T\u00fcrk d\u00fcnyas\u0131 ve d\u00fcnyan\u0131n bir\u00e7ok \u00fclkesine geziler yap\u0131p bunlar\u0131 kaleme alan bir gezginci-yazar\u2026\u00a0<\/span><\/p>\n Ama bunlar\u0131n hepsi bir yana, o kendi bi\u00e7emini, bi\u00e7imini bulan, \u00f6zg\u00fcn ve g\u00fc\u00e7l\u00fc bir \u015fair.<\/p>\n \u00d6zden, yeni \u015fiir kitab\u0131 \u201c\u015eiir Bayram\u0131\u201dn\u0131 imzalayarak g\u00f6nderdi.\u00a0<\/span><\/p>\n Bu kitap Yoleri Yay\u0131nlar\u0131\u2019nca yay\u0131mlanm\u0131\u015f ve tam 160 sayfa.<\/p>\n Dursun \u00d6zden bu kitab\u0131nda farkl\u0131 bir \u015fiir dili -deniyor demiyorum- kullan\u0131yor, geli\u015ftiriyor, g\u00f6steriyor. Kavramlar, deyimler, s\u00f6ylemler, s\u00f6zler, adlar art arda s\u0131ralan\u0131yor; dize i\u015f\u00e7ili\u011fi, i\u00e7eri\u011fi ve bi\u00e7imi de\u011fi\u015fiyor, ritim de \u00f6yle\u2026<\/p>\n Hadi bir \u00f6rnek verelim, Kayseri G\u00fczellemesi adl\u0131 \u015fiirden b\u00f6l\u00fcmler sunal\u0131m:<\/p>\n \u201cbir hisar gibi y\u00fckselen gelin ba\u015f\u0131\/erciyes doru\u011funa odaklanan sevgi\/kar\u0131z-sar\u0131z-gesi ba\u011f\u0131 topra\u011f\u0131 ta\u015f\u0131\/kay\u0131 boyu-kayseri ota\u011f\u0131m-anadol\/han duvarlar\u0131na s\u0131zan \u0130ncesu-dol\/ka\u00e7 yayl\u0131, ka\u00e7 atl\u0131 eli, arapl\u0131beli\/hal\u0131su-kilim-kirkit yahyal\u0131 yeli\/ali da\u011f\u0131 aln\u0131n\u0131 \u00f6pen, o su perisi\/\u00f6p\u00fcnce a\u011flayan g\u00f6zya\u015f\u0131 \u015fi\u015fesi\/ o dudak izinde-yol alan ahenk\/\u015fu talas sarn\u0131c\u0131na gidek gelek\/o ba\u011f bozumu, g\u00fcz vurgunu\u201d<\/p>\n Kimi \u015fiirlerinin dize \u00f6l\u00e7\u00fcleri geometrik bi\u00e7imli\u2026\u00a0<\/span><\/p>\n Alt alta \u00f6yle bir s\u0131ralan\u0131yor ki, bakt\u0131\u011f\u0131n\u0131zda o \u015fiirin izle\u011fi ve konusuna de\u011fgin nesneler g\u00f6r\u00fcyorsunuz.\u00a0<\/span><\/p>\n S\u00f6zgelimi Nevruz Tableti \u015fiiri, bir vazo ya da k\u00fcp\u00fc and\u0131r\u0131yor.<\/p>\n Farkl\u0131 \u015fiir dilinin olmad\u0131\u011f\u0131 dizeler de var elbette ve onlar da Dursun \u00d6zden\u2018in ustal\u0131\u011f\u0131na yak\u0131\u015f\u0131yor:<\/p>\n \u201cSen uyurken g\u00f6z\u00fcm\u00fc bir mum da\u011flad\u0131\/k\u00f6r ate\u015fi u\u011fur sand\u0131m mumlar a\u011flad\u0131\/\/izmir\u2019in ufkunda ay-y\u0131ld\u0131z a\u00e7ar\/dokuz eyl\u00fcl mustafa pa\u015fa utkusu\/urbam urla\u2019da \u0131slan\u0131r, \u00e7e\u015fme usu\/t\u00fcrkmen ota\u011f\u0131nda ak-k\u0131m\u0131z i\u00e7elim\/sen uyurken dolunay \u0131\u015f\u0131k m\u0131 sa\u011fd\u0131\/sen uyurken dizimde o \u015farap ba\u011fd\u0131\/izmir yand\u0131 g\u00fcne\u015fle koyun koyuna\/sen uyurken mavi bulut a\u011flad\u0131-ya\u011fd\u0131\u201d<\/p>\n \u201c\u0130zmir Uyurken\u201d adl\u0131 \u015fiirdendi bu dizeler.<\/p>\n \u00d6zden\u2019in kitab\u0131nda Anadolu ve T\u00fcrk D\u00fcnyas\u0131 var, her var\u0131yla var hem de\u2026<\/p>\n Nah\u00e7\u0131van s\u00f6z gelimi\u2026\u00a0<\/span><\/p>\n \u015eu dizelerin g\u00fczelli\u011fine ve anlam ve imge zenginli\u011fine bakar m\u0131s\u0131n\u0131z?<\/p>\n \u201cnah\u00e7\u0131van-\u00e7ember i\u00e7indeki a\u015fk\u0131m\u0131z\/eder-iki i\u00e7 a\u00e7\u0131 toplam\u0131, bir dudak izi\/sen, ben, gen, soya\u011fac\u0131 ve \u015fu \u00fc\u00e7gen\/ilk a\u015fk, ilk g\u00fcnah kovulduk cennetten\/ve beni sana yazd\u0131, \u015fifac\u0131 kutsal \u015faman\/alev dans\u0131 ate\u015fg\u00e2h, kehriz akar lenkeran\/r\u00fczg\u00e2r g\u00fcl\u00fc bak\u00fc, hazar mavisi ah aman\/bir yan\u0131m kanar imi\u015fli, ah Kafkas maral\u0131\u201d<\/p>\n \u015eairimiz, kitab\u0131na ad\u0131n\u0131 veren \u201c\u015eiir Bayram\u0131\u201d adl\u0131 \u015fiirinin son dizesinde \u201cEn k\u00fcsleri bar\u0131\u015ft\u0131r\u0131r \u015fiir bayram\u0131\u201d diyor.\u00a0<\/span><\/p>\n Biz de buna kat\u0131l\u0131yoruz, \u015fiirle bayram bir araya gelince neler olmaz ki diyoruz\u2026<\/p>\n Ve Dursun \u00d6zden\u2019den T\u00fcrk D\u00fcnyas\u0131n\u0131 selamlayan bayraml\u0131k yeni bir \u015fiir:<\/p>\n nevruz destan\u0131<\/b><\/p>\n b\u00f6rte\u00e7ine yurdun ad\u0131, b\u00f6rte\u00e7in kurdun-demircinin yad\u0131<\/p>\n demiri tav\u0131nda d\u00f6ven ve \u00e7eli\u011fe su veren g\u00f6k\u00e7e ecdad\u0131<\/p>\n ergenekon da\u011f\u0131n\u0131 eriten ilk ate\u015f, ilk k\u00f6z, nevruz al\u0131-tad\u0131<\/p>\n sevgisi sebildi, sebildi a\u015f\u0131, ate\u015fi, i\u00e7imizi \u0131s\u0131tan al g\u00fcne\u015fi<\/p>\n ilk a\u015fk, ilk \u0131\u015f\u0131k, ilk milli bahar \u015f\u00f6leni nevruz, \u015fiir bayram\u0131<\/p>\n asya\u2019dan akdeniz\u2019e bir \u00e7\u0131\u011fl\u0131k y\u00fckselir, seherde avaz avaz<\/p>\n tutsak kalem, yan\u0131k kitap, \u00f6zg\u00fcr kalp susma, sen \u015fiir yaz<\/p>\n dirilen a\u015fk, yitik sevdan\u0131n m\u00fcjdecisi e\u015f, nevruz\u2019a duy haz<\/p>\n e\u015fitti gece ile g\u00fcnd\u00fcz, yeni g\u00fcn, ulu dirili\u015f, renklerle dans<\/p>\n \u00fc\u015f\u00fcyen \u00f6l\u00fcm, donu \u00e7\u00f6z\u00fclen mart, a\u011flayan kaya etme naz<\/p>\n ey g\u00f6n\u00fcl neferi ozan, o m\u00fcnevver yadigar\u0131 \u00e7\u0131\u011f\u0131ran-yazan<\/p>\n umut \u00e7apl\u0131 utku, kadim ata nutku, hazar\u2019d\u0131m y\u00fcce hazan<\/p>\n i\u00e7sel dokunu\u015f kam ate\u015fi, kar ile kor sevdas\u0131 \u00e7a\u011fa bakan<\/p>\n semada semah d\u00f6nen aksakal, ka\u015fgarl\u0131 mahmut, yunus<\/p>\n ulu da\u011flar\u0131n \u00f6zg\u00fcr sesi pir sultan, sanca\u011f\u0131n burcu al kan<\/p>\n yenisey\u2019den k\u0131z\u0131l\u0131rmak\u2019a akan, uygarl\u0131k ota\u011f\u0131 anadolu\u2019dan<\/p>\n g\u00f6n\u00fcl yurdu; \u00e7in\u2019den ma\u00e7in\u2019e, tuva\u2019dan tuna\u2019ya k\u00f6k salan<\/p>\n bozk\u0131r\u0131n g\u00f6\u00e7eri-konar\u0131, uygur abidesi, yesevi eri-bilgehan<\/p>\n turfan, salur, sayan, horasan, deylem\u2019den dersim\u2019e ko\u015fan<\/p>\n ey karde\u015f, bu dans tek k\u0131v\u0131lc\u0131m, bir damla okyanus, tufan<\/p>\n g\u00f6\u00e7men ku\u015flar katar\u0131, yeni y\u0131l ve yeni g\u00fcn tela\u015f\u0131, heyecan\u0131<\/p>\n ey\u00a0\u00e7ekik g\u00f6zl\u00fc-yan\u0131k y\u00fczl\u00fc \u00e7ocuk, silkin \u00f6z\u00fcne d\u00f6nme an\u0131<\/p>\n o anadolu ekini bereketi, sevdas\u0131-d\u00fc\u011f\u00fcn\u00fc, yi\u011fidin harman\u0131<\/p>\n al duvakl\u0131 ak gelin, a\u015fk\u0131m \u00f6p beni, sal\u0131 ertesi ilk \u00e7ar\u015famba<\/p>\n 21 mart cemre can\u0131, \u015fiir alay\u0131 \u015fan\u0131, dillerde nevruz destan\u0131.<\/p>\n dursun \u00f6zden \/ 21 mart 2019<\/b><\/p>\n G\u00f6kten \u015eiir D\u00f6k\u00fcl\u00fcrFak\u00fclteden hocamd\u0131 Ahmet Necdet (\u015fiirler i\u00e7inde uyusun), onun \u201cG\u00f6kten \u015eiir D\u00f6k\u00fcl\u00fcr\u201d adl\u0131 \u015fiiri ile bu yaz\u0131y\u0131 ba\u011flamak pek uygun olacak:y\u00fcrek yorgun d\u00fc\u015ferse s\u00f6yle g\u00fcn neye d\u00f6ner g\u00fcnd\u00fczlerle t\u00fckenir\/elbet geceye d\u00f6ner*bir bellek olur \u0131\u015f\u0131r \u00e7orum\u2019dan alaybey\u2019e narkoz esrar\u0131 s\u00fcrer\/diazem meye d\u00f6ner*\u00e7okluk s\u00fcr\u00e7en zamand\u0131r bir \u00e7ifte kaburgada \u00fcrperir sultan gelin\/a\u015fk bilmeceye d\u00f6ner*h\u00fczne kap\u0131 a\u00e7sa da dostluklar birer birer pusudaki her kur\u015fun bir konfetiye d\u00f6ner*tenha bir bah\u00e7edesin ki orda ahmet necdet g\u00f6kten \u015fiir d\u00f6k\u00fcl\u00fcr\/s\u00f6z d\u00fc\u015f\u00fcnceye d\u00f6ner\u2026\u00a0\u00a0\u00a0<\/span><\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Ya\u015fam I\u015f\u0131\u011f\u0131 \u015eiirler…<\/b><\/p>\n Dursun \u00d6zden, Uluk\u0131\u015fla Beya\u011f\u0131l’dan y\u00fcre\u011fi Toros \u00e7i\u00e7ekli bir \u015fair. Topra\u011f\u0131, bozk\u0131r\u0131, da\u011flar\u0131, mazlumlar\u0131 bilincinde ye\u015ferterek d\u00fcnyaya a\u00e7m\u0131\u015f duyargalar\u0131n\u0131. \u00d6zellikle de Ortado\u011fu’ya, Kafkasya’ya, Turkuvaz d\u00fcnyaya. Onun \u015fiirlerinde \u00e7oklay\u0131n gezgin \u015fair kimli\u011fini buluruz. Asya’dan Afrika’dan, yery\u00fcz\u00fcn\u00fcn ba\u015fka uzak k\u00f6\u015felerinden bar\u0131\u015f kokulu sesler getirir, ac\u0131lar\u0131n\u0131, a\u015fklar\u0131n\u0131 yans\u0131t\u0131r.<\/p>\n \u0130\u015fte alt\u0131nc\u0131 \u015fiir kitab\u0131 “Yitik Zaman I\u015f\u0131\u011f\u0131” da bu \u00f6rg\u00fcde \u015fiirlerden olu\u015fuyor. A\u011fustos 2003’te sunulmu\u015f \u015fiirseverlere. “Yitik Zaman I\u015f\u0131\u011f\u0131” yap\u0131t\u0131nda yeni bir s\u00f6ylem, de\u011fi\u015fik bir deyi\u015fle kar\u015f\u0131 kar\u015f\u0131ya kal\u0131yoruz. Bu kitab\u0131yla al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda s\u0131cak bir \u015fiir ortam\u0131 yarat\u0131yor Dursun \u00d6zden. Daha \u00e7ok Do\u011fu uygarl\u0131\u011f\u0131n\u0131, bu uygarl\u0131\u011f\u0131n nesnel yap\u0131s\u0131n\u0131, ekin \u00f6\u011felerini dilsel bir \u00e7a\u011fr\u0131\u015f\u0131m a\u011f\u0131 olu\u015fturarak yedirmi\u015f \u015fiirine. Hazer’den Horasan’a, platonik a\u015fklar\u0131n mek\u00e2n\u0131 sahralara, \u00e7\u00f6llere y\u00fcr\u00fcyor y\u00fcre\u011finde hep bir turkuvaz sevdas\u0131. Dursun \u00d6zden “hikmet burcunda bir \u015faman” duru\u015fu sergileyen H\u00fcseyin Ferhat gibi Avrasya co\u011frafyas\u0131ndan, \u00e7\u00f6l insanlar\u0131ndan esintiler getiriyor. Bu esintileri ak s\u00f6zc\u00fckler y\u00fcklenmi\u015f. Anadolu, Tunus, Filistin, Irak, Berberiler, K\u00fcba ve bir\u00e7ok \u00fclke kendi egzotik yap\u0131lar\u0131yla \u00d6zden’in \u015fiir potas\u0131nda yerlerini alm\u0131\u015flar<\/p>\n \u015eair \u00d6zden, toplumcu bir\u00a0bak\u0131\u015f a\u00e7\u0131s\u0131 ve ger\u00e7ek\u00fcst\u00fc bir anlay\u0131\u015fla yazm\u0131\u015f \u015fiirlerini. Bilin\u00e7alt\u0131ndan gelen \u0131rma\u011f\u0131 renkli \u015fiirler \u00fcretmi\u015f. Hele dizeleri ya\u015famdan soluk alm\u0131\u015f, canl\u0131, diri nitelikleriyle okuyanda \u00e7arp\u0131c\u0131 izler b\u0131rak\u0131yor.<\/p>\n Gezgin \u015fair her gitti\u011fi \u00fclkede “sevgimsebil” diyerek y\u00fcre\u011findeki\u00a0bar\u0131\u015f\u0131 sunuyor, insan olman\u0131n, kendini bilmenin hikmetini dillendiriyor “Sevgim sebil-sevi kime gerek \/ a\u011flayana g\u00fclene sevilene sevene (s.10)”. ilkesi budur \u00d6zden \u015fairin. Bombalar\u0131n alt\u0131nda can veren Irak insan\u0131n\u0131n , Filistin halk\u0131n\u0131n ac\u0131s\u0131n\u0131 y\u00fcre\u011finde duyar, bar\u0131\u015f g\u00fcl\u00fc \u00e7ocuklar\u0131n \u00f6l\u00fcm\u00fcne a\u011f\u0131t yakar, “kara y\u0131lan \u00e7\u00f6reklendi kunda\u011fa \/\u00a0kan\u00a0tutmu\u015f bayku\u015f \u00f6ter bo\u015f be\u015fikte \/ \u015fahinler, akbabalar,\u00a0sam\u00a0amcalar \u00fc\u015f\u00fc\u015ft\u00fc \/ kap\u0131 kom\u015fumuz \u00f6l\u00fcmle cebelle\u015fiyor e\u015fikte (s.12)”; “Filistin kutsal toprak, \u00f6l\u00fcm tarlas\u0131 \/ a\u011flama duvar\u0131nda g\u00fclerken Musa \/ yeniden \u00e7arm\u0131ha gerildi kimsesiz \u0130sa \/ ey Muhammed ya ali-tanr\u0131 a\u015fk\u0131na \/ d\u00f6ne d\u00f6ne yana yana kan\u0131yor d\u00fcnya (s.19). Karde\u015f Azerbaycan’\u0131n i\u015fgal alt\u0131ndaki topraklar\u0131 i\u00e7ini s\u0131zlat\u0131r: “g\u00fcl yok g\u00fclistanda\/g\u00fcll\u00fc basma, yamal\u0131 fistan \/ ka\u00e7 bahar ge\u00e7ti son g\u00fcl\u00fc\u015f\u00fcn ard\u0131ndan \/ ka\u00e7k\u0131nl\u0131k zor balam, unuttum sevday\u0131 \/ ben ki, ate\u015f g\u00fcl\u00fc hazar maral\u0131 \/ bir bak\u0131\u015fta da\u011flar\u0131 delen reyhan (s.38).<\/p>\n Sevmek bir yerde \u00f6zg\u00fcrle\u015fmektir. Bunun i\u00e7in t\u00fcm insanl\u0131\u011fa bir umut \u0131\u015f\u0131\u011f\u0131 yakar sevgi ate\u015fiyle, insan\u0131n insana uzatt\u0131\u011f\u0131 dost elidir sevgi. G\u00f6n\u00fcl p\u0131nar\u0131ndan\u00a0\u00e7a\u011flar, insanlar\u0131 \u00e7i\u00e7eklendirir. “sava\u015f\u0131 durdurur sevgi sonsuz bar\u0131\u015f \/ zamans\u0131z zamanda \u0131\u015f\u0131kl\u0131 sel \/ melekler sevi\u015firken \u00f6zg\u00fcrle\u015fir \/ kopar zincirlerini d\u00fc\u015fistana gel” (s.25).<\/p>\n D\u00fcnyay\u0131 saran karga\u015fa, karabasan, d\u00fcnyaya giydirilen ate\u015ften g\u00f6mlek ne denli \u00f6l\u00fcmc\u00fcl olsa da umudu ve iyimserli\u011fi dizelerinde s\u00fcrekli diri tutarak insanl\u0131\u011fa g\u00fcven a\u015f\u0131lar, gelece\u011fi ayd\u0131nl\u0131k g\u00f6r\u00fcr. K\u00f6t\u00fcl\u00fc\u011f\u00fcn bir g\u00fcn kesinlikle yery\u00fcz\u00fcnden silinece\u011fini, uluslar\u0131n e\u015fitlik, payla\u015f\u0131m d\u00fczeyinde bir i\u015fbirli\u011fi \u00e7a\u011f\u0131na kavu\u015faca\u011f\u0131n\u0131 mu\u015ftular bir\u00e7ok \u015fiirinde, “marmaristeki s\u00fctbeyaz bir zaman” benzeri bir \u00e7a\u011f do\u011faca\u011f\u0131n\u0131 dile getirir. Belki Mustafa Kemal’in at\u0131yla gelecek bir kurtulu\u015ftur bu. “\u00f6zg\u00fcr atlar yelesinde, olgun nurlu bilgeler ordusu \/ t\u00fcrkiye-utku ate\u015fiyle ayd\u0131nland\u0131, bilgehan yontusu” (s.58). A\u015fk do\u011fan\u0131n kan\u0131d\u0131r. Onun dilinden \u00f6zneli besler. Do\u011fan\u0131n t\u00fcm varl\u0131klar\u0131n\u0131 tan\u0131mlayan s\u00f6zc\u00fckler a\u015fk\u0131n tan\u0131m\u0131na d\u00f6n\u00fc\u015f\u00fcr \u00d6zden’in \u015fiirlerinde, “turnalar zaman\u0131 da\u011f ete\u011fi sa\u00e7lar\u0131n alev alev \/ men sana gelmi\u015fem r\u00fczg\u00e2r g\u00fcl\u00fc \u00f6p g\u00fcne\u015fi (…) evcil tad\u0131ml\u0131k \u015fiirbal\u0131 bir yudum u\u00e7uk sevi \/ ve \u0131slak havaya da\u011fl\u0131yor gece sessizce\/kendini\u00a0dip\u00a0k\u00f6klere uzat \u00e7elikten h\u00fcz\u00fcn \/ meryem bah\u00e7esinde g\u00fcl-g\u00fcle g\u00fcl\u00fcver \/ g\u00fcl benizli hazar yeli g\u00fcl\u00fczar \/ \u00e7eli\u011fe su verir demiri tav\u0131nda d\u00f6ver” (s.40).<\/p>\n \u015eiirlerinde zaman zaman halk t\u00fcrk\u00fclerine, deyi\u015flerine yasland\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz \u00d6zden’in. S\u00f6zl\u00fc yaz\u0131n gelene\u011fi \u015fiirinin kurgusuna belirgin bir etkide bulunmu\u015ftur. Kimi \u015fiirlerini t\u00fcrk\u00fc bi\u00e7emiyle olu\u015fturmu\u015f, “\u015fahmaran”, “k\u00fcheylan”, “mad\u0131mak”, “nevruz”, “\u015fahbaz”, “g\u00fclmeme”, “semah d\u00f6nd\u00fc turnalar-u\u00e7tum u\u00e7tum” gibi T\u00fcrk folklor ve masal motiflerini dizelerine ustal\u0131kla yerle\u015ftirmi\u015ftir. Do\u011fu’nun “avesta”, “ate\u015fgah” ve benzeri kavramlar\u0131ndan yeni imgeler yaratm\u0131\u015ft\u0131r. Azeri T\u00fcrk\u00e7esinde ge\u00e7en “ka\u00e7k\u0131n: m\u00fclteci, s\u0131\u011f\u0131nmac\u0131”, “keskin9mek: yana\u015fmak”, T\u00fcrkmen T\u00fcrk\u00e7esindeki “a\u00e7k\u0131: anahtar” vb. s\u00f6zc\u00fckler T\u00fcrkiye T\u00fcrk\u00e7esinde de ya\u015fat\u0131labilir \u00f6zt\u00fcrk\u00e7e s\u00f6zc\u00fcklerdir. “Keskinmek” s\u00f6zc\u00fc\u011f\u00fc ortak bir s\u00f6zc\u00fc\u011f\u00fcm\u00fczd\u00fcr. Sivas, Gemerek ve dolaylar\u0131nda da \u00e7ok kullan\u0131lan bir s\u00f6zc\u00fckt\u00fcr. Cinsellik kapsam\u0131nda ili\u015fki i\u00e7in eylem durumunu i\u00e7erir.<\/p>\n \u00d6zden’in \u015fiirleri bir imge bah\u00e7esi ayn\u0131 zamanda. Do\u011fu ekini a\u011f\u0131rl\u0131kl\u0131 d\u00fcnya, uygarl\u0131k \u00f6\u011felerinden ve T\u00fcrk da\u011farc\u0131\u011f\u0131ndan s\u00fcz\u00fclen ger\u00e7ek\u00e7i , somut ve do\u011fasal imgeler. Bu imgelerle kendine \u00f6zg\u00fc bir g\u00fczelduyu yaratm\u0131\u015f \u00d6zden.\u015eiirlerinde dizeler \u00f6nemli bir yer tutuyor. Anlam \u00e7okluk tek dizelerde, kimileyin de birka\u00e7 dizede tamamlan\u0131yor. Dizeler olduk\u00e7a d\u00fczyaz\u0131 t\u00fcmceleri gibi uzun tutulmu\u015f. K\u0131r\u0131k ve kesik dize hemen hemen yok gibi. Dizelerinde yer yer ses yinelemelerini g\u00f6r\u00fcyoruz. \u015eiirinin b\u00fct\u00fcn\u00fcnde ses uyumu, ritmi duyumsuyoruz. Ayr\u0131ca\u00a0kurgusal yap\u0131m\u0131nda benzer s\u00f6zc\u00fck uyumlar\u0131na da tan\u0131k oldu\u011fumu belirtmeliyim. S\u00f6zc\u00fck ve imgelerin \u00e7a\u011fr\u0131\u015f\u0131ml\u0131 dokusunda ince bir d\u00fc\u015f\u00fcn ve felsefenin gizli iletilerine de ula\u015fam\u0131yoruz. \u00dcz\u00fcnt\u00fcy\u00fc, Kederi, sevgi ve a\u015fk\u0131yla gezgin bir y\u00fcre\u011fin evrensel sevdas\u0131n\u0131 \u00f6z\u00fcms\u00fcyoruz. Diyebilirim ki hepsi de ya\u015fam\u0131n d\u00fc\u015f ve ger\u00e7eklerinden yans\u0131yan \u00f6z t\u00fcrk\u00fcler.<\/p>\n Demem o ki \u00d6zden’in kendi bi\u00e7emiyle yaratt\u0131\u011f\u0131 kendine \u00f6zg\u00fc bu \u015fiirleri okuyana ayr\u0131 bir tad veriyor. O, \u015fair bak\u0131\u015f\u0131yla her gitti\u011fi diyar\u0131n y\u00fcre\u011fini yakalay\u0131p de\u011fi\u015fik bir kanaldan \u015fiir \u015fiir\u00a0dam\u0131t\u0131yor bize. “Nirvana’ya ula\u015fm\u0131\u015f lanetli bir Hindu gibi” bilgece. Gitti\u011fi \u00fclkenin \u015fiirsel ruhuna girerek salk\u0131m s\u00f6\u011f\u00fcde \u00e2\u015f\u0131k bir ard\u0131\u00e7ku\u015fu sevdas\u0131 i\u00e7inde “\u015eiir \u00fclkesinde yedi iklim yedi sevdal\u0131 dervi\u015f \/ \u015eiir at\u0131, \u015fiir okuyla yoleri, ben ki fatihlere e\u015f.<\/p>\n M. G\u00fcner Demiray<\/b><\/p>\n Yitik Zaman I\u015f\u0131\u011f\u0131 (\u015eiir), Dursun \u00d6zden, Bab\u0131ali Kitapl\u0131\u011f\u0131, 96 s<\/p>\n T\u00dcRK D\u0130L\u0130 DERG\u0130S\u0130; Say\u0131: 111, Aral\u0131k 2005<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n\n\n \u015eiir Bayram\u0131 ve g\u00f6kten d\u00f6k\u00fclen \u015fiirler\u2026 Cazim G\u00dcRB\u00dcZ (\u015eair, yazar, ele\u015ftirmen) Dursun \u00d6zden\u2026 Bir\u00e7ok kitab\u0131n yazar\u0131, nice \u00f6d\u00fcl\u00fcn sahibi\u2026\u00a0 T\u00fcrk d\u00fcnyas\u0131 ve d\u00fcnyan\u0131n bir\u00e7ok \u00fclkesine geziler yap\u0131p bunlar\u0131 kaleme alan bir gezginci-yazar\u2026\u00a0 Ama bunlar\u0131n hepsi bir yana, o kendi bi\u00e7emini, bi\u00e7imini bulan, \u00f6zg\u00fcn ve g\u00fc\u00e7l\u00fc bir \u015fair. \u00d6zden, yeni \u015fiir kitab\u0131 \u201c\u015eiir Bayram\u0131\u201dn\u0131 imzalayarak g\u00f6nderdi.\u00a0 …<\/p>\n","protected":false},"author":2,"featured_media":6633,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[64,49],"tags":[],"_links":{"self":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2952"}],"collection":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2952"}],"version-history":[{"count":8,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2952\/revisions"}],"predecessor-version":[{"id":6634,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2952\/revisions\/6634"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/media\/6633"}],"wp:attachment":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2952"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2015\/06\/\u015fiir-bayram\u0131-\u00f6n-510x728.jpg\")
<\/figure>\n\n\n\n![\"\"](\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2015\/06\/Siir-Bayrami-Kapak-1024x718.jpg\")
<\/figure>\n","protected":false},"excerpt":{"rendered":"