{"id":2696,"date":"2015-02-28T19:21:03","date_gmt":"2015-02-28T17:21:03","guid":{"rendered":"http:\/\/www.dursunozden.com.tr\/?p=2696"},"modified":"2015-03-15T16:33:39","modified_gmt":"2015-03-15T14:33:39","slug":"turk-edebiyatinin-usta-kalemi-sustu","status":"publish","type":"post","link":"http:\/\/www.dursunozden.com.tr\/?p=2696","title":{"rendered":"T\u00dcRK EDEB\u0130YATININ USTA KALEM\u0130 SUSTU…"},"content":{"rendered":"

$\"Yasar-Kemal\"$ <\/a><\/p>\n

Bu g\u00fcn (28 \u015fubat 2015) Ya\u015far Kemal’i kaybettik. Ac\u0131m\u0131z sonsuzdur…
\n\u0130NCE MEMED, ABD\u0130 A\u011eA VE HACCA BACININ BABASI YA\u015eAR KEMAL SONSUZ VE ZAMANSIZ YOLCULU\u011eA \u00c7IKTI. RAHMET\u0130, I\u015eI\u011eI VE TOPRA\u011eI BOL OLSUN…. B\u0130R YIL \u00d6NCE OSMAN\u0130YE, D\u00dcZ\u0130\u00c7\u0130’N\u0130N G\u00d6K\u00c7EL\u0130 K\u00d6Y\u00dcNDE B\u0130RL\u0130KTEYD\u0130K. A\u011eIZ DOLUSU G\u00dcLM\u00dc\u015eT\u00dcK..<\/p>\n

YA\u015eAR KEMAL’\u0130N \u00d6ZYA\u015eAM \u00d6YK\u00dcS\u00dc:<\/p>\n

Ya\u015far Kemal (d. Kemal Sad\u0131k G\u00f6k\u00e7eli-1923; Hemite, Osmaniye – \u00f6. 28 \u015eubat 2015), T\u00fcrk romanc\u0131, gazeteci, senaryo ve \u00f6yk\u00fc yazar\u0131. T\u00fcrk edebiyat\u0131n\u0131n en \u00f6nde gelen yazarlar\u0131ndan biridir. \u0130lk \u00f6yk\u00fc kitab\u0131 Sar\u0131 S\u0131cak’ta da yer alan Bebek \u00f6yk\u00fcs\u00fc ile ilk roman\u0131 \u0130nce Memed, Cumhuriyet’te tefrika edildi. \u0130nce Memed, yakla\u015f\u0131k k\u0131rk dile \u00e7evrilerek yay\u0131mland\u0131 ve kitaplar\u0131n\u0131n yurtd\u0131\u015f\u0131ndaki bask\u0131s\u0131 y\u00fcz k\u0131rktan fazlad\u0131r.<\/p>\n

Ya\u015far Kemal pek \u00e7ok yap\u0131t\u0131nda Anadolu’nun efsane ve masallar\u0131ndan yararlanm\u0131\u015ft\u0131r. PEN Yazarlar Derne\u011fi \u00fcyesidir. Nobel Edebiyat \u00d6d\u00fcl\u00fc’ne aday g\u00f6sterilen ilk T\u00fcrk yazard\u0131r.[5] 28 \u015eubat 2015 tarihinde organ yetmezli\u011fi sebebiyle yo\u011fun bak\u0131mda oldu\u011fu hastanede vefat etmi\u015ftir.<\/p>\n

Ya\u015far Kemal, Nig\u00e2r Han\u0131m ile \u00e7ift\u00e7i Sad\u0131k Efendi’nin o\u011flu olarak aslen Van-Erci\u015f yolu \u00fczerinde ve Van G\u00f6l\u00fc’ne yak\u0131n Muradiye il\u00e7esine ba\u011fl\u0131 Ernis (bug\u00fcn \u00dcnseli) k\u00f6y\u00fcnden olan bir aileden d\u00fcnyaya geldi. Kendi anlat\u0131m\u0131na g\u00f6re bir T\u00fcrkmen k\u00f6y\u00fcnde tek K\u00fcrt ailenin \u00e7ocu\u011fu olarak do\u011fup b\u00fcy\u00fcyen Ya\u015far Kemal, evde K\u00fcrt\u00e7e, k\u00f6yde ise T\u00fcrk\u00e7e konu\u015furdu. Ailesi, Birinci D\u00fcnya Sava\u015f\u0131’ndan dolay\u0131 Adana’n\u0131n Osmaniye il\u00e7esine ba\u011fl\u0131 Hemite (bug\u00fcn G\u00f6k\u00e7edam) k\u00f6y\u00fcne yerle\u015fti. Be\u015f ya\u015f\u0131ndayken, babas\u0131n\u0131n camide \u00f6ld\u00fcr\u00fcl\u00fc\u015f\u00fcne tan\u0131k oldu. Ortaokul d\u00f6neminde \u00e7e\u015fitli i\u015flerde \u00e7al\u0131\u015ft\u0131. Kuzucuo\u011flu Pamuk \u00dcretme \u00c7iftli\u011fi’nde \u0131rgat k\u00e2tipli\u011fi (1941), Adana Halkevi Ramazano\u011flu kitapl\u0131\u011f\u0131nda memurluk (1942), Zirai M\u00fccadele’de \u0131rgatba\u015fl\u0131\u011f\u0131, daha sonra Kadirli’nin Bah\u00e7e k\u00f6y\u00fcnde \u00f6\u011fretmen vekilli\u011fi (1941-42), pamuk tarlalar\u0131nda, batozlarda \u0131rgatl\u0131k, trakt\u00f6r s\u00fcr\u00fcc\u00fcl\u00fc\u011f\u00fc, \u00e7eltik tarlalar\u0131nda kontrol\u00f6rl\u00fck yapt\u0131.<\/p>\n

Sanat hayat\u0131<\/p>\n

1978 y\u0131l\u0131nda yapt\u0131\u011f\u0131 bir s\u00f6yle\u015fide sanat \u00e7al\u0131\u015fmalar\u0131na ilkokula ba\u015flamadan \u00f6nce \u015fiirle i\u015fe koyuldu\u011funu ve okula ba\u015flad\u0131\u011f\u0131nda “ya\u015fl\u0131 halk \u015fairleriyle \u00e7ak\u0131\u015ft\u0131\u011f\u0131n\u0131” an\u0131msad\u0131\u011f\u0131n\u0131 belirtti. \u0130lkokulun son s\u0131n\u0131f\u0131ndayken arkada\u015f\u0131 A\u015f\u0131k Mecit, \u00e7ok iyi saz \u00e7alarken kendisi annesinden \u00f6t\u00fcr\u00fc saz\u0131 “berbat” \u00e7almaktayd\u0131. Bunun nedenini \u015fu s\u00f6zlerle dile getirdi:<\/p>\n

“Benim saz \u00e7alamamam\u0131n sebebi var, anam a\u015f\u0131k olaca\u011f\u0131m da diyar diyar dola\u015faca\u011f\u0131m diye saza, a\u015f\u0131kl\u0131\u011fa d\u00fc\u015fman olmu\u015ftu. Onun tek \u00e7ocu\u011fuydum ve g\u00f6z\u00fcnden ay\u0131rm\u0131yordu beni. Okulda, d\u00fc\u011f\u00fcnlerde bayramlarda beni hep A\u015f\u0131k Mecit\u2019le \u00e7ak\u0131\u015ft\u0131r\u0131rlard\u0131. A\u015f\u0131k Mecitle, Kadirli’de bir kahvede bir gece sabaha kadar \u00e7ak\u0131\u015ft\u0131\u011f\u0131m\u0131 \u015fimdi iyice an\u0131ms\u0131yorum.”<\/p>\n

Ortaokuldan ayr\u0131ld\u0131ktan sonra folklor derlemelerine ba\u015flad\u0131 ve 1940-1941 y\u0131llar\u0131 aras\u0131nda \u00c7ukurova\u2019dan ile Toroslardan derledi\u011fi a\u011f\u0131tlar\u0131 i\u00e7eren ilk kitab\u0131 olan A\u011f\u0131tlar, Adana Halkevi taraf\u0131ndan 1943 y\u0131l\u0131nda yay\u0131nlad\u0131.[8] 1944 y\u0131l\u0131nda ilk hik\u00e2yesi Pis Hik\u00e2ye’yi yay\u0131nlad\u0131. Bunu, Kayseri’de askerlik yaparken yazm\u0131\u015ft\u0131. Bebek, D\u00fckk\u00e2nc\u0131, Memet ile Memet \u00f6yk\u00fcleri 1950’lerde yay\u0131mland\u0131.<\/p>\n

Kemal Sad\u0131k G\u00f6\u011fceli ad\u0131 ile \u00e7e\u015fitli yay\u0131mlarda yazarken Ya\u015far Kemal ad\u0131n\u0131 Cumhuriyet gazetesine girince kullanmaya ba\u015flad\u0131. 1952 y\u0131l\u0131nda yay\u0131mlanan ilk \u00f6yk\u00fc kitab\u0131 olan Sar\u0131 S\u0131cak’ta da yer alan Bebek \u00f6yk\u00fcs\u00fc burada tefrika edildi.<\/p>\n

1947’de \u0130nce Memed’i yazd\u0131 fakat yar\u0131m b\u0131rakt\u0131 ve 1953-54\u2019te bitirdi. Roman\u0131 yazma nedeni e\u015fkiya olan ve da\u011fda vurulan amcas\u0131n\u0131n o\u011flunun vurulmas\u0131 oldu\u011funu 1987 y\u0131l\u0131ndaki bir s\u00f6yle\u015fisinde belirtti. Ayr\u0131ca ayn\u0131 s\u00f6yle\u015fide, \u00e7ocuklu\u011funun e\u015fkiyal\u0131\u011f\u0131n i\u00e7inde ge\u00e7ti\u011fini, day\u0131s\u0131n\u0131n “en b\u00fcy\u00fck” e\u015fkiyalardan biri oldu\u011funu, o \u00e7evrede 1936’lara kadar be\u015f y\u00fcze yak\u0131n e\u015fkiya bulundu\u011funu ve bunlardan birinin de Kurtulu\u015f Sava\u015f\u0131’nda Kadirli’yi ilk \u00f6rg\u00fctleyenlerden olan Karam\u00fcft\u00fco\u011flu ailesinden \u00fcnl\u00fc Remzi Bey oldu\u011funu s\u00f6yledi. Remzi Bey’in kendisine, ilk \u0130nce Memed hikayesinde “\u00c7ak\u0131rdikeni” diye yer alan diken hik\u00e2yesini anlatt\u0131 ve Ya\u015far Kemal’le “e\u015fk\u0131yal\u0131\u011f\u0131n felsefesini” yapt\u0131.<\/p>\n

Ya\u015far Kemal’in d\u00fcnyada ilk kez yay\u0131mlanan eseri, Bebek \u00f6yk\u00fcs\u00fcd\u00fcr ve \u00f6nce Frans\u0131zcaya, sonra \u0130ngilizceye, \u0130talyancaya, Rus\u00e7aya, Romenceye ve di\u011fer dillere \u00e7evrildi.<\/p>\n

17 ya\u015f\u0131ndan bu yana sosyalist politikan\u0131n i\u00e7indedir.1961 Anayasas\u0131’ndan sonra kurulan T\u00fcrkiye \u0130\u015f\u00e7i Partisi’ne 1962’de kat\u0131ld\u0131. Emek\u00e7i s\u0131n\u0131f\u0131n\u0131n tamamen y\u00f6netime $\"\"$ <\/a> gelmesini isteyen Kemal, T\u0130P’te sekiz y\u0131l \u00e7al\u0131\u015ft\u0131 ve y\u00f6neticilerden biriydi. 1987’deki bir s\u00f6yle\u015fisinde T\u00fcrkiye’de bir Marksist partiye ihtiya\u00e7 oldu\u011funu belirtmi\u015ftir. Ayn\u0131 s\u00f6yle\u015fideki “Nas\u0131l bir sol modelden yanas\u0131n\u0131z?” sorusuna, \u015fu cevab\u0131 vermi\u015ftir:<\/p>\n

Her \u00fclke sosyalist modelini kendisi kurar. Sovyetlerin 70 y\u0131ld\u0131r ya\u015fama ge\u00e7mi\u015f modelini kabul edemeyiz. Y\u00fczde y\u00fcz ba\u011f\u0131ms\u0131zl\u0131kt\u0131r sosyalizm. Ki\u015fi ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131, \u00fclke ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131, politik ba\u011f\u0131ms\u0131zl\u0131k, ekonomik ba\u011f\u0131ms\u0131zl\u0131k, \u00f6zellikle de k\u00fclt\u00fcrel ba\u011f\u0131ms\u0131zl\u0131k… Sosyalizmin ba\u015fka bir anlam\u0131 yok benim i\u00e7in. Bu \u00e7a\u011fa gelinceye kadar k\u00fclt\u00fcrler birbirlerini beslemi\u015flerdir, yok etmemi\u015flerdir. Oysa \u00e7a\u011f\u0131m\u0131zda, k\u00fclt\u00fcrler k\u00fclt\u00fcrleri yok etmek i\u00e7in, bilin\u00e7li olarak kullan\u0131lm\u0131\u015flard\u0131r, emperyalistler taraf\u0131ndan. Benim i\u00e7in d\u00fcnya bin \u00e7i\u00e7ekli bir k\u00fclt\u00fcr bah\u00e7esidir; bir \u00e7i\u00e7e\u011fin bile yok olmas\u0131n\u0131, d\u00fcnya i\u00e7in b\u00fcy\u00fck bir kay\u0131p sayar\u0131m.”<\/p>\n

T\u0130P’ten ayr\u0131lan yazar, nedenini partinin niteli\u011fini yitirmesine, b\u00fcrokratlar\u0131n eline ge\u00e7mesine ve emek\u00e7ilerden kopmas\u0131na ba\u011flad\u0131. Sovyetler Birli\u011fi \u00e7\u00f6kmesinin, sosyalizmin de \u00e7\u00f6kmesi de\u011fil, tam tersine d\u00fcnya sosyalizminin zaferi oldu\u011funu 1993’teki bir s\u00f6yle\u015fisinde dile getirmi\u015ftir.<\/p>\n

Temalar:<\/p>\n

\u00ab Halka kim zulmediyorsa, etmi\u015fse, halk\u0131 kim eziyor, ezmi\u015fse, onu kim s\u00f6m\u00fcrm\u00fc\u015f, s\u00f6m\u00fcr\u00fcyorsa, feodalite mi, burjuvazi mi… Halk\u0131n mutlulu\u011funun \u00f6n\u00fcne kim ge\u00e7iyorsa ben sanat\u0131mla ve b\u00fct\u00fcn hayat\u0131mla onun kar\u015f\u0131s\u0131nday\u0131m. […] Ben etle kemik nas\u0131l biri birinden ayr\u0131lmazsa, sanat\u0131m\u0131n halktan ayr\u0131lmamas\u0131n\u0131 isterim. Bu \u00e7a\u011fda halktan kopmu\u015f bir sanata inanm\u0131yorum. \u00bb<\/p>\n

Ya\u015far Kemal’in edebi \u00e7al\u0131\u015fmalar\u0131nda halka d\u00f6n\u00fck bir d\u00fc\u015f\u00fcnce hakim oldu ve bunu, bir yerde politik d\u00fc\u015f\u00fcnce ile birle\u015ftirerek y\u00fcr\u00fctt\u00fc. Yap\u0131tlar\u0131da halk \u015fiirinde, epopelerde oldu\u011fu gibi insan de\u011ferlerinden kopmamaya \u00e7al\u0131\u015ft\u0131. Ya\u015far Kemal, siyasi g\u00f6r\u00fc\u015f\u00fc ile sanat\u0131n\u0131n paralel oldu\u011funu, “halk ve do\u011fa”ya inand\u0131\u011f\u0131n\u0131, sanat\u0131n\u0131n proletaryan\u0131n \u00e7\u0131karlar\u0131n\u0131n emrinde oldu\u011funu dile getirmi\u015ftir.<\/p>\n

Eserleri:<\/p>\n

\u00d6yk\u00fcSar\u0131 S\u0131cak, \u0130st.: Varl\u0131k, 1952<\/p>\n

B\u00fct\u00fcn Hik\u00e2yeler, \u0130st.: Cem, 1975.<\/p>\n

Roman\u0130nce Memed, I. Cilt, \u0130st., 1955<\/p>\n

Teneke, \u0130st.: Varl\u0131k, 1955<\/p>\n

Orta Direk, \u0130st.: Remzi, 1960<\/p>\n

Yer Demir G\u00f6k Bak\u0131r, \u0130st.: G\u00fcven, 1963<\/p>\n

\u00d6lmez Otu, \u0130st.: Ant, 1968<\/p>\n

\u0130nce Memed, II. Cilt, \u0130st., 1969<\/p>\n

Ak\u00e7asaz\u0131n A\u011falar\u0131 \/ Demirciler \u00c7ar\u015f\u0131s\u0131 Cinayeti, \u0130st.: Cem, 1974<\/p>\n

Ak\u00e7asaz\u0131n A\u011falar\u0131 \/ Yusufcuk Yusuf, \u0130st.: Cem, 1975<\/p>\n

Y\u0131lan\u0131 \u00d6ld\u00fcrseler, \u0130st.: Cem, 1976<\/p>\n

Al G\u00f6z\u00fcm Seyreyle Salih, \u0130st.: Cem, 1976<\/p>\n

Ku\u015flar da Gitti, (uzun \u00f6yk\u00fc) \u0130st.: Milliyet, 1978<\/p>\n

Deniz K\u00fcst\u00fc, \u0130st.: Milliyet, 1978<\/p>\n

Ya\u011fmurcuk Ku\u015fu \/ Kimsecik I, \u0130st.: Toros, 1980<\/p>\n

H\u00fcy\u00fckteki Nar A\u011fac\u0131, \u0130st.: Toros, 1982<\/p>\n

\u0130nce Memed, III. Cilt, \u0130st., 1984<\/p>\n

Kale Kap\u0131s\u0131 \/ Kimsecik II, \u0130st.: Toros, 1985<\/p>\n

\u0130nce Memed, IV. Cilt, 1987<\/p>\n

Kan\u0131n Sesi \/ Kimsecik III, \u0130st.: Toros, 1991<\/p>\n

F\u0131rat Suyu Kan Ak\u0131yor Baksana \/ Bir Ada Hikayesi I, \u0130st.: Adam, 1997<\/p>\n

Kar\u0131ncan\u0131n Su \u0130\u00e7ti\u011fi \/ Bir Ada Hikayesi II, \u0130st.: Adam, 2002<\/p>\n

Tanyeri Horozlar\u0131 \/ Bir Ada Hikayesi III, \u0130st.: Adam, 2002<\/p>\n

\u00c7\u0131plak Deniz \u00c7\u0131plak Ada \/ Bir Ada Hikayesi IV, \u0130st.: YKY, 2012<\/p>\n

Tek Kanatl\u0131 Bir Ku\u015f, \u0130st.: YKY, 2013.<\/p>\n

\u00c7ocuk Roman\u0131Filler Sultan\u0131 ile K\u0131rm\u0131z\u0131 Sakall\u0131 Topal Kar\u0131nca, \u0130st.: Cem, 1977.<\/p>\n

\u00c7eviriAy\u0131\u015f\u0131\u011f\u0131 Kuyumcular\u0131 (A. Vidalie; Thilda Kemal ile), \u0130st.: Adam, 1977.<\/p>\n

R\u00f6portajYanan Ormanlarda 50 G\u00fcn, \u0130st.: T\u00fcrkiye Ormanc\u0131lar Cemiyeti, 1955<\/p>\n

\u00c7ukurova Yana Yana, \u0130st.: Yeditepe, 1955<\/p>\n

Peribacalar\u0131, \u0130st.: Varl\u0131k, 1957<\/p>\n

Bu Diyar Ba\u015ftan Ba\u015fa, \u0130st.: Cem, 1971<\/p>\n

Bir Bulut Kayn\u0131yor, \u0130st.: Cem, 1974<\/p>\n

Allah\u0131n Askerleri, \u0130st.: Milliyet, 1978<\/p>\n

R\u00f6portaj Yazarl\u0131\u011f\u0131nda 60 Y\u0131l, \u0130st.: YKY, 2011<\/p>\n

\u00c7ocuklar \u0130nsand\u0131r, \u0130st.: YKY, 2013.<\/p>\n

Deneme-DerlemeA\u011f\u0131tlar, Adana: Halkevi, 1943<\/p>\n

Ta\u015f \u00c7atlasa, \u0130st.: Ata\u00e7, 1961<\/p>\n

Baldaki Tuz, (1959-74 gazete yaz\u0131lar\u0131) \u0130st.: Cem, 1974<\/p>\n

G\u00f6ky\u00fcz\u00fc Mavi Kald\u0131, (halk edebiyat\u0131ndan se\u00e7meler, S. Ey\u00fcbo\u011flu ile)<\/p>\n

A\u011fac\u0131n \u00c7\u00fcr\u00fc\u011f\u00fc: Yaz\u0131lar – Konu\u015fmalar, (der. Alpay Kabacal\u0131) \u0130st.: Milliyet, 1980<\/p>\n

Yay\u0131mlanmam\u0131\u015f 10 A\u011f\u0131t, \u0130st.: Anadolu Sanat, 1985<\/p>\n

Sar\u0131 Defterdekiler: Folklor Derlemeleri, (haz. Alpay Kabacal\u0131) \u0130st.: YKY, 1997<\/p>\n

Ustad\u0131r Ar\u0131, \u0130st.: Can, 1995<\/p>\n

Zulm\u00fcn Arts\u0131n, \u0130st.: Can, 1995<\/p>\n

Binbir \u00c7i\u00e7ekli Bah\u00e7e, \u0130st.: YKY, 2009.<\/p>\n

Destans\u0131 roman\u00dc\u00e7 Anadolu Efsanesi, \u0130st.: Ararat, 1967<\/p>\n

A\u011fr\u0131da\u011f\u0131 Efsanesi, \u0130st.: Cem, 1970<\/p>\n

Binbo\u011falar Efsanesi, \u0130st.: Cem, 1971<\/p>\n

\u00c7ak\u0131rcal\u0131 Efe, \u0130st.: Ararat, 1972.<\/p>\n

\u015eiirBug\u00fcnlere Bahar \u0130ndi, \u0130st.: YKY, 2010.<\/p>\n

\u00d6d\u00fclleri:<\/p>\n

1955 Gazeteciler Cemiyeti Ba\u015far\u0131 Arma\u011fan\u0131 (\u201cD\u00fcnyan\u0131n En B\u00fcy\u00fck \u00c7iftli\u011finde Yedi G\u00fcn\u201d adl\u0131 r\u00f6portaj dizisi ile)<\/p>\n

1956 Varl\u0131k Roman Arma\u011fan\u0131 (\u0130nce Memed ile)<\/p>\n

1966 \u0130lhan \u0130skender Arma\u011fan\u0131 (Teneke\u2019den ayn\u0131 adla uyarlanan oyunu ile)<\/p>\n

1966 Uluslararas\u0131 Nancy Tiyatro Festivali Birincilik \u00d6d\u00fcl\u00fc (“Yer Demir G\u00f6k Bak\u0131r” roman\u0131ndan Nihat Asyal\u0131’n\u0131n sahneye uyarlad\u0131\u011f\u0131, Y\u0131lmaz Onay’\u0131n sahneye koydu\u011fu \u201cUzun Dere\u201d oyunu ile. T\u00fcrkiye \u00f6d\u00fcl\u00fc, Brezilya ile payla\u015ft\u0131.)]\n

1974 Madaral\u0131 Roman Arma\u011fan\u0131 (Demirciler \u00c7ar\u015f\u0131s\u0131 Cinayeti ile)<\/p>\n

1977 Fransa Ele\u015ftirmenler Sendikas\u0131 En \u0130yi Yabanc\u0131 Roman \u00d6d\u00fcl\u00fc (Yer Demir G\u00f6k Bak\u0131r ile)<\/p>\n

1978 Fransa’da En \u0130yi Yabanc\u0131 Kitap \u00d6d\u00fcl\u00fc (\u00d6lmez Otu ile)<\/p>\n

1979 Fransa \u201cB\u00fcy\u00fck J\u00fcri\u201d En \u0130yi Kitap \u00d6d\u00fcl\u00fc (Binbo\u011falar Efsanesi ile)<\/p>\n

1982 Uluslararas\u0131 Cino Del Duca \u00d6d\u00fcl\u00fc<\/p>\n

1984 Frans\u0131z Legion d\u2019Honneur \u00d6d\u00fcl\u00fc Commandeur payesi<\/p>\n

1984 T\u00dcYAP Kitap Fuar\u0131 Halk \u00d6d\u00fcl\u00fc<\/p>\n

1985 Sedat Simavi Vakf\u0131 Edebiyat \u00d6d\u00fcl\u00fc<\/p>\n

1986 Orhan Kemal Roman \u00d6d\u00fcl\u00fc (Kale Kap\u0131s\u0131 ile)<\/p>\n

1988 T\u00dcYAP Kitap Fuar\u0131 Halk \u00d6d\u00fcl\u00fc<\/p>\n

1988 Fransa K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 Commandeur des Arts et des Lettres Ni\u015fan\u0131<\/p>\n

1991 Fransa Strasbourg \u00dcniversitesi Onur Doktoras\u0131<\/p>\n

1992 11. T\u00dcYAP Kitap Fuar\u0131 Onur Yazar\u0131<\/p>\n

1992 Antalya Akdeniz \u00dcniversitesi Onur Doktoras\u0131<\/p>\n

1993 K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 B\u00fcy\u00fck \u00d6d\u00fcl\u00fc<\/p>\n

1994 M\u00fclkiyeliler Birli\u011fi R\u00fc\u015ft\u00fc Koray Arma\u011fan\u0131<\/p>\n

1995 Morgenavissen Jylaand-P\u00f6sten \u00d6d\u00fcl\u00fc (Danimarka)<\/p>\n

1996 T\u00fcrkiye Yay\u0131nc\u0131lar Birli\u011fi D\u00fc\u015f\u00fcnce ve \u0130fade \u00d6zg\u00fcrl\u00fc\u011f\u00fc \u00d6d\u00fcl\u00fc<\/p>\n

1996 Kan\u0131n Sesi ile Akdeniz Yabanc\u0131 Kitap \u00d6d\u00fcl\u00fc (Perpignan, Fransa)<\/p>\n

1996 VIII Katalunya Uluslararas\u0131 \u00d6d\u00fcl\u00fc (Barcelona, \u0130spanya)<\/p>\n

1996 Lillian Hellman\/Dashiell Hammett Bask\u0131ya Kar\u015f\u0131 Cesaret \u00d6d\u00fcl\u00fc, \u0130nsan Haklar\u0131 \u0130hlallerini \u0130zleme \u00d6rg\u00fct\u00fc,(New York)<\/p>\n

1997 Toplu eserleri i\u00e7in Premio Internazionale Nonino \u00d6d\u00fcl\u00fc, \u0130talya<\/p>\n

1997 Kenne Vakf\u0131 D\u00fc\u015f\u00fcnce ve S\u00f6z \u00d6zg\u00fcrl\u00fc\u011f\u00fc \u00d6d\u00fcl\u00fc (Uppsala, \u0130sve\u00e7)<\/p>\n

1997 Norve\u00e7 Yazarlar Birli\u011fi \u00f6d\u00fcl\u00fc, Wole Soyinka ile ortak<\/p>\n

1997 Frankfurt Kitap Fuar\u0131 Alman Yay\u0131ncalar Birli\u011fi \u00d6d\u00fcl\u00fc<\/p>\n

1998 Frei \u00dcniversitesi Berlin Fahri Doktora<\/p>\n

1998 Bordeaux Yay\u0131nc\u0131lar Birli\u011fi Yabanc\u0131 Edebiyat \u00d6d\u00fcl\u00fc<\/p>\n

2002 Bilkent \u00dcniversitesi Fahri Doktora<\/p>\n

2003 Z. Homerus \u015eiir \u00d6d\u00fcl\u00fc<\/p>\n

2003 Savanos \u00d6d\u00fcl\u00fc (Selanik)<\/p>\n

2003 T\u00fcrkiye Yay\u0131nc\u0131lar Birli\u011fi Yay\u0131nc\u0131l\u0131k Emek \u00d6d\u00fcl\u00fc.<\/p>\n

2008 Cumhurba\u015fkanl\u0131\u011f\u0131 K\u00fclt\u00fcr ve Sanat B\u00fcy\u00fck \u00f6d\u00fcl\u00fc<\/p>\n

2009 \u00c7ukurova \u00dcniversitesi, Fahri Doktora<\/p>\n

2011 L\u00e9gion d’honneur<\/p>\n

2013 Krikor Naregatsi Ni\u015fan\u0131.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Bu g\u00fcn (28 \u015fubat 2015) Ya\u015far Kemal’i kaybettik. Ac\u0131m\u0131z sonsuzdur… \u0130NCE MEMED, ABD\u0130 A\u011eA VE HACCA BACININ BABASI YA\u015eAR KEMAL SONSUZ VE ZAMANSIZ YOLCULU\u011eA \u00c7IKTI. RAHMET\u0130, I\u015eI\u011eI VE TOPRA\u011eI BOL OLSUN…. B\u0130R YIL \u00d6NCE OSMAN\u0130YE, D\u00dcZ\u0130\u00c7\u0130’N\u0130N G\u00d6K\u00c7EL\u0130 K\u00d6Y\u00dcNDE B\u0130RL\u0130KTEYD\u0130K. A\u011eIZ DOLUSU G\u00dcLM\u00dc\u015eT\u00dcK.. YA\u015eAR KEMAL’\u0130N \u00d6ZYA\u015eAM \u00d6YK\u00dcS\u00dc: Ya\u015far Kemal (d. Kemal Sad\u0131k G\u00f6k\u00e7eli-1923; Hemite, Osmaniye – …<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2696"}],"collection":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2696"}],"version-history":[{"count":4,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2696\/revisions"}],"predecessor-version":[{"id":2731,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2696\/revisions\/2731"}],"wp:attachment":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2696"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}