![\"57lb\"](\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2014\/03\/57lb-243x300.jpg\")
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\u00d6RG\u00dc \u015e\u0130\u015e\u0130-\u00d6RG\u00dcT \u0130\u015e\u0130<\/b><\/p>\n <\/b>\u00a0\u00a0<\/b> Mustafa Dilmen, ilk kitab\u0131yla okurlar\u0131na a\u011f\u0131z dolusu g\u00fclerek; \u201cMerhaba!\u201d<\/i> dedi. G\u00fclmek bize yak\u0131\u015f\u0131yor\u2026 \u00d6rg\u00fc \u015fi\u015fi ile g\u0131d\u0131klan\u0131p, \u00f6rg\u00fct i\u015finde; g\u00fclmek eylemi, i\u015fkencede polisi tahrik eder mi? \u0130\u00e7in i\u00e7in a\u011flamak me\u015fru ise, a\u011f\u0131z dolusu g\u00fclmek delilik mi? Oysa \u201cg\u00f6zlerinin i\u00e7i g\u00fcl\u00fcyor.\u201d<\/i> \u0130nsano\u011flu ya\u015fam\u0131n her a\u015famas\u0131nda, \u201cciddi\u201d<\/i> ortamlarda ve zamanlarda, nedense hep k\u0131k\u0131r k\u0131k\u0131r g\u00fcler. Hi\u00e7 olmad\u0131k yerde, bir g\u00fclme krizi tutar bazen de\u2026 \u0130stiklal Mar\u015f\u0131 s\u00f6ylenirken, cenaze ve vakit namaz\u0131 k\u0131l\u0131n\u0131rken g\u00fclen \u00e7ocuklar\u0131n derdi nedir? Y\u00fcr\u00fcrken t\u00f6kezleyip d\u00fc\u015fen birine veya al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir davran\u0131\u015f sergileyene muzip\u00e7e g\u00fcleriz. Neden? A\u011flanacak halimize g\u00fcleriz de, ondan m\u0131? Akl\u0131m\u0131za bir ho\u015fluk gelir, uyurken, dururken ya da hareket halinde kendi kendimize g\u00fcleriz. G\u00f6renler bizi yad\u0131rgar. \u201cDeli mi ne?\u201d <\/i>der. A\u011flarken de g\u00fclme krizi tutar zaman zaman\u2026 Kendi ba\u015f\u0131na a\u011flama do\u011fal kar\u015f\u0131land\u0131\u011f\u0131 halde, kendi ba\u015f\u0131na g\u00fclene \u201ckafay\u0131 yemi\u015f\u201d , \u201cka\u00e7\u0131k m\u0131d\u0131r\u201d\u00a0 <\/i>ve\u00a0 \u201ct\u0131rlatm\u0131\u015f\u201d<\/i> gibi tepkiler veririz. Daha da ileri giderek, \u201cg\u00fclme hastal\u0131\u011f\u0131ndan\u201d s\u00f6z ederiz. \u0130nsan kendi kendine a\u011flayabilir. Bir t\u00fcrk\u00fc de tutturabilir. Dahas\u0131, kendi kendine konu\u015fabilir de\u2026 Hatta ki\u015finin kendisiyle ba\u011f\u0131ra \u00e7a\u011f\u0131ra kavga etmesi bile ola\u011fan kar\u015f\u0131lanabilir. \u0130\u015f g\u00fclmeye gelince, \u201cdur orada\u201d<\/i> denir. Ciddi ol\u2026 G\u00fclmek \u00e7ok ay\u0131pt\u0131r!.. Neden? Oysa ki; g\u00fclmek te, a\u011flamak gibi do\u011fal bir gereksinimdir. Edebiyatta, sanat\u0131n her alan\u0131nda ve g\u00fcnl\u00fck ya\u015fam\u0131n i\u00e7inde bizi a\u011flatan ve d\u00fc\u015f\u00fcnd\u00fcren hiciv, komedi, g\u00fclmece, mizah gibi estetik ve i\u00e7sel ho\u015fluklard\u0131r, insan olmam\u0131z\u0131n zenginli\u011fi\u2026 Bizi, biz eden ve k\u00fc\u00e7\u00fck sevin\u00e7lerden mutlulu\u011fu yakalamam\u0131z\u0131 sa\u011flayan s\u0131cak ve dost\u00e7a davran\u0131\u015flar\u0131m\u0131zd\u0131r, pozitif enerji kayna\u011f\u0131m\u0131z\u2026 Sevdada odaklanmam\u0131z\u0131 sa\u011flayan ve sevgiyi sebil eylememize yard\u0131m eden, i\u00e7sel mutlulu\u011fumuzun d\u0131\u015favurumudur,\u00a0 candan bir tebess\u00fcm ve g\u00fcl\u00fcmseyen g\u00f6zler\u2026 Burada kitapla ilgili, bir parantez a\u00e7mak gereksinimi duydum.\u00a0 Mustafa Dilmen\u2019in y\u0131llard\u0131r birikimi olan bu eser, ne yaz\u0131k ki; yay\u0131nevi edit\u00f6r\u00fc taraf\u0131ndan denetlenmemi\u015f ve kontrolden ge\u00e7irilmemi\u015f oldu\u011fu i\u00e7in, pek \u00e7ok hatalarla doludur.\u00a0 Eserin deneme mi, an\u0131 m\u0131, \u00f6yk\u00fc m\u00fc yoksa makaleler derlemesi t\u00fcr\u00fc m\u00fc, bir eser oldu\u011fu anla\u015f\u0131lmamaktad\u0131r. Farkl\u0131 i\u00e7erikteki 31 ba\u015fl\u0131ktan olu\u015fan konular\u0131n ak\u0131c\u0131 anlat\u0131m\u0131 ve s\u0131cak betimlemeleri, yal\u0131n ve s\u00fcss\u00fcz vurgusu ile yazar\u0131n sessiz g\u00fcc\u00fcn\u00fc i\u015faret ediyor. Ama yer yer konu b\u00fct\u00fcnl\u00fc\u011f\u00fc, giri\u015f- geli\u015fme ve sonu\u00e7 aras\u0131ndaki kopukluklar dikkati da\u011f\u0131t\u0131yor. Yazar, yer yer olaylar\u0131n i\u00e7ine giriyor ve birinci tekil \u015fah\u0131s olarak kendinden ve g\u00f6zlemlerinden s\u00f6z ediyor. Bu durum hikayenin genel ak\u0131\u015f\u0131 i\u00e7inde s\u0131r\u0131t\u0131yor. Yazar zaman zaman da, olaylar\u0131n ak\u0131c\u0131l\u0131\u011f\u0131ndan ve tematik anlat\u0131m\u0131ndan \u00e7\u0131karak ekonomik, sosyal ve politik yorumlar yap\u0131yor. Bu durum okuru s\u0131k\u0131yor ve \u00f6\u011f\u00fct-ders vermek gibi alg\u0131lan\u0131yor. Baz\u0131 uzun metinlerde ise (kitaba ad\u0131n\u0131 veren hikayede oldu\u011fu gibi); zaman, mekan ve olaylar\u0131n ak\u0131\u015f\u0131ndaki kopukluklar dikkati \u00e7ekiyor.\u00a0 Yazar\u0131n ilk kitab\u0131 olmas\u0131na kar\u015f\u0131n, dil zenginli\u011fi ve s\u00fcr\u00fckleyici bir formatta kaleme al\u0131n\u0131\u015f\u0131, g\u00fcld\u00fcren, d\u00fc\u015f\u00fcnd\u00fcren ve yer yer k\u00fcf\u00fcrle kar\u0131\u015f\u0131k argo s\u00f6ylemler olmas\u0131na kar\u015f\u0131n; kimi abart\u0131l\u0131 olaylar i\u00e7inde okuru s\u0131kmadan g\u00fcld\u00fcren tatl\u0131 bir hiciv ustal\u0131\u011f\u0131, yazar\u0131n yeni eserleri i\u00e7in umut ve \u0131\u015f\u0131k kayna\u011f\u0131 olu\u015fturmaktad\u0131r. Deneme tad\u0131ndaki \u00f6yk\u00fcler, yazar\u0131n okurla candan bulu\u015fmas\u0131 i\u00e7in iyi bir referanst\u0131r.\u00a0 Hikayeler i\u00e7indeki olay kahramanlar\u0131n\u0131n adlar\u0131, lakaplar\u0131 ve baz\u0131 yer isimleri olduk\u00e7a fazla yerel oldu\u011fundan (Avasti\u011fimin s\u00fcrt\u00fc\u011f\u00fc, Kap\u00e7\u0131kl\u0131 Muharrem, Kalender Kemal, T\u00fckenmez Kalem \u00c7etesi, Kalg\u0131n Havva, \u015earap\u00e7\u0131 \u015eahap, Azamet \u00c7amurabi, Ke\u00e7e Bekir, K\u0131rb\u0131y\u0131k Kuzuma\u011fa, Hatapc\u0131 Abdullah, Ah\u00e7\u0131 Memed, H\u00fcth\u00fct Hoca, Gavur paras\u0131, A\u011flamak moda oldu, Ac\u0131s\u0131 i\u00e7ine ak\u0131yor, A\u011flamayana meme vermezler, Milletvekili \u015eahabettin Yusyuvarlak, G\u0131c\u0131k Seyfo, K\u00fcfr\u00fcn esteti\u011fi, \u015eaban Hac\u0131yatmaz, Keriz Masas\u0131, Y\u00fczy\u0131l\u0131n K\u00f6t\u00fcl\u00fck Hareketi, Sizin Kanal Fransa\u2019dan izleniyor mu, Kel Komiser, K\u0131rm\u0131z\u0131 donlu fahi\u015fe, Guguk Devleti, Ter\u00f6rist kad\u0131n adam\u0131 g\u00f6z\u00fcm\u00fcn \u00f6n\u00fcnde \u015fi\u015fledi, \u015fi\u015fler aha bu kadard\u0131, Rabbiye Teyze, Fanfinton Ter\u00f6r \u00d6rg\u00fct\u00fc, \u00d6rg\u00fc \u015fi\u015fi \u00f6rg\u00fct i\u015fi \u00e7\u0131kt\u0131\u2026 vb); deyimler ve s\u0131fat y\u00fckl\u00fc isimler, zaman zaman anla\u015f\u0131l\u0131r olmaktan uzak olsa da, ho\u015f ve s\u0131cakl\u0131k sa\u011flad\u0131\u011f\u0131 i\u00e7in, ustaca betimlemelere yer verildi\u011finden, g\u00fcl\u00fcmsememize ve bir o kadar da d\u00fc\u015f\u00fcnmemize yard\u0131mc\u0131 oluyor. T\u00fcm bunlar i\u00e7in, \u00f6zg\u00fcn ve yarat\u0131c\u0131 bir bulu\u015f diye d\u00fc\u015f\u00fcn\u00fcyor ve yazar\u0131 kutluyorum. \u00d6tekilerin yan\u0131 s\u0131ra; \u201cK\u00fcf\u00fcr\u201d, \u201cAbd\u00fclrezzak \u0130ffetli\u201d <\/i>ve kitaba ad\u0131n\u0131 veren \u201c\u00d6rg\u00fc \u015ei\u015fleri \u00d6rg\u00fct \u0130\u015fi \u00c7\u0131kt\u0131\u201d<\/i> adl\u0131 \u00f6yk\u00fcler, okuru g\u0131d\u0131kl\u0131yor adeta\u2026 En zor zamanlarda, karanl\u0131k ortamlarda ve bask\u0131 rejimlerinin ac\u0131mas\u0131z oldu\u011fu durumlarda, yani a\u011f\u0131z dolusu g\u00fclmeye hasret kald\u0131\u011f\u0131m\u0131z d\u00f6nemlerde; sanat\u0131n yal\u0131n ve imge y\u00fckl\u00fc, s\u0131rda\u015f \u00f6zelli\u011fi imdad\u0131m\u0131za yeti\u015fir. Mizah ve muzip\u00e7e \u00f6zelliklerimiz ortaya \u00e7\u0131kar ve her durumda g\u0131d\u0131klanmaya ba\u015flar\u0131z.\u00a0 \u0130\u015fte tam da bu s\u0131rada g\u00fclmek, bir eylem bi\u00e7imi olur. Sessizce, jest ve mimik hareketleriyle anla\u015f\u0131r, \u015fi\u015fi i\u015fe kar\u0131\u015ft\u0131r\u0131r\u0131z\u2026 \u00d6rg\u00fc \u015fi\u015fi, \u00f6rg\u00fct i\u015fine d\u00f6n\u00fc\u015f\u00fcverir\u2026 Yazar, tam da burada devreye girer. G\u0131d\u0131klar halk\u0131\u2026 Beya\u011f\u0131l\u2019\u0131n beyleri Bor pazar\u0131nda celeplik yaparken, kad\u0131nlar\u0131 Uluk\u0131\u015fla han\u0131nda bir bakra\u00e7 yo\u011furt satman\u0131n tela\u015f\u0131ndad\u0131r.\u00a0 On y\u0131lda bir k\u00f6yl\u00fcy\u00fc s\u00fcr\u00fcnd\u00fcren Kara Ba\u015f\u00e7avu\u015f\u2019un yapt\u0131klar\u0131 ve k\u00fcf\u00fcrleri, d\u00fc\u011f\u00fcn evinde, hala k\u00f6y kahvesinde muzip\u00e7e canland\u0131r\u0131lmaktad\u0131r. Do\u011fal meddahlar\u0131 vard\u0131r her k\u00f6y\u00fcn. Her k\u00f6y\u00fcn \u00fc\u00e7 adam\u0131 olur: Muhtar, imam ve delisi. E\u011fer k\u00f6y\u00fcn delisi yoksa birini \u201cdeli\u201d<\/i> ilan ederler ve onunla g\u00fclerler\u2026 Yazar\u0131n k\u00f6y\u00fcnde de bu gelenek bozulmam\u0131\u015ft\u0131r\u2026 Beyin a\u011f\u0131l\u0131nda deli hi\u00e7 eksik olmam\u0131\u015ft\u0131r\u2026 O nedenle yazar i\u00e7in, esin kayna\u011f\u0131 ve hammadde boldur\u2026 Bayram ve seyranda, k\u0131\u015f ve hasat sohbetlerinde, ramazan ay\u0131nda ve d\u00fc\u011f\u00fcn zamanlar\u0131nda; kad\u0131n ve erkeklerin yan\u0131 s\u0131ra; \u201cebe coz coz\u201d<\/i> diyerek bacalardan \u00e7erez toplayan ve biraz da \u015eaman k\u00fclt\u00fcr\u00fcn\u00fcn izlerini ya\u015fatan \u00e7ocuklar\u0131n yarat\u0131c\u0131 g\u00fclmece davran\u0131\u015flar\u0131, yazara esin kayna\u011f\u0131 olur\u2026 K\u00f6y kumarc\u0131lar\u0131, tellaklar,\u00a0 sarho\u015flar, sokak sat\u0131c\u0131lar\u0131 ve k\u00f6ye gelen politikac\u0131lar\u0131n her durumundan kendine i\u015f \u00e7\u0131karak muziplerin g\u00fclmece ustal\u0131\u011f\u0131; s\u00f6zl\u00fc halk edebiyat\u0131m\u0131z\u0131n bir ba\u015fka zenginlik kayna\u011f\u0131d\u0131r. \u0130\u015fte t\u00fcm bunlardan kendine i\u015f \u00e7\u0131karanlar\u0131n,\u00a0 g\u00fcld\u00fcrmekten ve g\u00fclmekten \u00e7evresini etkileyenlerin ve bunlar\u0131 yaz\u0131l\u0131 olarak ustaca kay\u0131t alt\u0131na alanlar\u0131n ba\u015f\u0131nda gelen Mustafa Dilmen; uzun bir aradan sonra, okurlar\u0131yla bulu\u015ftu ve ilk kitab\u0131yla \u201cyaz\u0131n-ekin\u201d<\/i> d\u00fcnyas\u0131na; \u201cMerhaba!\u201d<\/i> dedi. D\u00fczenin a\u011flanacak yan\u0131n\u0131, diktat\u00f6rlerin ve yalakalar\u0131n pisliklerini hicveden, ac\u0131mas\u0131z \u00fcretim ili\u015fkisinin kimi kirlilikleriyle dalga ge\u00e7en ve a\u011flamak kadar g\u00fclmenin de me\u015fru bir gereksinim oldu\u011funu bize an\u0131msatan Dilmen\u2019in bu \u00f6zg\u00fcn \u00e7al\u0131\u015fmas\u0131, mutlaka okunmal\u0131d\u0131r. Grev \u00e7ad\u0131rlar\u0131nda ve i\u015fkence tezgah\u0131nda, i\u015f\u00e7i arkada\u015flar\u0131n\u0131n moral kayna\u011f\u0131 olan, eski bir sendikas\u0131 ve d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc g\u00fclmece ustas\u0131 Mustafa Dilmen, a\u011f\u0131z dolusu g\u00fclerek; \u201cG\u00fclmek i\u00e7in kendinize zaman ay\u0131r\u0131n. \u015eimdi, hayat\u0131n gidi\u015fat\u0131na parmak atman\u0131n tam zaman\u0131d\u0131r\u201d<\/i> diyor. Bu kitab\u0131 okurken g\u00fclecek ve d\u00fc\u015f\u00fcneceksiniz, yeniden\u2026 Mustafa Dilmen\u2019in \u201c\u00d6RG\u00dc \u015e\u0130\u015eLER\u0130, \u00d6RG\u00dcT \u0130\u015e\u0130 \u00c7IKTI\u201d<\/b> adl\u0131 deneme kitab\u0131, 288 sayfadan olu\u015fuyor. ISBN 978-605-4049-69-1 tescil nosu ile Pencere Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kan bu kitap, 15 lira ederi ile se\u00e7kin kitap\u00e7\u0131larda. Okunmal\u0131\u2026 www.dursunozden.com.tr<\/b><\/p>\n\n\n \u00d6RG\u00dc \u015e\u0130\u015e\u0130-\u00d6RG\u00dcT \u0130\u015e\u0130 \u00a0\u00a0 Mustafa Dilmen, ilk kitab\u0131yla okurlar\u0131na a\u011f\u0131z dolusu g\u00fclerek; \u201cMerhaba!\u201d dedi. G\u00fclmek bize yak\u0131\u015f\u0131yor\u2026 \u00d6rg\u00fc \u015fi\u015fi ile g\u0131d\u0131klan\u0131p, \u00f6rg\u00fct i\u015finde; g\u00fclmek eylemi, i\u015fkencede polisi tahrik eder mi? \u0130\u00e7in i\u00e7in a\u011flamak me\u015fru ise, a\u011f\u0131z dolusu g\u00fclmek delilik mi? Oysa \u201cg\u00f6zlerinin i\u00e7i g\u00fcl\u00fcyor.\u201d \u0130nsano\u011flu ya\u015fam\u0131n her a\u015famas\u0131nda, \u201cciddi\u201d ortamlarda ve zamanlarda, nedense hep k\u0131k\u0131r …<\/p>\n","protected":false},"author":2,"featured_media":2290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1742"}],"collection":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1742"}],"version-history":[{"count":15,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1742\/revisions"}],"predecessor-version":[{"id":6947,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1742\/revisions\/6947"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=\/wp\/v2\/media\/2290"}],"wp:attachment":[{"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1742"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dursunozden.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"portakal\"](\"http:\/\/www.dursunozden.com.tr\/wp-content\/uploads\/2017\/05\/portakal.jpg\")
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