131\u2019n\u0131 g\u00f6sterebiliriz.<\/p>\n Yurtd\u0131\u015f\u0131 gezi yaz\u0131lar\u0131 ise bir yazar\u0131n kendi \u00fclkesi d\u0131\u015f\u0131nda yapt\u0131\u011f\u0131 gezi ve incelemelerinin bir \u00fcr\u00fcn\u00fcd\u00fcr. Bu t\u00fcr gezi yaz\u0131s\u0131na da Falih R\u0131fk\u0131 Atay\u2019\u0131n Deniz A\u015f\u0131r\u0131 adl\u0131 eseri \u00f6rnek olarak g\u00f6sterebiliriz.<\/p>\n Gezi yaz\u0131lar\u0131n\u0131, gezi t\u00fcr\u00fcnde eser veren kimselerin durumlar\u0131 bak\u0131m\u0131ndan da ikiye ay\u0131rabiliriz: u\u011fra\u015flar\u0131 yazarl\u0131k olan kimselerin kalemlerinden \u00e7\u0131kan gezi yaz\u0131lar\u0131, u\u011fra\u015flar\u0131 yazarl\u0131k olmayan kimselerin ortaya koydu\u011fu gezi yaz\u0131lar\u0131. Yazarl\u0131\u011f\u0131 bir meslek olarak benimsemi\u015f kimselerin eserlerinde gezilen g\u00f6r\u00fclen yerler, de\u011finilen konular, insanlarla ilgili g\u00f6zlemler yaz\u0131 sanat\u0131n\u0131n bir\u00e7ok \u00f6zelli\u011fini yans\u0131tan renkli bir dille anlat\u0131l\u0131r.<\/p>\n \u0130kinci kategoriye giren yaz\u0131lar, genellikle yazarl\u0131kla ilgili olmayan, fakat yurt i\u00e7inde veya d\u0131\u015f\u0131nda baz\u0131 yerleri g\u00f6rmek \u00fczere geziye \u00e7\u0131kanlar\u0131n veya ge\u00e7ici g\u00f6revlerle yabanc\u0131 bir \u00fclkede oturanlar\u0131n kaleme ald\u0131klar\u0131 yaz\u0131lard\u0131r. Bu gibi kimselerin eserlerinde anlat\u0131m kuru ve renksiz olabilir. Ancak bu t\u00fcr eserlerde bazen \u00e7ok ilgin\u00e7 g\u00f6zlemlere, sa\u011flam bilgilere ve mant\u0131kl\u0131 yorumlara rastlayabiliriz. \u00d6rne\u011fin \u00fcnl\u00fc T\u00fcrk denizcisi Piri Reis\u2019in Bahriye adl\u0131 kitab\u0131 bu bak\u0131mdan ilgin\u00e7tir. Bu kitap Akdeniz\u2019i \u00e7evreleyen karalar, ormanlar, da\u011flar, kentler \u00fczerinde verdi\u011fi bilgilerle hem bir deniz atlas\u0131, hem de bir gezi kitab\u0131 niteli\u011fi ta\u015f\u0131r.<\/p>\n Gezi yaz\u0131lar\u0131n\u0131 ama\u00e7 ve yaz\u0131l\u0131\u015f bak\u0131m\u0131ndan da \u00fc\u00e7e ay\u0131rmak m\u00fcmk\u00fcnd\u00fcr: g\u00fcn\u00fc g\u00fcn\u00fcne al\u0131nm\u0131\u015f notlara dayal\u0131 gezi yaz\u0131lar\u0131, mektup bi\u00e7iminde yaz\u0131lan gezi yaz\u0131lar\u0131 ve bir \u00fclkeyi daha nesnel ve derinlemesine tan\u0131tmay\u0131 ama\u00e7layan gezi yaz\u0131lar\u0131.<\/p>\n Kimi yazarlar, gezip g\u00f6rd\u00fckleri yerleri g\u00fcn\u00fc g\u00fcn\u00fcne veya aral\u0131kl\u0131 olarak tuttuklar\u0131 notlarla anlat\u0131rlar. Bu gibi gezi yaz\u0131lar\u0131 \u00e7o\u011fu kez an\u0131 t\u00fcr\u00fcn\u00fcn de \u00f6zelliklerini ta\u015f\u0131r. Bu \u00e7e\u015fit gezi yaz\u0131lar\u0131na Burhan Arpad\u2019\u0131n Gezi G\u00fcnl\u00fc\u011f\u00fc adl\u0131 eseri \u00f6rnek olabilir.<\/p>\n Kimi yazarlar da gezi izlenimlerini belli aral\u0131klarla arkada\u015flar\u0131na yazd\u0131klar\u0131 mektuplarda anlat\u0131rlar. Bu gibi gezi yaz\u0131lar\u0131nda mektup t\u00fcr\u00fcn\u00fcn hemen hemen her \u00f6zelli\u011fini g\u00f6rebiliriz. Bu \u00e7e\u015fit gezi yaz\u0131lar\u0131na Celaleddin Ezine\u2019nin Amerika Mektuplar\u0131 \u00f6rnek olarak g\u00f6sterebiliriz.<\/p>\n \u00dc\u00e7\u00fcnc\u00fc t\u00fcr gezi yaz\u0131lar\u0131, yazar\u0131n ki\u015fisel g\u00f6zlemleri yan\u0131nda daha ba\u015fka bilgi ve belgelere dayal\u0131 tasvir ve yorumlar\u0131 i\u00e7erir. \u00d6rne\u011fin: Falih R\u0131fk\u0131 Atay\u2019\u0131n gezi kitaplar\u0131 genellikle bu bi\u00e7imde yaz\u0131lm\u0131\u015f eserlerdir.<\/p>\n T\u00fcrk Edebiyat\u0131nda Gezi Yaz\u0131lar\u0131<\/b><\/p>\n Bug\u00fcnk\u00fc bilgilerimize g\u00f6re T\u00fcrk\u00e7e yaz\u0131lan ilk gezi kitab\u0131, tan\u0131nm\u0131\u015f denizcilerimizden Seydi Ali Reis\u2019in Mirat\u00fcl-Memalik adl\u0131 eseridir. Eser Portekizlilere kar\u015f\u0131 sava\u015f\u0131rken Hint Denizi\u2019nde f\u0131rt\u0131naya yakalan\u0131p G\u00fccerat\u2019ta karaya \u00e7\u0131kan Seydi Ali Reis\u2019in Hindistan, Afganistan, Buhara ve Mavera\u00fcnnehir yoluyla Edirne\u2019ye d\u00f6n\u00fc\u015f\u00fc s\u0131ras\u0131nda ba\u015f\u0131ndan ge\u00e7en ser\u00fcvenleri kapsar.<\/p>\n \u00dcnl\u00fc bilginlerimizden K\u00e2tip \u00c7elebi\u2019nin Cihann\u00fcma adl\u0131 eseri de gezi yaz\u0131lar\u0131nda rastlanan birtak\u0131m \u00f6zellikleri i\u00e7ermektedir. K\u00e2tip \u00c7elebi, Osmanl\u0131 \u00fclkesinin bir\u00e7ok yerini dola\u015fm\u0131\u015f ve eserinde g\u00f6rd\u00fc\u011f\u00fc bu yerlerle ilgili ayr\u0131nt\u0131l\u0131 bilgiler vermi\u015ftir.<\/p>\n Edebiyat\u0131m\u0131zda gezi t\u00fcr\u00fcnde ilk b\u00fcy\u00fck ve \u00f6nemli eserin yazar\u0131 Evliya \u00c7elebi\u2019dir. Tarih-i Seyyah ad\u0131n\u0131 ta\u015f\u0131yan on ciltlik eserinde Evliya \u00c7elebi, Osmanl\u0131 \u0130mparatorlu\u011fu s\u0131n\u0131rlar\u0131 i\u00e7inde ve d\u0131\u015f\u0131nda gezip g\u00f6rd\u00fc\u011f\u00fc yerleri anlat\u0131r. Bu yerler aras\u0131nda Bursa, \u0130zmir, Trabzon gibi \u015fehirlerimiz yan\u0131nda Avusturya, Hicaz, M\u0131s\u0131r, Habe\u015fistan ve Da\u011f\u0131stan gibi yabanc\u0131 \u00fclkeler de bulunmaktad\u0131r. Evliya \u00c7elebi\u2019nin gezi kitab\u0131ndan XVII. yy. toplumumuzun zengin k\u00fclt\u00fcr \u00f6zelliklerini \u00f6\u011frenmek m\u00fcmk\u00fcnd\u00fcr. Anlat\u0131mdaki sadelik, i\u00e7tenlik ve s\u00f6yle\u015fi havas\u0131 da eser i\u00e7in ayr\u0131 bir \u00fcst\u00fcnl\u00fck say\u0131l\u0131r.<\/p>\n XVII. yy da Hac yolculuklar\u0131n\u0131 anlatan bir tak\u0131m gezi kitaplar\u0131 ile birlikte Avrupa ve Yak\u0131n Do\u011fu \u00fclkelerine g\u00f6nderilen el\u00e7ilerimizi yazd\u0131klar\u0131 Sefaretname\u2019leri de birer gezi eseri sayabiliriz. Bu eserler aras\u0131nda gezi t\u00fcr\u00fcn\u00fcn \u00f6zelliklerini en belirgin bi\u00e7imde ta\u015f\u0131yan\u0131 Yirmisekiz \u00c7elebi Mehmet Efendi\u2019nin Fransa Sefaretnamesi\u2019dir. Yazar bu eserinde Lale Devri\u2019nde Fransa\u2019da el\u00e7ilik yaparken g\u00f6rd\u00fcklerini tatl\u0131 bir dille anlatm\u0131\u015ft\u0131r.<\/p>\n Tanzimat\u2019tan Sonraki Geli\u015fmeler<\/b><\/p>\n XIX. yy. nin sonlar\u0131nda yay\u0131mlanan ve ger\u00e7ek bir gezi yaz\u0131s\u0131 niteli\u011fi ta\u015f\u0131yan eser Ahmet Mithat Efendi\u2019nin Avrupa da Bir Cevelan adl\u0131 kitab\u0131 olmu\u015ftur. Yazar bu eserinde \u0130stanbul\u2019dan Stockholm e kadar yapt\u0131\u011f\u0131 tren yolculu\u011funa ve d\u00f6n\u00fc\u015f\u00fcnde u\u011frad\u0131\u011f\u0131 bir\u00e7ok Avrupa kentlerine ili\u015fkin g\u00f6zlem ve izlenimlerini anlat\u0131r. Ali Bey\u2019in Seyahat Jurnali adl\u0131 kitab\u0131 da bu y\u00fczy\u0131l\u0131n \u00f6nemli gezi eserleri aras\u0131nda say\u0131l\u0131r.<\/p>\n 1908 den sonra gezi t\u00fcr\u00fcnden eserlerin say\u0131s\u0131nda \u00f6nemli bir geli\u015fme g\u00f6r\u00fclmektedir. Bunda okur say\u0131s\u0131n\u0131n art\u0131\u015f\u0131 yan\u0131nda yabanc\u0131 gezi kitaplar\u0131n\u0131n T\u00fcrk\u00e7eye \u00e7evrilmesinin etkisi b\u00fcy\u00fck olmu\u015ftur. Bu d\u00f6nemin tan\u0131nm\u0131\u015f \u015fair ve yazarlar\u0131ndan Cenap \u015eehabettin\u2019in Hicaz yolculu\u011funu anlatan Hac Yolunda Suriye ve Irak\u2019tan s\u00f6z eden Afak-\u0131 Irak ve bir Avrupa gezisinde g\u00f6rd\u00fcklerini yans\u0131tan Avrupa Mektuplar\u0131 adl\u0131 eserlerini T\u00fcrk\u00e7e gezi t\u00fcr\u00fcn\u00fcn ba\u015far\u0131l\u0131 \u00f6rnekleri aras\u0131nda g\u00f6sterebiliriz.<\/p>\n Cumhuriyet D\u00f6neminde ve G\u00fcn\u00fcm\u00fczde Gezi Yaz\u0131lar\u0131<\/b><\/p>\n Cumhuriyet d\u00f6neminde edebiyat\u0131m\u0131zda gezi t\u00fcr\u00fcnde nicelik ve nitelik y\u00f6n\u00fcnden b\u00fcy\u00fck bir ilerleme sa\u011flanm\u0131\u015ft\u0131r. Bu d\u00f6nemin tan\u0131nm\u0131\u015f gezi yazarlar\u0131 aras\u0131nda \u00f6nce Falih R\u0131fk\u0131 Atay\u2019\u0131 anmam\u0131z gerekir. Atay\u2019\u0131n Deniza\u015f\u0131r\u0131, Taym\u0131s K\u0131y\u0131lar\u0131, Bizim Akdeniz, Tuna K\u0131y\u0131lar\u0131, Hind, Yolcu Defteri, Gezerek G\u00f6rd\u00fcklerim ele al\u0131nan konular ile gerek g\u00f6zlem gerekse anlat\u0131m ustal\u0131\u011f\u0131 bak\u0131m\u0131ndan ilgin\u00e7 ve de\u011ferli eserlerdir.<\/p>\n Cumhuriyet d\u00f6neminde gezi t\u00fcr\u00fcnde eser veren di\u011fer yazarlar aras\u0131nda \u0130stanbul\u2019dan Londra\u2019ya \u015eileple Yolculuk ve Akdeniz\u2019de Bir Yaz Gezintisi adl\u0131 kitaplar\u0131yla Saik Sabri Duran\u2019\u0131, Finlandiya adl\u0131 kitab\u0131yla \u015e\u00fckufe Nihal\u2019i, Bir Vagon Penceresinden ve Ankara-B\u00fckre\u015f adl\u0131 kitaplar\u0131yla Sadri Ertem\u2019i, Tuna\u2019dan Bat\u0131ya ve Anadolu Notlar\u0131 adl\u0131 iki ciltlik kitab\u0131yla Re\u015fat Nuri G\u00fcntekin\u2019i, Anadolu Manzaralar\u0131 adl\u0131 kitab\u0131yla Hikmet Birand\u2019\u0131, Gezi G\u00fcnl\u00fc\u011f\u00fc ve Avusturya G\u00fcnl\u00fc\u011f\u00fc adl\u0131 kitaplar\u0131yla Burhan Arpad\u2019\u0131 sayabiliriz.<\/p>\n Son y\u0131llarda gezi edebiyat\u0131m\u0131z yeni eserlerde daha da zenginle\u015fmi\u015ftir. Yabanc\u0131 \u00fclkelerle k\u00fclt\u00fcrel ili\u015fkilerin artmas\u0131 ve bireysel gezi olanaklar\u0131n\u0131n \u00e7o\u011falmas\u0131 sonucu olarak bu t\u00fcrde eser yazanlar\u0131 say\u0131s\u0131nda da bir art\u0131\u015f g\u00f6r\u00fclmektedir. G\u00fcn\u00fcm\u00fcz yazarlar\u0131 aras\u0131nda gezi yaz\u0131 ve kitaplar\u0131yla \u00fcn yapm\u0131\u015f olanlar aras\u0131nda Mavi Yolculuk ve Mavi Anadolu isimli eserleriyle Azra Erhat\u2019\u0131, D\u00fc\u015fsem Yollara Yollara adl\u0131 eseriyle Haldun Taner\u2019i, Sovyet Rusya, Azerbaycan, \u00d6zbekistan, Bulgaristan, Macaristan adl\u0131 eseriyle Melih Cevdet Anday\u2019\u0131, Sam Amca\u2019n\u0131n Evinde ve Bir Garip Ada adl\u0131 eserleriyle Badii Faik Ak\u0131n\u2019\u0131, Can\u0131m Anadolu adl\u0131 eseriyle Bedri Rahmi Ey\u00fcbo\u011flu\u2019nu, K\u00fcba Uzak De\u011fil eseriyle Dursun \u00d6zden\u2019i, \u015eu Bizim Rumeli adl\u0131 eseriyle Y\u0131lmaz \u00c7etiner\u2019i ve Almanya Beyleri ile Portekiz\u2019in Bah\u00e7eleri adl\u0131 eseriyle Nevzat \u00dcst\u00fcn\u2019\u00fc sayabiliriz.<\/p>\n Ayr\u0131ca, farkl\u0131 t\u00fcrde \u00fcn yapm\u0131\u015f T\u00fcrk Edebiyat\u0131nda gezi notlar\u0131 ve kitaplar\u0131yla da bilinen yazarlar\u0131m\u0131z \u015funlard\u0131r: ATT\u0130LA \u0130LHAN: (1925- 2005), Eseri: Gezi notla\u00adr\u0131: Abbas Yolcu (1959). RE\u015eAT NUR\u0130 G\u00dcNTEK\u0130N: (1889-1956), Eseri: 1. Anadolu Notlar\u0131 (2 cilt, 1936, 1966), Tanr\u0131 Da\u011f\u0131 Ziyareti (1954), B\u00e2b\u00fcr \u015e\u00e2h\u2019\u0131n Seccadesi (1931). BURHAN FELEK: (1889-1982), Eseri: Mint Masallar\u0131 (Gezi yaz\u0131lar\u0131 \u2013 1944). BEDR\u0130 RAHM\u0130 EY\u00dcBO\u011eLU: (1911-1975), Eseri: Can\u0131m Anadolu (1953, gezi notlar\u0131), 2. Tezek (1975, gezi not\u00adlan). BEH\u00c7ET KEMAL \u00c7A\u011eLAR: (1908-1969),Eseri: H\u00fcr Mavilikte (1947, gezi notlar\u0131. CENAP \u015eAHABETT\u0130N: (1870-1934), Eseri: Hac Yolunda (Gezi yaz\u0131lar\u0131, 1909), 2. \u00c2f\u00e2k-\u0131 \u0130rak (Gezi notlar\u0131, 1915), 3. Avrupa Mektuplar\u0131 (\u015eeyehat yaz\u0131lar\u0131, 1919). YAHYA BENEKAY:<\/p>\n (1930\u2014-), Eseri: . G\u00fcneydo\u011fu Yollar\u0131nda (Gezi-R\u00f6portaj, 1962, TDK R\u00f6portaj M\u00fck\u00e2fat\u0131 aldt), 2. G\u00fclen Anadolu (Gezi notlar\u0131, 1962), 3. U\u00e7aktan Anadolu (Gezi notlan, 1964). SELAHATT\u0130N BATU: (15.XII.1905-24.V.1973), Eseri: 1-\u0130nsan ve Sanat (Gezi-Deneme\u00adler, 1945), 2. Romancero (Gezi notlar\u0131, 1953), 3. \u0130svi\u00e7re G\u00fcn\u00adleri (Gezi, 1966), 4. Avusurya ye Venedik G\u00fcnleri (1970). YAVUZ B\u00dcLENT BAK\u0130LER: AHMED H\u00c2\u015e\u0130M: (1884-4-VI.1933), Eseri: Frankfurt Seyahatnamesi (Gezi yaz\u0131lar\u0131, 1933). Yusuf Ziya Orta\u00e7: Eseri: 1-G\u00f6z Ucuyla Avrupa (1958), 2. Portreler (1960), 3. Bizim Yoku\u015f (1966). ZEYNEP ORAL: Eseri: Benim Uzak Do\u011fum, DURSUN \u00d6ZDEN. Eseri: D\u00fcnyan\u0131n 99 Hali, BANU AVAR: Eseri: S\u0131n\u0131rlar Aras\u0131nda (2008), CO\u015eKUN ARAL: Eseri: \u0130Z Tv. Belgesel kanal\u0131.<\/p>\n T\u00fcrk Gezi Yaz\u0131m\u0131nda iki \u00f6rnek:<\/b><\/p>\n EVL\u0130YA \u00c7ELEB\u0130: (1611-1682)<\/b><\/p>\n \u00dcnl\u00fc Seyahat-n\u00e2me yazar\u0131. As\u0131l ad\u0131 Evliy\u00e2\u2019d\u0131r. Dervi\u015f Mehmed Z\u0131ll\u00ee\u2019nin o\u011fludur. \u0130stanbul\u2019da Unkapan\u0131\u2019nda do\u011fdu. Devrinin Ahfe\u015f Efendi ve Evliya Mehmed Efendi gibi me\u015fhur bilgin\u00adlerinden ders g\u00f6rd\u00fc. Enderun\u2019da da d\u00f6rt y\u0131l \u00f6\u011frenim g\u00f6re\u00adrek sipahi oldu. 1630\u2032da g\u00f6rd\u00fc\u011f\u00fc bir r\u00fcya \u00fczerine \u0130stanbul\u2019u inceden inceye gezdi, notlar ald\u0131. Sonra \u0130stanbul d\u0131\u015f\u0131na \u00e7\u0131\u00adkarak Bursa, \u0130zmit, Trabzon, K\u0131r\u0131m ve Girit\u2019e gitti. Tan\u0131d\u0131\u011f\u0131 devlet adamlar\u0131n\u0131n yan\u0131nda g\u00f6rev alarak veya seferlere kat\u0131\u00adlarak Kafkasya, Iran, Anadolu, Suriye, Filistin, Avusturya ve Almanya\u2019y\u0131 hatta M\u0131s\u0131r, Sudan ve Habe\u015fistan\u2019\u0131 g\u00f6rd\u00fc. \u00c7elebi\u2019nin hangi tarihte ve nerede \u00f6ld\u00fc\u011f\u00fc bilinmiyor.<\/p>\n Yakla\u015f\u0131k olarak, elli y\u0131l s\u00fcren gezi izlenimlerini Seyahat-n\u00e2me adl\u0131 on ciltlik eserde yazd\u0131. Bu, eski edebiyat\u0131m\u0131z\u0131n en b\u00fcy\u00fck seyahat eseridir. \u0130\u00e7inde tarih, co\u011frafya, biyografi, folklor, dil, sosyoloji vb. konularda \u00e7ok zengin ve \u00e7e\u015fitli bil\u00adgiler vard\u0131r. Ba\u015f\u0131ndan ge\u00e7en baz\u0131 olaylar\u0131 n\u00fckteli bir dil ile, baz\u0131 h\u00e2llerde abartarak anlat\u0131r. Duyduklar\u0131n\u0131 oldu\u011fu gibi ya\u00adz\u0131ya ge\u00e7irir. Halk diline yak\u0131n bir dil ile sade ve samimi bir \u00fcsl\u00fbp ile yazm\u0131\u015ft\u0131r. Seyahat-n\u00e2me \u00f6nce Bat\u0131l\u0131 T\u00fcrkologlar\u0131n il\u00adgisini \u00e7ekmi\u015f (J. V. Hammer, F. Taeschner), sonra T\u00fcrkiye\u2019de de\u011feri anla\u015f\u0131lm\u0131\u015ft\u0131r.<\/p>\n Seyahat-n\u00e2me\u2019nin ilk sekiz cildi (1898-1928) eski yaz\u0131 ile son iki cildi de yeni yaz\u0131 ile (1935-1938) bas\u0131ld\u0131. Yeni bask\u0131la\u00adr\u0131 daha \u00e7ok se\u00e7meler halinde \u00e7\u0131km\u0131\u015ft\u0131r. Bunlar aras\u0131nda, Re\u00ad\u015fat Ekrem Ko\u00e7u\u2019nun Evliya \u00c7elebi Seyahat-n\u00e2mesi (5 cilt, 1943 -1951); Mustafa Nihat \u00d6z\u00f6n\u2019\u00fcn Seyahat-n\u00e2me\u2019si (3 cilt, 1944 -1945); Mehmet Aksoy ile Server \u0130skit\u2019in Evliya \u00c7elebi Seyahat-n\u00e2me\u2019sinden En G\u00fczel Par\u00e7alar\u2019\u0131 (1962); Zuhuri Pa-n\u0131\u015fman\u2019\u0131n Evliya \u00c7elebi Seyahat-n\u00e2me\u2019si (10 cilt, 1969 -1970); Nih\u00e2i Ads\u0131z\u2019\u0131n \u2018Evliya \u00c7elebi\u2019den Se\u00e7meler\u2019 (2 cilt, 1971, 1972) say\u0131labilir.<\/p>\n \u201c\u00c7a\u011fda\u015f Evliya \u00c7elebi\u201d DURSUN \u00d6ZDEN (21.10.1950 \u2013):<\/b><\/p>\n \u00c7ocukken \u201c\u015eehir Bilmece Oyunu\u201d ile gezme merak\u0131 ve co\u011frafya \u00f6\u011frenme e\u011filimi, Baharda Toros yaylalar\u0131na g\u00f6\u00e7, Tarihi \u0130pek Yolu \u00fczerideki kervansaraylarda turistleri izleme ve Uluk\u0131\u015fla-Ni\u011fde posta treninde su ve elma satarak gezme al\u0131\u015fkanl\u0131\u011f\u0131; 1965\u2019de Ortaokul ve Lisede en iyi dersi Co\u011frafya ve Edebiyat olan \u00d6zden\u2019in okuma, gezme ve yazma yolculu\u011fu ba\u015flam\u0131\u015ft\u0131. \u015eair ve ara\u015ft\u0131rmac\u0131 gazeteci kimli\u011finin yan\u0131 s\u0131ra, \u00f6zg\u00fcn gezi yaz\u0131lar\u0131yla daha \u00e7ok tan\u0131nan Dursun \u00d6zden\u2019in yay\u0131nlanm\u0131\u015f \u015fiir, deneme, ele\u015ftiri ve ara\u015ft\u0131rma kitaplar\u0131na da esin kayna\u011f\u0131 te\u015fkil eden gezi notlar\u0131; haritac\u0131l\u0131k mesle\u011finin deneyim ve bilgisi, \u00f6\u011frenme-ke\u015ffetme disiplini, dil bilmeden d\u00fcnyay\u0131 gezme karar\u0131; onun i\u00e7sel d\u00fcnyas\u0131ndaki sevgi y\u00fckl\u00fc yolculu\u011fun ve pozitif enerjinin ileti\u015fimine yans\u0131mas\u0131d\u0131r. Faydas\u0131z, \u00e7\u0131kars\u0131z, bencil olmayan, \u00f6nyarg\u0131s\u0131z, saf, temiz ve payla\u015fan, \u201cAksakal Bilge Dervi\u015f\u2019 gibi \u00f6ng\u00f6r\u00fc sahibidir. Kaybolan etnik k\u00fclt\u00fcrler, zikirler ve danslar onun gezi yaz\u0131lar\u0131nda \u00f6ne \u00e7\u0131kar. Resmi gezi programlar\u0131 ve al\u0131\u015f\u0131lm\u0131\u015f gezi rotalar\u0131, onun uymad\u0131\u011f\u0131 ve ya\u015fam\u0131n ak\u0131\u015f\u0131na cesaretlice kendini b\u0131rakt\u0131\u011f\u0131 g\u00f6zlenmektedir. Bu \u00e7\u0131lg\u0131nca durum, gezi yaz\u0131lar\u0131na bir ba\u015fka ser\u00fcven ve merak katmaktad\u0131r. <\/span><\/p>\n Dilini bilmedi\u011fi insan ve t\u00fcm canl\u0131larla g\u00f6z g\u00f6ze geldi\u011finde anla\u015fmas\u0131na kolayl\u0131k sa\u011flayan ve g\u00fcven veren s\u0131cak, candan ve dost yan\u0131n\u0131n foto\u011fraf\u0131 gibidir. Bir ya\u015fam felsefesi olarak tan\u0131mlad\u0131\u011f\u0131 \u201cSevgim Sebil\u201d s\u00f6z\u00fc, \u00d6zden\u2019in tan\u0131k oldu\u011fu farkl\u0131 \u00f6zelliklere sahip halklar\u0131n birlikte ya\u015fam k\u00fclt\u00fcr\u00fcn\u00fcn d\u0131\u015fa vurumudur. Sava\u015f, a\u00e7l\u0131k ve yoksulluk ko\u015fullar\u0131nda g\u00fclebilen \u00e7ocuklar\u0131 ve s\u00fcnnet olan kad\u0131nlar\u0131 belgeleyen \u00d6zden, hangi co\u011frafyada olursa olsun, insanl\u0131\u011f\u0131n ortak miras\u0131 olan tarihi eserlerin ve k\u00fclt\u00fcrel varl\u0131klar\u0131n korunmas\u0131, bozulan ekolojik dengenin ac\u0131mas\u0131z intikam\u0131na dikkat \u00e7ekiyor. Ayr\u0131ca, endemik flora ve faunalar\u0131n ya\u015fat\u0131lmas\u0131 ise, \u00d6zden\u2019in bir ba\u015fka sava\u015f\u0131m alan\u0131d\u0131r. <\/span><\/p>\n Anadolu\u2019da ve gitti\u011fi 66 \u00fclkede k\u00f6ylerde, varo\u015flarda ve arka sokaklarda ya\u015fayan vars\u0131l ve yoksul insanlar\u0131n s\u0131n\u0131fsal, sosyal, k\u00fclt\u00fcrel, sanatsal, folklorik, sevimli ve insani yanlar\u0131n\u0131 \u015fiirsel bir dille, kendi duygular\u0131n\u0131 ve nesnel g\u00f6zlemlerini somut olarak okurla payla\u015fan ve de konu\u015fan, anlatan zengin foto\u011fraf ar\u015fiviyle insan ve do\u011fa manzaras\u0131n\u0131 tam bir resim alt\u0131 \u00f6yk\u00fcs\u00fc tad\u0131nda yazan ve gezi kitaplar\u0131n\u0131n \u00e7o\u011fu yabanc\u0131 dillere de \u00e7evrilmi\u015f olan; yerli ve yabanc\u0131 gezi-turizm dergilerinde resimli gezi yaz\u0131lar\u0131 yay\u0131nlanan, Uluslararas\u0131 Turizm Yazarlar\u0131 ve Gazetecileri Federasyonu (FIJET) \u00fcyesi olan, bu dalda uluslararas\u0131 pek \u00e7ok \u00f6d\u00fcl de alan, 30 y\u0131ld\u0131r d\u00fcnyan\u0131n farkl\u0131, ayk\u0131r\u0131, u\u00e7uk ve merak edilen, imrenilen ama zor olan, co\u011frafyan\u0131n ve ya\u015fam\u0131n ser\u00fcven dolu \u00e7\u0131lg\u0131n-dingin yan\u0131n\u0131 ke\u015ffetmek i\u00e7in yollara d\u00fc\u015fen, yerli ve yabanc\u0131 baz\u0131 gazete ve dergilerde yazan, radyo ve Tv kanallar\u0131nda \u201cYOLER\u0130-Gezgin Dervi\u015f\u201d adl\u0131 gezi programlar\u0131 da yapan Dursun \u00d6zden\u2019in yay\u0131nlanan gezi yaz\u0131lar\u0131ndan baz\u0131lar\u0131 \u015funlard\u0131r:<\/p>\n Bolkar \u00c7\u0131\u011fl\u0131\u011f\u0131 (1970), Kocaeli Ba\u015faba\u011f Su Yollar\u0131 (1975), Anadolu\u2019nun Ayd\u0131nl\u0131k Y\u00fcz\u00fc Ni\u011fde (1978), Anadolu\u2019dan \u0130nsan Manzaralar\u0131 (1983), Sarho\u015f Atlar Diyar\u0131 Kapadokya (1986), Anadolu\u2019nun Ayd\u0131nl\u0131k Y\u00fcz\u00fc Ni\u011fde (1988), Afrika\u2019da T\u00fcrk \u0130zleri \u2013 Nil Sevdas\u0131 Sudan (1995), K\u00fcba Uzak De\u011fil (1997), K\u00fcba Gezi Rehberi (1999), Erkekler Cumhuriyeti Ayanoros (2001), Malezya Pasifik Renkleri (2002), suriye Gezi Notlar\u0131 (2003), Ma\u00e7ka\u2019dan Ma\u00e7in\u2019e (2003), Tunal\u0131 G\u00fcl Baba-Budape\u015fte (2004), Uygur Kar\u0131zlar\u0131na Yolculuk (2004), Umman\u2019da Deve Yar\u0131\u015f\u0131 (2005), Sibirya 10 Ad\u0131m (2006), Ku\u015fat\u0131lm\u0131\u015f Yaz\u0131lar (2009), Anadolu\u2019nun 33 Hali ve D\u00fcnyan\u0131n 99 Hali (2009), Kam K\u00fclt\u00fcr\u00fc \u015eamanizm (2015), Lavanta Moru (2016), Kutsal Su Zemzem-Mekke Su Yollar\u0131 (2016), Kar ile Kor Hasan Da\u011f\u0131 (2017), Anasolu Su Medeniyeti (2018), \u0130ran Kehrizleri (2018), \u0130\u00e7inden Nehir Akan \u00dc\u00e7 \u015eehir (2018), \u00c7in Seddi (2018), Mavi Boncuk Fethiye (2019), Perilerle Dans: Avanos (2019), Troya\u2019n\u0131n Gelini-\u00c7anakkale (2019), Yunus Emre Sevdas\u0131: \u00dcnye (2019), Mezopotamya Denizi: Mardin (2019), M\u00fcbadele Ac\u0131s\u0131: Selanik (2020), Berberilerle Dans: Tunus (2020), Sahran\u0131n Lacivert Efendileri: Tuaregler (2020)Cem Sultan Zindan\u0131: Roma (2020), Barbaros Kalesi Mayorka Adas\u0131 (2020), Y\u0131lanlarla Dans: Bafa G\u00f6l\u00fc (2020)\u2026<\/p>\n \u0130\u00e7 geziler kapsam\u0131ndaki \u00e7al\u0131\u015fmalar\u0131m; 13 bin y\u0131ll\u0131k izlerini ke\u015ffetti\u011fimiz Anadolu Medeniyetinin zengin miras\u0131<\/b>n\u0131 bulma, bir d\u00fcnya cenneti olan do\u011fa harikas\u0131 g\u00fczellikleri ve turizm potansiyeli olan k\u00fclt\u00fcrel de\u011ferleri \u00f6nemseyip, merakla onlar\u0131 g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karma, tan\u0131tma, ve koruma ama\u00e7l\u0131 g\u00f6rsel zenginli\u011fini ve bilgi-belge varl\u0131\u011f\u0131n\u0131 ortaya \u00e7\u0131karma giri\u015fimlerimle; insanl\u0131\u011fa, do\u011faya ve tarihe bir not d\u00fc\u015fmek amac\u0131yla, i\u00e7i ve d\u0131\u015f gezilerim s\u00fcr\u00fcyor\u2026 Asl\u0131nda bu t\u00fcr gezilerin, bir destek ve disiplinle \u00f6rg\u00fctl\u00fc olarak yap\u0131lmas\u0131nda \u00e7ok yarar vard\u0131r\u2026<\/b><\/p>\n <\/span><\/p>\n 2020 y\u0131l\u0131nda, t\u00fcm anakaralarda (k\u0131talarda), insanl\u0131\u011f\u0131 teslim alan mikro d\u00fc\u015fmana inat, makro y\u00f6ntemlerle soka\u011fa \u00e7\u0131kma yasa\u011f\u0131n\u0131n uyguland\u0131\u011f\u0131 bu zor g\u00fcnlerde; s\u0131rt \u00e7antamda ta\u015f\u0131d\u0131\u011f\u0131m, \u00f6rnek, farkl\u0131 ve \u00f6zg\u00fcn bir gezi yaz\u0131s\u0131 (\u0130\u00e7inden K\u0131z\u0131l\u0131rmak akan Avanos)<\/b> ile siz sevgili gezme iste\u011fi tavan yapm\u0131\u015f, merakl\u0131 ve macerac\u0131 t\u00fcm tutsak okurlar\u0131m\u0131 selaml\u0131yorum. Yeniden…<\/p>\n \u00d6rnek bir \u0130\u00e7 Gezi Yaz\u0131s\u0131:<\/b><\/p>\n \u0130\u00c7\u0130NDEN KIZILIRMAK AKAN AVANOS<\/b><\/p>\n \u0130\u00e7inden K\u0131z\u0131l\u0131rmak akan, \u015firin \u015fehirlerimizden biri olan Avanos, Anadolu’nun orta yeri. Cansuyu K\u0131z\u0131l\u0131rmak’tan. \u00c7\u00f6mle\u011fi has topraktan. G\u00fczel atlar diyar\u0131 Kapadokya’n\u0131n g\u00fczel insanlar\u0131 en az topra\u011f\u0131 kadar duru. Nice sevda t\u00fcrk\u00fclerine konu olan K\u0131z\u0131l\u0131rmak kadar co\u015fkulu ve \u015fen \u015fakraklar… Nev\u015fehir’in bu \u015firin ve turizm potansiyeli y\u00fcksek il\u00e7esi Avanos’a gitmek \u00e7ok kolay. Kara yoluyla yurdun her yan\u0131ndan otob\u00fcs var. Hava yoluyla ise, Kayseri ve Nev\u015fehir havalimanlar\u0131na d\u00fczenli u\u00e7ak seferleri yap\u0131l\u0131yor. Nev\u015fehir (G\u00fcl\u015fehir) Hava Liman\u0131<\/b>‘ndan Avanos’a servisle, 45 dakika ve Kayseri’den ise 1 saatte gelmek m\u00fcmk\u00fcnd\u00fcr.<\/p>\n K\u0131z\u0131l\u0131rmak nerelerden ge\u00e7er?<\/b><\/p>\n K\u0131z\u0131l\u0131rmak, 1355 kilometre uzunlu\u011fu<\/b> ile \u00fclkemizin en uzun nehridir. K\u0131z\u0131l\u0131rmak Nehri Sivas, Kayseri, Nev\u015fehir, K\u0131r\u015fehir, Aksaray, K\u0131r\u0131kkale, Ankara, \u00c7ank\u0131r\u0131, \u00c7orum, Sinop ve Samsun illerinden ge\u00e7er. Nehir ba\u015flang\u0131c\u0131ndan biti\u015fine kadar bir\u00e7ok \u0131rmak, \u00e7ay, dere gibi akarsular\u0131 da b\u00fcnyesine katmaktad\u0131r. K\u0131z\u0131l\u0131rmak \u00fczerinde pek \u00e7ok HES, baraj ve bentlerin yan\u0131 s\u0131ra, tarihi ve asma k\u00f6pr\u00fcler ile mesire ve park alanlar\u0131 bulunmaktad\u0131r. Bereketli Anadolu topraklar\u0131na can veren K\u0131z\u0131l\u0131rmak, bir tar\u0131m ve turizm zengin miras\u0131m\u0131z\u0131 beslemektedir.<\/p>\n \u0130mranl\u0131 Baraj\u0131 sonras\u0131nda Sivas’\u0131n \u0130mranl\u0131 ve Zara il\u00e7e merkezlerinden ge\u00e7tikten sonra Hafik il\u00e7esinin kuzeyinde \u00d6zdere Irma\u011f\u0131’n\u0131, biraz ileride Hafik il\u00e7esinin kuzeybat\u0131s\u0131nda ise Ac\u0131su Irma\u011f\u0131’n\u0131 b\u00fcnyesine katarak yoluna devam eder. Nehir bu birle\u015fimden sonra Sivas il merkezinin kuzeyinden ge\u00e7er. Sivas ilinin bat\u0131s\u0131nda Y\u0131ld\u0131z Irma\u011f\u0131, Kal\u0131n \u00c7ay\u0131, \u00dcsg\u00fcl\u00fc\u00e7 \u00c7ay\u0131 K\u0131z\u0131l\u0131rmak Nehri’<\/b>ne kat\u0131l\u0131r. Bu noktadan sonra nehir Sivas il s\u0131n\u0131rlar\u0131 i\u00e7erisinde Ba\u011flararas\u0131 Deresi, Bucak Deresi, Kad\u0131rak\u00f6z\u00fc Deresi, Ac\u0131su Deresi ve \u00c7ubuksu \u00c7ay\u0131<\/b>‘n\u0131 b\u00fcnyesine katt\u0131ktan \u00c7ermikler Baraj\u0131 sonras\u0131 Kayseri il s\u0131n\u0131rlar\u0131na ge\u00e7i\u015f yapar. Kayseri s\u0131n\u0131rlar\u0131 i\u00e7erisine giri\u015f yapt\u0131ktan sonra Kara\u00f6z\u00fc k\u00f6y\u00fc yak\u0131nlar\u0131nda bulunan ve 13. y\u00fczy\u0131lda yap\u0131ld\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclen \u015eahruh K\u00f6pr\u00fcs\u00fc<\/b> nehir \u00fczerine in\u015fa edilmi\u015f, g\u00fcn\u00fcm\u00fczde de ayakta ve kullan\u0131mdad\u0131r.<\/p>\n Yamula Baraj\u0131 sonras\u0131nda Kayseri il s\u0131n\u0131rlar\u0131 i\u00e7erisinde Karasu Deresi’<\/b>ni b\u00fcnyesine katan K\u0131z\u0131l\u0131rmak, Nev\u015fehir iline ge\u00e7i\u015f yapar. Nev\u015fehir ile Kayseri il s\u0131n\u0131rlar\u0131nda bulunan Bayramhac\u0131l\u0131 Baraj\u0131 sonras\u0131nda Sar\u0131h\u0131d\u0131r Hidroelektrik Santrali’nden ge\u00e7erek yoluna devam eder. Nev\u015fehir ili i\u00e7erisinde Ala\u00e7orak\u00f6z\u00fc Deresi<\/b> ile birle\u015fir ve yakla\u015f\u0131k 10 km K\u0131r\u015fehir-Nev\u015fehir illerinin s\u0131n\u0131r \u00e7izgisinde akar. K\u0131z\u0131l\u0131rmak’\u0131n en g\u00fczel akt\u0131\u011f\u0131 kant ise, hi\u00e7 ku\u015fkusuz Avanos \u015fehridir.<\/p>\n Sonras\u0131nda K\u0131r\u015fehir il s\u0131n\u0131rlar\u0131na giri\u015f yapan K\u0131z\u0131l\u0131rmak, K\u0131r\u015fehir il s\u0131n\u0131rlar\u0131nda K\u00f6\u015fkerli\u00f6z\u00fc Deresi, H\u00f6\u015f\u00fcr Deresi, Bezirgan\u00f6z\u00fc Deresi, K\u0131l\u0131\u00e7\u00f6z\u00fc Deresi ve G\u00f6kler Deresi<\/b> ile birle\u015ftikten sonra Aksaray-K\u0131r\u015fehir s\u0131n\u0131r \u00e7izgisinde Hirfanl\u0131 Baraj G\u00f6l\u00fc’n\u00fc olu\u015fturur. Hirfanl\u0131 Baraj\u0131 ve Baraj g\u00f6l\u00fc Ankara-K\u0131r\u015fehir il s\u0131n\u0131r \u00e7izgileri \u00fczerinde bulunur. Bu s\u0131n\u0131r \u00e7izgisi \u00fczerinde Hirfanl\u0131 ve Kesikk\u00f6pr\u00fc Barajlar\u0131 bulunur. Sonras\u0131nda K\u0131r\u0131kkale taraf\u0131nda bulunan Kapulukaya Baraj\u0131n\u0131 besleyerek K\u0131r\u0131kkale \u015fehir merkezinin bat\u0131s\u0131ndan yoluna devam eder.<\/p>\n K\u0131r\u0131kkale-Ankara s\u0131n\u0131r hatt\u0131nda ilerledikten sonra \u00c7ank\u0131r\u0131 il s\u0131n\u0131rlar\u0131na giren nehir Terme \u00c7ay\u0131’n\u0131 b\u00fcnyesine katar ve \u00c7orum iline giri\u015f yapar. Delice \u00c7ay\u0131, Be\u015fdut \u00c7ay\u0131 ve Da\u011farl\u0131k Deresi <\/b>birle\u015fimi sonras\u0131 Obruk Baraj\u0131’n\u0131 besler. Daha sonra Arkut \u00c7ay\u0131, Kav\u015fak \u00c7ay\u0131 <\/b>sonras\u0131 \u00c7orum iline ba\u011fl\u0131 Osmanc\u0131k il\u00e7e merkezinin ortas\u0131ndan ge\u00e7er. Koca \u00c7ay\u0131 birle\u015fimi sonras\u0131 yakla\u015f\u0131k 40 km E80 Karadeniz Karayolu’na paralel olarak devam eder. Karadeniz Yolu Y\u00f6n\u00fcn\u00fc do\u011fu taraf\u0131na \u00e7evirerek Sinop il s\u0131n\u0131rlar\u0131nda Boyabat Baraj\u0131’n\u0131 besler. Sinop-Samsun il s\u0131n\u0131rlar\u0131n\u0131 belirleyen K\u0131z\u0131l\u0131rmak nehri bu s\u0131n\u0131r \u00e7izgisi \u00fczerinde ayr\u0131ca Alt\u0131nkaya Baraj\u0131’n\u0131 ve Derbent Baraj\u0131’n\u0131 besler. Son olarak Bafra il\u00e7e merkezinin bat\u0131s\u0131ndan ge\u00e7en K\u0131z\u0131l\u0131rmak Nehri Karadeniz sular\u0131 ile bulu\u015fur.<\/p>\n K\u0131z\u0131l\u0131rmak neden k\u0131rm\u0131z\u0131d\u0131r, mavidir?<\/b><\/p>\n Sivas’\u0131n \u0130mranl\u0131 il\u00e7esinden, K\u0131z\u0131lda\u011f\u2019dan do\u011fup, 9 il s\u0131n\u0131rlar\u0131ndan ge\u00e7erek Samsun’un Bafra il\u00e7esinden Karadeniz’e d\u00f6k\u00fclen K\u0131z\u0131l\u0131rmak, 1355 kilometre uzunlu\u011fu<\/b> ile \u00fclkemizin en uzun nehridir. \u0130smini renginden alan bu nehir, tamamen olmasa da uzun bir mesafede k\u0131rm\u0131z\u0131 akar. Bir\u00e7ok t\u00fcrk\u00fcye ve sevda \u00f6yk\u00fclerine de esin kayna\u011f\u0131 olan K\u0131z\u0131l\u0131rmak, Nev\u015fehir’in Avanos il\u00e7esinde en g\u00f6rkemli g\u00f6rselini almaktad\u0131r.<\/p>\n K\u0131z\u0131l\u0131rmak, <\/b>\u0130mranl\u0131 il\u00e7esindeki K\u0131z\u0131lda\u011f’dan do\u011fuyor. K\u0131z\u0131lda\u011f <\/b>da anla\u015f\u0131laca\u011f\u0131 gibi ismini k\u0131rm\u0131z\u0131 toprak yap\u0131s\u0131ndan almaktad\u0131r. Dolay\u0131s\u0131yla oradaki litolojik birimler, kaya\u00e7 birimlerinin rengi k\u0131z\u0131l. Mesela k\u0131rm\u0131z\u0131 topraklar, k\u0131z\u0131l topraklar kaya\u00e7 litolojik birimi olarak bilinir. Irma\u011f\u0131n erozyonla getirdi\u011fi malzeme, o k\u0131rm\u0131z\u0131 topraklar dolay\u0131s\u0131yla suya kar\u0131\u015f\u0131nca da k\u0131z\u0131l oluyor. Yani o k\u0131z\u0131ll\u0131k jeolojik yap\u0131dan kaynaklan\u0131yor. K\u0131z\u0131l do\u011fup berrakla\u015f\u0131yor. K\u0131z\u0131l\u0131rmak’\u0131n Sivas’\u0131n \u0130mranl\u0131 il\u00e7esinden ba\u015flayan k\u0131z\u0131l yolculu\u011fu, Karadeniz’e varana dek berrakla\u015fmaktad\u0131r.<\/p>\n K\u0131z\u0131l\u0131rmak\u2019\u0131n son dura\u011f\u0131nda, yani Bafra<\/b>‘da Anadolu’nun tatl\u0131 can suyu ile Karadeniz<\/b>‘in sevdal\u0131 mavisi, birbirine hasretle kucakla\u015f\u0131p, \u00f6pmektedir. Elbette siz, bu eyleme imrenip de, yak\u0131nlar\u0131n\u0131zla temasta bulunmay\u0131n bug\u00fcnlerde. Her \u015feyin zaman\u0131 var. Damda y\u0131llarca tek ba\u015f\u0131na ve \u00e7ok zor ko\u015fullarda ya\u015fayan tutsak insanlar\u0131 d\u00fc\u015f\u00fcn\u00fcn yaln\u0131zca… Ve \u00f6zg\u00fcrl\u00fck denen bu belal\u0131 s\u00f6zc\u00fc\u011f\u00fcn k\u0131ymetini anlay\u0131n l\u00fctfen. Kitap okuyun ve d\u00fc\u015flerinizi yaz\u0131n… \u0130\u00e7eride ya da d\u0131\u015far\u0131da, sessiz \u00e7\u0131\u011fl\u0131k at\u0131n… Isl\u0131k zaman\u0131 dedim ya size… <\/span><\/p>\n Y\u0131lmaz G\u00fcney’in ‘K\u0131z\u0131l\u0131rmak, Kara Koyun’<\/i> filmini ve Muharrem Erta\u015f’\u0131n “K\u0131z\u0131l\u0131rmak” <\/i>bozla\u011f\u0131n\u0131 an\u0131msad\u0131m, yeniden… Bir de Avanoslu Halk Ozan\u0131 Bekir’in “Nuri\u2019yi ald\u0131 K\u0131z\u0131l\u0131rmak” <\/i>ezgisi, y\u00fcre\u011fimizi da\u011flad\u0131… Organik tar\u0131mc\u0131, \u015fair dostum Osman Y\u00fcksel’in Avanos Ba\u011f Evi’<\/b>ndeki, sazl\u0131-s\u00f6zl\u00fc \u00e7\u0131\u011fl\u0131\u011f\u0131na e\u015flik eden, gen\u00e7lerin ba\u011f\u0131ml\u0131 k\u00f6t\u00fc al\u0131\u015fkanl\u0131klar\u0131yla sava\u015fan, \u015fair Mutlu \u00c7elik’in a\u011f\u0131z dolusu g\u00fcl\u00fc\u015f\u00fc, tam da bu g\u00fcnlerin sigortas\u0131 gibi moralimizi y\u00fckseltmekte…<\/p>\n K\u0131z\u0131l\u0131rmak Nehri’nin bir ba\u015fka h\u00fcz\u00fcnl\u00fc \u00f6yk\u00fcs\u00fc de bir y\u00fcrek ac\u0131s\u0131 olarak hep an\u0131msanmaktad\u0131r. Dara\u011fac\u0131nda, dostun bir tek g\u00fcl\u00fc ile parelenen Pir Sultan’dan, Mad\u0131mak yang\u0131n\u0131nda \u00e7\u0131nlayan g\u00f6ky\u00fcz\u00fc ile hesapla\u015fan ve binlerce insan\u0131n k\u0131r\u0131lmas\u0131na neden olan korona belas\u0131ndan damlayan k\u00f6p\u00fck k\u00f6p\u00fck al kan, K\u0131z\u0131l\u0131rmak’\u0131n k\u0131rm\u0131z\u0131 akmas\u0131na neden oldu\u011fu varsay\u0131lmaktad\u0131r…<\/p>\n K\u0131z\u0131l\u0131rmak, Avanos’ta bir ba\u015fka sevdal\u0131d\u0131r<\/b><\/p>\n \u0130\u00e7inden K\u0131z\u0131l\u0131rmak akan \u015firin \u015fehir Avanos’un baz\u0131 g\u00fczel insanlar\u0131ndan s\u00f6z etmek istiyorum. Bu insanlar, su kullan\u0131m bilinci ve \u00e7evre koruma k\u00fclt\u00fcr\u00fc ile Anadolu Medeniyeti zengin miras\u0131n\u0131, zor ko\u015fullarda hep korumak i\u00e7in \u00e7al\u0131\u015fan, g\u00f6nl\u00fc g\u00fcvercinli ve sevda y\u00fcrekli can dostlard\u0131r. B\u00f6lgeyi kirleten baz\u0131 mafya uygulamalar\u0131na kar\u015f\u0131n, y\u00f6re k\u00fclt\u00fcr\u00fcn\u00fc ve do\u011fay\u0131 koruyan, idari ve yerel y\u00f6neticiler birlikte, vatansever bu g\u00fczel Avanos sevdal\u0131s\u0131 olan \u015fiir bak\u0131\u015fl\u0131 bu insanlar, b\u00f6lge turizmine katk\u0131 sa\u011flamak i\u00e7in sevgilerini sebil eylemekteler. B\u00f6lgede yerli mal\u0131 \u00fcretimi te\u015fvik eden \u00e7evreci, tar\u0131m ve ziraat uzman\u0131 Y\u00fccel Kesen,<\/b> rehber Ali R\u0131za \u0130ltez<\/b> ile foto\u011fraf\u00e7\u0131 ve gazeteci Metin Y\u0131ld\u0131r\u0131m<\/b> ba\u015fta olmak \u00fczere pek \u00e7ok Avanos sevdal\u0131s\u0131 dostlar\u0131n, b\u00f6lgenin tan\u0131t\u0131m\u0131na katk\u0131s\u0131n\u0131 hi\u00e7 kimse g\u00f6rmezlikten gelemez. Hi\u00e7bir tats\u0131z olay\u0131n meydana gelmedi\u011fi, etkinlikler s\u00fcresince Avanos’un ne kadar bar\u0131\u015f ve huzur dolu oldu\u011funu hissettim. Konu\u015ftu\u011fum emniyet mensubu gen\u00e7 komiserler genelde beldenin b\u00f6yle oldu\u011funu s\u00f6ylediler. Do\u011frusu huzur buldum.<\/p>\n \u0130\u00e7inden K\u0131z\u0131l\u0131rmak akan, s\u0131rda\u015f ya\u015fam yeri Avanos’ta, bize bacalardan el sallayan perilerden arta kalan yitik zamanlarda; g\u00fcn bat\u0131m\u0131nda \u00e7\u0131lg\u0131n ve u\u00e7uk konuklar\u0131na el sallayan Erciyes, Melendiz ve Hasan Da\u011f\u0131;<\/b> “Kar ile Kor”<\/i> efsanelerine ve yaban\u0131l ya\u015famlara g\u00f6z k\u0131rpan, do\u011fa dostu ve koruyucusu, foto\u011fraf sanat\u00e7\u0131s\u0131 Dr. L\u00fctfi Dokuzo\u011flu\u2019<\/b>nun s\u0131rda\u015f ve \u015fen \u015fakrak sevdalar\u0131na tan\u0131kl\u0131k ediyordu… Sal\u0131 ertesi, iyi ak\u015famlar per\u015fembe demeden daha, t\u00fcrk\u00fcn\u00fcn ‘\u015finanay\u0131’nda \u015fenlik vard\u0131.<\/p>\n Nev\u015fehir yolu \u00fczerinde bulunan ve b\u00f6lgenin tek kapal\u0131 yeralt\u0131 dehlizleri aras\u0131nda kurulu olan K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 onayl\u0131 ilk \u00f6zel G\u00fcray \u00c7\u00f6mlek M\u00fczesi<\/b> de turizm potansiyeli olarak mutlaka de\u011ferlendirilmeli. Ba\u011f bozumu ve pekmez kaynatma \u015fenlik zaman\u0131; dost t\u00fcrk\u00fcc\u00fc Edip Akbayram,<\/b> \u015fair Mutlu \u00c7elik <\/b>ve pek \u00e7ok sanat\u00e7\u0131n\u0131n da konaklama yeri olan, Kapadokya’n\u0131n g\u00f6zbebe\u011fi Nev\u015fehir’in bu \u015firin il\u00e7esi Avanos’<\/b>ta ne yenir ve ne i\u00e7ilir diye d\u00fc\u015f\u00fcnmeyin. Konuk severli\u011fi ile \u00fcnl\u00fc \u015fair, gazeteci ve organik tar\u0131mc\u0131 Osman Y\u00fcksel’<\/b>in ba\u011f evindeki havuz ba\u015f\u0131nda ve cevizli \u00e7ardakta, organik kahvalt\u0131n\u0131n tad\u0131 dama\u011f\u0131m\u0131zda. \u0130brahim Tokmak’<\/b>\u0131n Kapadokya \u015farab\u0131 e\u015fli\u011finde ikram etti\u011fi testi kebab\u0131n\u0131 da tad\u0131n\u0131z. Kapadokya co\u011frafyas\u0131n\u0131 ve k\u00fclt\u00fcr\u00fcn\u00fc, UCPA\u2019l\u0131 Frans\u0131z gen\u00e7ler ba\u015fta olmak \u00fczere, t\u00fcm d\u00fcnyaya tan\u0131t\u0131m\u0131na b\u00fcy\u00fck katk\u0131lar\u0131 olan, \u00f6zellikle yabanc\u0131 turistleri K\u0131z\u0131l\u0131rmak boyunda ve Kapadokya b\u00f6lgesinde atla-balonla gezdiren ve profesyonel turizm rehberi olan, g\u00fcler y\u00fczl\u00fc can, dost Osman Nuri Diler’<\/b>in damak tad\u0131 ile Kirkit Pansiyon<\/b>‘da sunulan Frans\u0131z ve Anadolu mutfak k\u00fclt\u00fcr\u00fcn\u00fcn \u00fcr\u00fcnleri leziz ak\u015fam yeme\u011finde, \u00e7\u00f6mlekte past\u0131rmal\u0131 kuru fasulyenin yan\u0131nda, domates tur\u015fusu yemeyi unutmay\u0131n\u0131z. Kapadokya\u2019n\u0131n bereketli ba\u011flar\u0131nda yeti\u015fen \u00f6k\u00fczg\u00f6z\u00fc, \u015firaz ve \u00f6teki \u00fcz\u00fcmlerden yap\u0131lan k\u0131rm\u0131z\u0131 \u015farap da i\u00e7ilecek \u015feylerin ba\u015f\u0131nda geliyor. B\u00f6lgede yayg\u0131n olarak \u00fcretilen ve bo\u015f zamanlar\u0131n\u0131zda yiyece\u011finiz patates k\u0131zartmas\u0131 ve kabak \u00e7ekirde\u011fi, midenizi yat\u0131\u015ft\u0131racakt\u0131r.<\/p>\n K\u0131z\u0131l\u0131rmak \u00e7amurundan yap\u0131lan \u00e7\u00f6mlek ve seramik sanat\u0131 ile \u00fcnl\u00fc Avanos’u iki yerle\u015fime ay\u0131ran K\u0131z\u0131l\u0131rmak \u00fczerinde, iki \u00f6nemli k\u00f6pr\u00fc bulunmaktad\u0131r. Bunlardan ilki, tarihi ta\u015f k\u00f6pr\u00fcd\u00fcr. Di\u011feri ise, 13. y\u00fczy\u0131lda yap\u0131lm\u0131\u015f olan Sel\u00e7uklu Alaaddin Camisi<\/b> \u00f6n\u00fcnde yer alan asma k\u00f6pr\u00fcd\u00fcr. Gelin ile damad\u0131n farkl\u0131 y\u00f6nlerden gelerek, asma k\u00f6pr\u00fcn\u00fcn ortas\u0131nda kavu\u015fmalar\u0131 ve kendilerini sallayarak dans etmeleri, \u00f6zg\u00fcn ve unutulmaz bir nostalji olarak hep yap\u0131lmaktad\u0131r. Asma K\u00f6pr\u00fc <\/b>\u00fczerinde ve i\u00e7inde kaz ve \u00f6rdeklerin koro halinde \u015fark\u0131 s\u00f6yledi\u011fi K\u0131z\u0131l\u0131rmak \u00e7evresinde, foto\u011fraf \u00e7ektirmeyi, bir ba\u015fka g\u00fczel an\u0131 olarak saklay\u0131n\u0131z.<\/p>\n Kapadokyal\u0131 halk ozanlar\u0131n\u0131n dilinden d\u00fc\u015fmeyen a\u011f\u0131t, bozlak ve t\u00fcrk\u00fclerde K\u0131z\u0131l\u0131rmak<\/b>; hal\u0131 ve kilim dokuyan, \u00e7\u00f6mlek\u00e7i g\u00fczeller ve beyaz atl\u0131 s\u00fcvarilerin bildik \u00f6yk\u00fcleri yank\u0131lanmakta…<\/p>\n “K\u00f6r de bilir Avanos\u2019un yolunu, testi bardak k\u0131r\u0131\u011f\u0131ndan bellidir” <\/i>dizelerinin yazar\u0131 A\u015f\u0131k Seyrani<\/b>‘nin yan\u0131 s\u0131ra, bir ba\u015fka halk ozan\u0131m\u0131z Enver G\u00f6k\u00e7e <\/b>ise, hal\u0131 ve kilim dokuyan Avanoslu s\u00fcrmeli ve k\u0131nal\u0131 g\u00fczel k\u0131zlar\u0131, \u015f\u00f6yle tan\u0131mlamaktad\u0131r:<\/p>\n “\u00d6mr\u00fc billah mektep y\u00fcz\u00fc g\u00f6rmedi<\/i><\/p>\n bu kadar nak\u0131\u015f\u0131 nerden belledi<\/i><\/p>\n kirtim kirt, kirtim de kirt\u2026\u201d<\/i><\/p>\n K\u0131z\u0131l\u0131rmak Avanos’a akar, Avanos K\u0131z\u0131l\u0131rmak’a bakar<\/b><\/p>\n Sivas, K\u0131z\u0131lda\u011f’dan \u00e7\u0131kan ve \u00e7ok say\u0131da ya\u015fam alan\u0131na can vererek ve Anadolu’nun beline dolanarak akan, Samsun’un Bafra il\u00e7esinden Karadeniz’e d\u00f6k\u00fclen, T\u00fcrkiye’nin en uzun nehri K\u0131z\u0131l\u0131rmak’\u0131n pek \u00e7ok \u00f6yk\u00fcs\u00fc bulunmaktad\u0131r.<\/p>\n Bu yaz\u0131 ise, k\u0131rm\u0131z\u0131 \u00f6rt\u00fcl\u00fc kayna\u011f\u0131ndan Avanos’a dek, K\u0131z\u0131l\u0131rmak k\u0131y\u0131s\u0131n\u0131 seyirlik yol g\u00fczerg\u00e2h\u0131 olarak se\u00e7en atl\u0131 turistlerle birlikte, balonla, atla ve yaya olarak, peri bacalar\u0131n\u0131n yer\u00fcst\u00fc ve yeralt\u0131 s\u0131rda\u015f mazgal \u00f6yk\u00fclerine tan\u0131k olman\u0131z; ba\u011f evlerinden yank\u0131lanan kirkit <\/b>seslerine e\u015flik eden, pekmez yapan g\u00fczellerin a\u011f\u0131t, ninni ve sevda bozlaklar\u0131 ile i\u00e7 i\u00e7e girip akan, sulu sepken ve \u00e7a\u011flayarak K\u0131z\u0131l\u0131rmak suyuna kar\u0131\u015fan g\u00f6zya\u015flar\u0131n\u0131n s\u0131rda\u015f ve bildik yal\u0131n ve s\u00fcss\u00fcz, bir o kadarda imge y\u00fckl\u00fc \u00f6yk\u00fcs\u00fcd\u00fcr. K\u0131z\u0131l\u0131rmak’\u0131n bir ba\u015fka sevda \u00f6yk\u00fcs\u00fcne esin kayna\u011f\u0131 oldu\u011fu, Avanos’un belle\u011fine kaz\u0131nan, s\u0131radan bir ya\u015fanm\u0131\u015fl\u0131kt\u0131r.<\/p>\n Tan \u00e7i\u00e7e\u011fi ta\u00e7 yapra\u011f\u0131 ba\u015fkald\u0131rmadan daha, seherde G\u00fcne\u015fi ilk \u00f6pen, ba\u015f\u0131 dumanl\u0131 Hasan Da\u011f\u0131 ve Erciyes\u2019i selamlay\u0131n\u2026 Beyaz atlar diyar\u0131 Kapadokya\u2019n\u0131n yaban\u0131l y\u0131lk\u0131 atlar\u0131 ile yitik zaman \u0131\u015f\u0131\u011f\u0131nda, peri bacalar\u0131 aras\u0131nda yol arayan gezginlere e\u015flik etmenin tam zaman\u0131\u2026 G\u00f6n\u00fcl kap\u0131s\u0131 hep a\u00e7\u0131k olan, Kar ile Ko<\/b>r sevdas\u0131nda ve kalbi k\u0131r\u0131k \u00e7\u00f6mle\u011fin dudak izine yaz\u0131lan \u015fiir s\u0131cakl\u0131\u011f\u0131nda; K\u0131z\u0131l\u0131rmak <\/b>k\u0131y\u0131s\u0131nda ve Ba\u011f evleri seras\u0131nda d\u00f6rt mevsim, farkl\u0131 g\u00fczellik ve \u00f6zelli\u011fe sahip olan Avanos’<\/b>un konuksever, dost insanlar\u0131 sizi \u00e7a\u011f\u0131r\u0131yor, yeniden… Her zaman ve her ko\u015fulda\u2026 <\/span><\/p>\n Sa\u011fl\u0131kl\u0131, temiz ve ya\u015fanas\u0131 bir do\u011fada, k\u00fclt\u00fcr ve medeniyet varl\u0131klar\u0131m\u0131z\u0131 koruyarak; bize sunulan bir nefslik \u00f6m\u00fcr dilimi i\u00e7inde; hayat\u0131 ke\u015ffetmek i\u00e7in, kendinize zaman ay\u0131r\u0131n ve gidecek bir yer se\u00e7in\u2026 Yoleri gezgin dervi\u015f rehberli\u011finde, yolunuz ve baht\u0131n\u0131z a\u00e7\u0131k olsun\u2026 <\/span><\/p>\n www.dursunozden.com.tr<\/b><\/p>\n <\/p>\n\n\n Gezi Edebiyat\u0131 Nedir? Gezi Yazar\u0131 Kimdir? \u00d6rnek Gezi Yaz\u0131s\u0131 Dursun \u00d6zden (Gezi yazar\u0131, Belgeselci) “Gezi yaz\u0131s\u0131 ya da seyahatname nedir?” diyerek s\u00f6ze ba\u015flayal\u0131m… Edebiyat\u0131n esin kayna\u011f\u0131 ve etki alan\u0131 i\u00e7inde ve \u00f6znesinde, elbette insan ve insan\u0131n ya\u015fad\u0131\u011f\u0131 do\u011fa, ekoloji, \u00e7evre, iktisadi ve sosyal iklim, \u00fcretim ili\u015fkisi, medeniyet, k\u00fclt\u00fcr ve sanatsal estetik, zenginlik ve duygu miras\u0131 …<\/p>\n","protected":false},"author":1,"featured_media":8127,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[66,65,2],"tags":[],"_links":{"self":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/319"}],"collection":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=319"}],"version-history":[{"count":7,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/319\/revisions"}],"predecessor-version":[{"id":12840,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/319\/revisions\/12840"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/media\/8127"}],"wp:attachment":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=319"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2020\/08\/5-\u00e7inseddi-546x728.jpg\")
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