{"id":10854,"date":"2021-12-31T13:46:02","date_gmt":"2021-12-31T10:46:02","guid":{"rendered":"http:\/\/www.dursunozden.com.tr\/?p=10854"},"modified":"2022-01-15T16:33:09","modified_gmt":"2022-01-15T13:33:09","slug":"sair-ressam-umit-sariaslani-kaybettik","status":"publish","type":"post","link":"http:\/\/www.dursunozden.com.tr\/?p=10854","title":{"rendered":"\u015eair-Ressam \u00dcM\u0130T SARIASLAN’\u0131 kaybettik"},"content":{"rendered":"\n

Yakas\u0131 Y\u0131rt\u0131l\u0131nca \u015eiirin, \u015eairin \u201c\u00d6l\u00fcm\u00fc Gurbet\u201d<\/strong><\/p>\n\n\n\n

Dursun \u00d6ZDEN<\/strong><\/p>\n\n\n\n

Anadolu Ekini Dergisi<\/strong>\u2019ni \u00e7\u0131karan, Abece Dergisi, Cumhuriyet Kitap ve Ger\u00e7ek Edebiyat yazar\u0131, <\/strong>1969 Ni\u011fde Lisesi\u2019nden s\u0131n\u0131f ve yol arkada\u015f\u0131m, sevgili kafa dengi karde\u015fim ve \u201cG\u00f6kku\u015fa\u011f\u0131 Tarlas\u0131\u201d <\/em>kitab\u0131m\u0131n kapa\u011f\u0131n\u0131 yapan ressam \u00dcmit Sar\u0131aslan\u2019<\/strong>\u0131n; \u201c\u00d6l\u00fcm\u00fc Gurbet\u201d ve vedas\u0131 \u015faka gibi\u2026 1 Ocak 2022\u2019de sonsuz ve zamans\u0131z yolculu\u011fa \u00e7\u0131kan; Ara\u015ft\u0131rmac\u0131 Yazar, \u015eair ve Ressam \u00dcmit Sar\u0131aslan\u2019dan yal\u0131n, s\u00fcss\u00fcz, duru, ar\u0131 ve bir o kadar da imge y\u00fckl\u00fc dizelerin dinginli\u011fi ya da \u00e7\u0131\u011fl\u0131\u011f\u0131; bizi gurbeti s\u0131laya ta\u015f\u0131yan demir a\u011flarla, ba\u015fka diyarlara g\u00f6t\u00fcr\u00fcyor\u2026 Yeni y\u0131la \u201cMerhaba\u201d demeden, ge\u00e7en y\u0131la \u201cElveda\u201d diyerek, \u201c\u00d6L\u00dcM\u00dc GURBET\u201d<\/strong> oldu. Hac\u0131bekta\u015f Dergah\u0131\u2019nda semada semah d\u00f6nen sevgili arkada\u015f\u0131m \u00dcmit Sar\u0131aslan\u2019\u0131n \u00e7\u0131\u011fl\u0131\u011f\u0131 yank\u0131lan\u0131yor Anadolu\u2019da\u2026 \u00dcmit\u2019in dostlar\u0131, bu h\u00fcz\u00fcnl\u00fc yolculu\u011fu, farkl\u0131 duygusall\u0131klar i\u00e7inde yorumlad\u0131\u2026 \u00dcmit Sar\u0131aslan\u2019n\u0131n k\u0131ymetli eserleri sonsuza dek hep ya\u015fayacakt\u0131r\u2026 \u00dcmit Sar\u0131aslan \u00f6l\u00fcms\u00fczd\u00fcr\u2026<\/p>\n\n\n\n

\u00dcmit SARIASLAN (1951- 31 Ocak 2021, Ankara)<\/em><\/strong><\/p>\n\n\n\n

1970 Ni\u011fde Lisesi mezunu ve Gazi E\u011fitim Enstit\u00fcs\u00fc Resim-\u0130\u015f B\u00f6l\u00fcm\u00fc mezunudur. E\u011fitimci, grafik tasar\u0131mc\u0131, ressam, \u015fair ve ara\u015ft\u0131rmac\u0131 yazar. Evli ve Ekin<\/strong> ad\u0131nda bir o\u011flu vard\u0131r. \u00c7e\u015fitli e\u011fitim kurumlar\u0131nda \u00f6\u011fretmenlik yapt\u0131. 12 Eyl\u00fcl 1980 D\u00f6nemi sonras\u0131nda bir s\u00fcre g\u00f6revinden ayr\u0131ld\u0131 ve serbest grafiker olarak \u00e7al\u0131\u015ft\u0131. Bu d\u00f6nemde Anadolu Ekini <\/em>adl\u0131 bir edebiyat dergisi \u00e7\u0131kard\u0131 (1991- 93). Sonradan yeniden \u00f6\u011fretmenlik g\u00f6revine d\u00f6nd\u00fc ve bir s\u00fcre MEB Talim ve Terbiye Kurulunda dan\u0131\u015fman olarak \u00e7al\u0131\u015farak emekliye ayr\u0131ld\u0131. Yaz\u0131 ve \u015fiirleri; Anadolu Ekini, abece dergisi<\/em> ve Cumhuriyet<\/em> Gazetesi\u2019nin yan\u0131nda, bir \u00e7ok dergi ve gazetede yay\u0131mland\u0131.<\/p>\n\n\n\n

ESERLER\u0130: \u0130NCELEME-DERLEME: <\/strong>Hac\u0131 Bekta\u015f Ayd\u0131nl\u0131\u011f\u0131 (1992), G\u00f6r\u00fcnt\u00fc ve Ger\u00e7ek (1994), K\u00f6pr\u00fcler ve \u0130nsanlar (1998), Demir A\u011flardan \u00d6r\u00fcmcek A\u011flar\u0131na (2004), Cumhuriyetin Mimarlar\u0131: Mimar Kemalettin – Ernst Arnold Egli – Bruno Taut (2005).<\/p>\n\n\n\n

\u015e\u0130\u0130R:<\/strong> S\u00f6z\u00fcn Kanad\u0131nda (1994), S\u00f6z\u00fcn Kanad\u0131nda II (1995), Ba\u015fak ve Asma (Abd\u00fclkadir Paksoy ile, 1996), G\u00fcz Hevenklerinde (1998), Melami Ne\u015fesi (2000), Bir Uzaktan Bir Yak\u0131ndan (2004).<\/p>\n\n\n\n

GEZ\u0130:<\/strong> Anadolu Anadolu (A.Kadir Paksoy ile, 2001).<\/p>\n\n\n\n

KAYNAK: <\/strong>\u00dcmit Sar\u0131aslan \/ K\u00f6pr\u00fcler ve \u0130nsanlar (1998), A. Kadir Paksoy \/ Cumhuriyetin Mimarlar\u0131 (Cumhuriyet Kitap, 10.3.2005), \u0130hsan I\u015f\u0131k \/ Resimli ve Metin \u00d6rnekli T\u00fcrkiye Edebiyat\u00e7\u0131lar ve K\u00fclt\u00fcr Adamlar\u0131 Ansiklopedisi (2. bas., 2009).<\/p>\n\n\n\n

\u00d6l\u00fcm\u00fc Gurbet <\/em><\/strong><\/p>\n\n\n\n

\u201c\u0130\u015f g\u00fc\u00e7 a\u015f ekmek<\/em>
Art\u0131k ne ge\u00e7im derdi<\/em>
Ne yer ne yurt \u00f6zlemi<\/em>
Ka\u00e7g\u00f6\u00e7 bitti<\/em>
Bitti ka\u00e7maca kovalamaca<\/em>
Toprak yaln\u0131zca<\/em>
Kanay\u0131p duran g\u00f6lgesi bir de <\/em><\/p>\n\n\n\n

Mahalle memleket o\u011ful u\u015fak<\/em>
Yollar yolculuklar<\/em>
Sabah\u00e7\u0131 kahveleri duvar dipleri <\/em><\/p>\n\n\n\n

Soyundu bir sabah vakti t\u00fcm\u00fcnden <\/em><\/p>\n\n\n\n

Soyundu hayat\u0131n gurbetini <\/em><\/p>\n\n\n\n

Tirfillenmi\u015f h\u0131rkas\u0131n\u0131 yaln\u0131zl\u0131\u011f\u0131n <\/em><\/p>\n\n\n\n

Bir mavi t\u00fckenmez \u015fimdi<\/em>
A\u00e7\u0131k u\u00e7lu bir mektup<\/em>
Adresi yery\u00fcz\u00fc y\u00fcz\u00fc adresi <\/em><\/p>\n\n\n\n

Ta\u015f\u0131yla bulu\u015fmadan daha ba\u015f\u0131.\u201c <\/em><\/p>\n\n\n\n

\u00dcmit SARIASLAN (<\/em><\/strong>Okuduk\u00e7a, Dursun \u00d6zden, Ankara G\u00fczellemesi, Sy: 56, Marmara Yay\u0131nlar\u0131, 1998).<\/em><\/p>\n\n\n\n

\u00dcmit Sar\u0131aslan, \u201cMerhaba\u201d<\/em> demeden, \u201cElveda\u201d<\/em> ya da \u201cHo\u015f\u00e7a kal\u0131n\u201d<\/em> dedi ve \u201cHarap De\u011firmen\u201din sesine gitti\u2026<\/p>\n\n\n\n

Harap De\u011firmen<\/em><\/strong><\/p>\n\n\n\n

\u201cHo\u015f\u00e7akal\u0131n ba\u015fkent meyhaneleri<\/em><\/p>\n\n\n\n

Alkol yalaz\u0131 i\u00e7inde yiten g\u00fcnler<\/em><\/p>\n\n\n\n

Betikler bitikler<\/em><\/p>\n\n\n\n

Ho\u015f\u00e7a vakitleri ka\u00e7g\u0131nl\u0131\u011f\u0131n.<\/em><\/p>\n\n\n\n

Alkol \u015feriatinde t\u00fckenikler g\u00fccenikler<\/em><\/p>\n\n\n\n

Tektek\u00e7ileri ba\u015fkentin<\/em><\/p>\n\n\n\n

Koltuk meyhaneleri lokantalar<\/em><\/p>\n\n\n\n

Tetik\u00e7isi kurban\u0131 sofralar\u0131n.<\/em><\/p>\n\n\n\n

Ho\u015f\u00e7akal\u0131n ba\u015fkent meyhaneleri<\/em><\/p>\n\n\n\n

Kalafata \u00e7ekece\u011fim tekneyi<\/em><\/p>\n\n\n\n

Yeniyetmeler gedikliler<\/em><\/p>\n\n\n\n

\u201cFelsefeci\u201dleri ak\u015famlar\u0131n.<\/em><\/p>\n\n\n\n

Silinir nas\u0131lsa masalara sinmi\u015f suretimiz<\/em><\/p>\n\n\n\n

Hi\u00e7 kimsenindir sandalyeler meyhanelerde.\u201d<\/em><\/p>\n\n\n\n

(Bir Uzaktan Bir Yak\u0131ndan, \u00dcmit Sar\u0131aslan, Filika Yay\u0131nlar\u0131, 2005).<\/p>\n\n\n\n

\u00dcmit, umudunu yitirmedi ama k\u00fcs gitti bu d\u00fcnyaya\u2026 Naz\u0131m BAYATA:<\/strong><\/p>\n\n\n\n

\u00dcmit Sar\u0131aslan\u2019\u0131, 1969\u2019l\u0131 y\u0131llarda Ni\u011fde Lisesi\u2019nden tan\u0131r\u0131m. \u00c7al\u0131\u015fkan ve ba\u015far\u0131l\u0131 bir \u00f6\u011frencimdi. Samsun Lisesi\u2019nde s\u00fcrg\u00fcn olarak gelmi\u015ftim Ni\u011fde\u2019ye. \u00dcmit\u2019in \u00f6\u011fretmen babas\u0131 \u0130sa Sar\u0131aslan <\/strong>dostumdu. T\u00fcrkiye \u00d6\u011fretmenler Sendikas\u0131 (T\u00d6S)\u2019<\/strong>\u00fcn b\u00f6lgede \u00f6rg\u00fctlenmesi ve eylemlerine kat\u0131l\u0131rd\u0131k, co\u011frafya \u00f6\u011fretmeni Hami \u015eeneldir, e<\/strong>debiyat \u00f6\u011fretmeni Orhan Culfa <\/strong>ve \u00f6teki \u00f6\u011fretmen arkada\u015flarla birlikte\u2026 \u00d6\u011fretmen Boykotu eyleminde, \u00dcmit Sar\u0131aslan ve Dursun \u00d6zden\u2019in de i\u00e7inde yer ald\u0131\u011f\u0131, Ni\u011fde Lisesi \u00f6\u011frencilerinin \u00e7o\u011fu bizi destekledi. O d\u00f6nemdeki Ni\u011fde Cumhuriyet Ba\u015fsavc\u0131s\u0131 \u0130smet Kemal Karaday\u0131<\/strong>, bu eyleme kat\u0131lanlara \u201ctakipsizlik karar\u0131\u201d<\/strong> vermi\u015fti. Daha sonraki y\u0131llarda, say\u0131n Karaday\u0131\u2019y\u0131 \u015fair yan\u0131yla ve Cumhuriyet Gazetesi\u2019ndeki \u00e7a\u011fda\u015f yaz\u0131lar\u0131yla daha \u00e7ok tan\u0131d\u0131m. <\/p>\n\n\n\n

Ankara\u2019ya geldikten sonra, \u00dcmit ile ili\u015fkimiz ve dostlu\u011fumuz kesintisiz s\u00fcrd\u00fc. \u00dcmit\u2019in gazete ve dergilerdeki yaz\u0131lar\u0131n\u0131 ve yeni \u00e7\u0131kan kitaplar\u0131n\u0131 imrenerek okurdum. \u00dcmit, ressam ve tasar\u0131mc\u0131 \u00f6zelli\u011finin yan\u0131 s\u0131ra; iyi bir ara\u015ft\u0131rmac\u0131, usta bir \u015fair ve ele\u015ftirmendi. Ankara\u2019daki pek \u00e7ok yemekte ve etkinlikte dertle\u015fir ve \u00fclkenin-insanl\u0131\u011f\u0131n gidi\u015fat\u0131 i\u00e7in, \u00e7\u00f6z\u00fcm yollar\u0131 arar ve tart\u0131\u015f\u0131rd\u0131k. \u015eimdi onu kaybetmenin \u00fcz\u00fcnt\u00fcs\u00fcn\u00fc ya\u015f\u0131yorum. Erken gittin be evlad\u0131m\u2026 Bu g\u00fcn ise, ya\u015fl\u0131 ve hasta halimle \u00dcmit\u2019in Kar\u015f\u0131yaka\u2019daki cenaze t\u00f6renine kat\u0131ld\u0131m. \u00dcmit\u2019in 40 y\u0131ll\u0131k dergi ve kalem arkada\u015f\u0131 A. Kadir Paksoy, ailesi ve bir avu\u00e7 yak\u0131n dostlar\u0131yla birlikte g\u00f6m\u00fctl\u00fckteydik. \u00dcmit\u2019i y\u0131ld\u0131zlara u\u011furlad\u0131k\u2026 Ve eve d\u00f6nd\u00fckten sonra, \u00dcmit\u2019in 50 y\u0131l \u00f6ncesinden Ni\u011fde Lisesi\u2019<\/strong>nde s\u0131n\u0131f arkada\u015f\u0131 ve yolda\u015f\u0131, \u00f6\u011frencim olan Gezgin \u015eair Dursun \u00d6zden<\/strong>\u2019i telefonla aray\u0131p, \u00dcmit\u2019i kaybetti\u011fimizi s\u00f6yledim. Uzun, duygusal ve h\u00fcz\u00fcnl\u00fc bir konu\u015fma ard\u0131ndan, yeniden g\u00f6r\u00fc\u015fme dileklerimizle telefonu kapad\u0131k. Bu uzun konu\u015fmam\u0131z\u0131n \u00f6znesi idi; \u015fair, ressam, ara\u015ft\u0131rmac\u0131 yazar, Kemalist ve vatansever olan sevgili \u00f6\u011frencim \u00dcmit Sar\u0131aslan<\/strong>. \u201c\u00dcmit, umudunu yitirmedi ama k\u00fcs gitti bu d\u00fcnyaya\u2026\u201d <\/em>diyerek noktalad\u0131k konu\u015fmam\u0131z\u0131\u2026<\/p>\n\n\n\n

Ad\u0131n\u0131 arad\u0131 \u00dcmit<\/strong>: \u00d6ner YA\u011eCI<\/strong>; Cumhuriyet, 08 Ocak 2022.<\/p>\n\n\n\n

\u00c7ocuklu\u011fumun ge\u00e7ti\u011fi Yerk\u00f6y\u2019e yak\u0131n \u015fimdi il\u00e7e olan Yenifak\u0131l\u0131 k\u00f6y\u00fcndendi. Pazar\u00f6ren K\u00f6y Enstit\u00fcs\u00fc\u2019n\u00fc 1946\u2019da bitirip \u00f6mr\u00fcn\u00fc T\u00d6S\u2019ten T\u00d6B-DER\u2019e \u00f6\u011fretmenlerin m\u00fccadelesine veren \u0130sa<\/strong> \u00d6\u011fretmen\u2019in o\u011fluydu. 1970\u2019te girdi\u011fi Gazi E\u011fitim Enstit\u00fcs\u00fc g\u00fcnlerinde ba\u015flayan 50 y\u0131ll\u0131k dostlu\u011fumuzla k\u0131van\u00e7 duyard\u0131k.<\/p>\n\n\n\n

\u201c\u00d6l\u00fcme terk etmeli kimi \u015feyleri \/ Kimi \u015feyleri \u00f6l\u00fcme terk etmeli \/ \u00d6l\u00fcm\u00fc \u00e7i\u00e7ekleyen adam\u0131n \u015fiirini \/ \u015eiiri \u00e7i\u00e7ekleyen \u00f6l\u00fcm\u00fcn\u00fc adam\u0131n\u201d<\/em> diyen, yetene\u011fiyle sevgisini Cumhuriyet sevdas\u0131yla ve umutla \u00e7o\u011faltan, insan s\u0131cakl\u0131\u011f\u0131n\u0131 \u00e7o\u011faltan bir ayd\u0131nd\u0131 \u00dcmit Sar\u0131aslan<\/strong>.<\/p>\n\n\n\n

2021\u2019in son g\u00fcn\u00fc kaybettik onu.<\/p>\n\n\n\n

B\u0130L\u0130NC\u0130 YEN\u0130LEMEK<\/strong><\/p>\n\n\n\n

Gazi\u2019nin resim-i\u015f b\u00f6l\u00fcm\u00fcnde \u00f6\u011frenciyken bilin\u00e7li bir 68 delikanl\u0131s\u0131yd\u0131.<\/p>\n\n\n\n

Resim-i\u015f \u00f6\u011fretmenli\u011fine ressaml\u0131k, e\u011fitim \u00f6rg\u00fct\u00e7\u00fcl\u00fc\u011f\u00fc, grafikerlik, \u015fairlik, yazarl\u0131k katt\u0131. Cumhuriyet\u2019te, Cumhuriyet Kitap\u2019ta, can dostu Abd\u00fclkadir Paksoy<\/strong> ile \u00e7\u0131kard\u0131klar\u0131 Anadolu Ekini <\/strong> dergisinde yazd\u0131. \u0130kinci roman\u0131m Turnalar\u2019\u0131n kapak resmi onun arma\u011fan\u0131d\u0131r. Y\u0131llarca e\u011fitimcilerin dergisi abece\u2019<\/strong>nin kapaklar\u0131n\u0131, grafik i\u015flerini yapt\u0131 g\u00f6n\u00fcll\u00fc olarak.<\/p>\n\n\n\n

Anadolu ve Ankara sevdal\u0131s\u0131 \u00dcmit\u2019in 1990\u2019l\u0131 y\u0131llarda \u0130nk\u0131lap Soka\u011f\u0131\u2019ndaki grafik at\u00f6lyesinde ger\u00e7ekle\u015ftirdi\u011fimiz doyumsuz sohbetlerimizde bilincini ve sevdas\u0131n\u0131 yenilemesini, g\u00fc\u00e7lendirmesini inatla, umutla s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc g\u00f6r\u00fcrd\u00fcm. Okurdu hep.<\/p>\n\n\n\n

SANATIN DER\u0130NL\u0130\u011e\u0130, G\u00dcZELL\u0130\u011e\u0130<\/strong><\/p>\n\n\n\n

\u00dcmit Sar\u0131aslan, \u201c\u0130nsan bir garip! Bir yandan d\u00fcne, yar\u0131na k\u00f6pr\u00fcler kurarken, \u00f6te yanda y\u0131k\u0131yor k\u00f6pr\u00fclerini; k\u00fclt\u00fcr\u00fcn k\u00fclt\u00fcre, insan\u0131n insana uzatt\u0131\u011f\u0131 kavu\u015ftaklar\u0131…\u201d<\/em> d\u00fc\u015f\u00fcncesiyle yazd\u0131\u011f\u0131 kitaplarla bulu\u015fturdu bizi. Ayd\u0131nl\u0131k y\u00fcrekli bir sanat\u00e7\u0131 duyarl\u0131\u011f\u0131yla \u00fclkemizin sorunlar\u0131na, ayd\u0131nl\u0131\u011f\u0131na, k\u00fclt\u00fcr\u00fcne tuttu \u0131\u015f\u0131\u011f\u0131n\u0131. \u201cYeni bir ayd\u0131nlanma \u00e7a\u011f\u0131\u201d<\/em>n\u0131n gerekli oldu\u011funu s\u00f6yledi. T\u00fcketici, haz\u0131rc\u0131 e\u011fitime kar\u015f\u0131 \u00fcretici, yarat\u0131c\u0131 e\u011fitimi savundu: G\u00f6r\u00fcnt\u00fc ve Ger\u00e7ek, \u00d6\u011fretmenler Odas\u0131ndan, K\u00f6pr\u00fcler ve \u0130nsanlar.<\/strong><\/p>\n\n\n\n

\u201cAnadolu k\u00fclt\u00fcr teknesinde kar\u0131l\u0131 hamurun \u00f6z\u00fcn\u00fc kuran s\u00fcreklili\u011fi kavrad\u0131\u011f\u0131\u201d<\/em> i\u00e7in \u201cbizim\u201d olan Hac\u0131bekta\u015f Veli<\/strong>\u2019yi anlatt\u0131: Hac\u0131 Bekta\u015f Ayd\u0131nl\u0131\u011f\u0131.<\/p>\n\n\n\n

Demiryollar\u0131ndan tarihe, mimarl\u0131\u011fa, resme uzand\u0131: Demir A\u011flardan \u00d6r\u00fcmcek A\u011flar\u0131na, Cumhuriyet Treninden Tanzimat Trenine-Pamukova Dosyas\u0131, Cumhuriyetin Mimarlar\u0131: Mimar Kemalettin-Ernst Arnold Egli-Bruno Taut, Aram\u0131zdan Ayr\u0131l\u0131\u015f\u0131n\u0131n 80. Y\u0131l\u0131nda Bruno Taut-DTCF Mimar\u0131, Kendinin Ustas\u0131-Ali Demir Resmine Toplu Bir Bak\u0131\u015f.<\/strong><\/p>\n\n\n\n

1929-1973 aras\u0131nda aral\u0131klarla 24 y\u0131l Bart\u0131n Belediye Ba\u015fkanl\u0131\u011f\u0131 yapan ve evi etnografya m\u00fczesi haline getirilen Kemal Samanc\u0131o\u011flu<\/strong>\u2019nu (1897-1985) anlatt\u0131: \u00c7er\u00e7evesinden Ta\u015fan Tarih \/ Ya\u015f\u0131m ve Ba\u015f\u0131mla Ben.<\/strong><\/p>\n\n\n\n

Anadolu Anadolu\u2019da<\/strong> (A. Paksoy\u2019la), do\u011fas\u0131, k\u00fclt\u00fcr\u00fc, sanat\u0131, ayd\u0131n\u0131 ile Antakya, Ak\u015fehir, Hac\u0131bekta\u015f, Devrek, Demirci, Bart\u0131n ve daha bir\u00e7ok y\u00f6reden gezi notlar\u0131n\u0131 aktard\u0131.<\/p>\n\n\n\n

\u015e\u0130\u0130RLE AYDINLIK<\/strong><\/p>\n\n\n\n

\u015eiir kitaplar\u0131 \u00e7\u0131kard\u0131: S\u00f6z\u00fcn Kanad\u0131nda I-II, G\u00fcz Hevenklerinde, Ba\u015fak ve Asma (A. Paksoy\u2019la), Melami Ne\u015fesi, Bir Uzaktan Bir Yak\u0131ndan, Dilin Gecesinden. <\/strong><\/p>\n\n\n\n

Genellikle d\u00f6rtl\u00fckleriyle seslendirdi Anadolu sevdas\u0131n\u0131, Ankara g\u00fczellemelerini: <\/p>\n\n\n\n

\u201cBir g\u00fcl d\u00fc\u015fer topra\u011fa \/ G\u00f6zlerini ister bir asker \/ G\u00f6k mavisini, dal ye\u015filini yitirir \/ Eksilirim ses vermezsem \/ Senlenemem bir daha.\u201d<\/em><\/p>\n\n\n\n

Cumartesi Anneleri\u2019ne seslendi:<\/strong><\/p>\n\n\n\n

\u201cBeyaz kar\u0131nlar\u0131 kay\u0131p haberleriyle y\u00fckl\u00fc bulutlar \/ Ne s\u00f6yler ac\u0131n\u0131n haritas\u0131 may\u0131nl\u0131 y\u00fcreklere \/ B\u00fcy\u00fcd\u00fck\u00e7e b\u00fcy\u00fcr karadelikleri g\u00fcnlerin \/ Sa\u011f\u0131r kuyulara d\u00fc\u015fer y\u00fcreklerimiz.\u201d<\/em><\/p>\n\n\n\n

\u00dcmit\u2019ti ad\u0131,<\/strong> sonsuzlu\u011fa gidene dek ad\u0131n\u0131 arad\u0131 hep:<\/p>\n\n\n\n

\u201cBir umudumuz var hepimizin k\u00f6t\u00fcl\u00fck niye \/ Ger\u00e7ek karamsar m\u0131 bug\u00fcn iyimseriz yine de \/ Olur a zifiri gecenin i\u00e7inde y\u00fczse de insanlar \/ Ya kurtulaca\u011f\u0131z hep birlikte yapayaln\u0131z ya da.\u201d<\/em><\/p>\n\n\n\n

G\u00fczel bir dostumuzu daha yitirdik\u2026 Atilla A\u015eUT:<\/strong><\/p>\n\n\n\n

Bu sabah ac\u0131 haberi A. Kadir Paksoy payla\u015ft\u0131: Uzunca bir s\u00fcredir ciddi sa\u011fl\u0131k sorunlar\u0131 ya\u015fayan \u00dcmit Sar\u0131aslan’\u0131 yitirmi\u015fiz\u2026 Kadir’le \u00dcmit, bir elman\u0131n yar\u0131s\u0131 gibiydi. Birlikte kitaplar da yazd\u0131lar. Onu d\u00fcnya g\u00f6z\u00fcyle en son g\u00f6rebilen ki\u015fi de Paksoy arkada\u015f\u0131m\u0131zd\u0131.<\/p>\n\n\n\n

Sevgili dostumuz \u00dcmit Sar\u0131aslan, yazar, ozan, ressam, yay\u0131nc\u0131 ve d\u00fc\u015f\u00fcnce insan\u0131yd\u0131. Her \u015feyden \u00f6nce iyi bir arkada\u015f, ilkeli bir yaz\u0131n emek\u00e7isiydi. “Anadolu Ekini”<\/strong> dergisiyle hepimizi bir araya toplam\u0131\u015ft\u0131. “Abece” <\/strong>dergisine de emek vermi\u015fti. E\u011fitimci dostlarla zaman zaman bulu\u015fur, Naz\u0131m Bayata<\/strong>‘n\u0131n d\u00fczenledi\u011fi m\u00fctevaz\u0131 yemeklerde sohbet ederdik. E\u015fim Dr. \u00d6zen A\u015fut’un TTB Yay\u0131nlar\u0131’ndan \u00e7\u0131kan “Hekim ve Sigara” adl\u0131 kitab\u0131n\u0131n kapa\u011f\u0131n\u0131 da o yapm\u0131\u015ft\u0131. Onu \u00e7ok \u00f6zleyece\u011fiz. Hepimizin ba\u015f\u0131 sa\u011f olsun.<\/p>\n\n\n\n

Foto\u011frafta kadim dostlar: Alaattin Bayaz\u0131t, Attila A\u015fut, O\u011fuz Bozkurt, Naz\u0131m Bayata ve \u00dcmit Sar\u0131aslan, E\u011e\u0130T-DER lokalindeki bir bulu\u015fmalar\u0131nda g\u00f6r\u00fcl\u00fcyor. (15 May\u0131s 2011).<\/p>\n\n\n\n

Av. Ali Ozanemre <\/strong>(Adana), 01 Ocak 2022.<\/p>\n\n\n\n

Merhaba ya da Elveda\u2026<\/p>\n\n\n\n

Yeni y\u0131l\u0131n ilk g\u00fcn\u00fc, ortak arkada\u015f\u0131m\u0131z \u015fair ve belgeselci Dursun \u00d6zden\u2019i arama gereksinimi duydum. Dursuncu\u011fum, \u00dcmit Sar\u0131aslan\u2019\u0131 kaybettik\u2026 Ba\u015f\u0131m\u0131z sa\u011folsun\u2026 Erken gittin be dost\u2026 \u00dcm\u00fc\u011f\u00fcm d\u00fc\u011f\u00fcmlendi\u2026 A\u011fz\u0131mdan ba\u015fka s\u00f6zc\u00fck d\u00f6k\u00fclm\u00fcyordu\u2026 H\u0131\u00e7k\u0131ra h\u0131\u00e7k\u0131ra a\u011fla\u015ft\u0131k\u2026 Ve uzun bir sessizli\u011fin ard\u0131ndan telefonlar\u0131m\u0131z kapand\u0131\u2026 Ben \u015fimdi sevgili \u00dcmit\u2019in ard\u0131ndan ba\u015fka ne s\u00f6yleyeyim, ne yazay\u0131m? S\u00f6z\u00fcn bitti\u011fi yerdeyim\u2026 I\u015f\u0131\u011f\u0131n bol olsun dost\u2026 Merhaba demeden daha, elveda dedi\u2026<\/p>\n\n\n\n

H\u00fclya Y\u00fccel<\/strong>, 02 Ocak 2022.<\/p>\n\n\n\n

Say\u0131n b\u00fcy\u00fc\u011f\u00fcm ne kadar ne kadar g\u00fczel anlatm\u0131\u015fs\u0131n\u0131z bir olmay\u0131 …yaz\u0131n\u0131z\u0131 okurken anlad\u0131m ki daha 13 ya\u015flar\u0131ndaki \u00e7ocuk H\u00fclya’n\u0131n hayat\u0131nda nas\u0131l bir iz b\u0131rakm\u0131\u015f olmal\u0131 ki ellili ya\u015flarda \u0131srarla aray\u0131p buldum \u00d6\u011fretmenimi… iyi ki iyi ki de buldum \u0130yi ki de tekrar onu ya\u015fad\u0131m Ben de benim gibi bir\u00e7ok \u00e7ocu\u011fun idol\u00fc rol modeli oldun sevgili \u00f6\u011fretmenim pek \u00e7ok \u00e7ocu\u011fun hayat\u0131na dokundun dik duru\u015f farkl\u0131 bak\u0131\u015f kazand\u0131rd\u0131n an\u0131lar\u0131m\u0131zda hep vard\u0131n var olacaks\u0131n sayg\u0131 ve minnetle I\u015f\u0131klar i\u00e7inde uyu\u2026<\/p>\n\n\n\n

M. Sabri Tezcan<\/strong>, 02 Ocak 2022.<\/p>\n\n\n\n

Ne g\u00fczel \u00f6zetlemi\u015fsin sevgili A.Kadir (M\u00fcd\u00fcr).Sana “m\u00fcd\u00fcr”diye seslendi\u011fi g\u00fcnlerde serbest \u00e7al\u0131\u015ft\u0131\u011f\u0131 b\u00fcrosunda, Hac\u0131bekta’ta “mebus Fuat” \u0131n evinde, Esenbo\u011fa Havaalan\u0131’ndan de\u011ferli Aziz Nesi’i birlikte al\u0131p Hac\u0131bekta\u015f’a birlikte gidi\u015fimiz..<\/p>\n\n\n\n

\u00dcmit ile 1968-69 y\u0131l\u0131nda Ni\u011fde Lisesi’nde \u00f6\u011frencim iken ba\u015flayan yolculu\u011fumuz Ankara’da devam etti. Ne yaz\u0131k ki 2012 y\u0131l\u0131nda Ankara’dan ayr\u0131ld\u0131m ve ayr\u0131 d\u00fc\u015ft\u00fck.Ama \u00dcmit hep y\u00fcre\u011fimin bir k\u00f6\u015fesine hep var oldu. O’nu yitirmenin derin \u00fcz\u00fcnt\u00fcs\u00fc i\u00e7indeyim.I\u015f\u0131klar i\u00e7inde uyusun, y\u0131ld\u0131zlar yolda\u015f\u0131 olsun. E\u015fi sevgili Servet <\/strong>karde\u015fime, o\u011flu sevgili Ekin’<\/strong>e,dost ve arkada\u015flar\u0131na sab\u0131r diliyorum.<\/p>\n\n\n\n

Bahattin Gemici<\/strong>, 02 Ocak 2022.<\/p>\n\n\n\n

\u00c7ok de\u011ferli, m\u00fccadeleci, ayd\u0131n bir insand\u0131. G\u00fczel kitaplar, iyi an\u0131lar, dostluklar b\u0131rakt\u0131 geride. Umutlar\u0131n Pe\u015finde adl\u0131 kitab\u0131mda onun bana yazd\u0131\u011f\u0131 iki mektuba yer vermi\u015ftim.<\/p>\n\n\n\n

Eserleriyle ya\u015fayacak\u2026 I\u015f\u0131klar i\u00e7inde uyusun.<\/p>\n\n\n\n

A. Kadir Paksoy yazd\u0131: UMUDASLAN<\/strong><\/p>\n\n\n\n

\u00dcmit Sar\u0131aslan. Art\u0131k fiziksel olarak ya\u015fam\u0131yor. D\u00fcmeni sonsuzlu\u011fa k\u0131rd\u0131.<\/p>\n\n\n\n

\u0130nsan \u00e7ok sevdi\u011fi birini yitirince ne diyece\u011fini bilemiyor. S\u00f6zc\u00fckler de ac\u0131dan bo\u011fuluyor. \u0130lk akl\u0131ma gelen anaca\u011f\u0131m\u0131n ona sesleni\u015fi oldu: Umudaslan!..<\/strong><\/p>\n\n\n\n

Nereden ba\u015flayaca\u011f\u0131m\u0131 bilemiyorum. K\u0131rk y\u0131ll\u0131k bir dostluk.<\/strong> Birlikte dergiler \u00e7\u0131kard\u0131k, iki ortak kitap yay\u0131mlad\u0131k. Deyim yerindeyse ikimiz bir adamd\u0131k. Sanki Tanr\u0131 tek bir adam yaratmak isterken ikiye b\u00f6lm\u00fc\u015ft\u00fc. Ona iyi \u00e7al\u0131\u015fan bir beyin vermi\u015f, bana iyi \u00e7al\u0131\u015fan bir kalp. Yahu g\u00fcnde be\u015f y\u00fcz sayfa okunur mu? Vallahi okuyordu. Bana da bir kalp doktoru sormu\u015ftu, bir bay\u0131lma sonras\u0131 kardiyolojiye gitmi\u015ftim, a\u011f\u0131r spor mu yap\u0131yorsunuz bay\u0131m, demi\u015fti. Kan\u0131mda kreatin kinaz diye bir madde fazla \u00e7\u0131km\u0131\u015f, bu da kalp kaslar\u0131n\u0131n zarar g\u00f6rd\u00fc\u011f\u00fc anlam\u0131na geliyormu\u015f, a\u011f\u0131r spor yapanlarda ya da a\u011f\u0131r i\u015f g\u00f6renlerde olurmu\u015f. \u015eiir yaz\u0131yorum bay\u0131m deyince de g\u00fclm\u00fc\u015ft\u00fc doktor!…<\/p>\n\n\n\n

\u201c\u00dcst\u00e2d\u201d<\/strong> demi\u015ftim ona k\u0131rk y\u0131l \u00f6nce tan\u0131\u015ft\u0131\u011f\u0131m\u0131z g\u00fcn. Asl\u0131nda \u201c\u00dcst\u00e2d\u201d yerine usta s\u00f6zc\u00fc\u011f\u00fcn\u00fc benimserim ama bir kere a\u011fz\u0131mdan \u00e7\u0131km\u0131\u015ft\u0131 ve \u00f6yle de kald\u0131. \u00d6zel bir ada d\u00f6n\u00fc\u015ft\u00fc. Evet, o \u00fcst\u00e2dd\u0131 ben tilmiz, o Sidherta<\/strong>\u2019yd\u0131 ben Gautama<\/strong>, o Mustafa Kemal<\/strong>\u2019di ben \u0130n\u00f6n\u00fc<\/strong>, o Fidel Kastro<\/strong>\u2019ydu ben Che Guevera<\/strong>, o Hac\u0131 Bekta\u015f<\/strong>\u2019t\u0131 ben Yunus<\/strong>, ve \u00f6zellikle o Metin<\/strong>\u2019di ben Zeki<\/strong>\u2026 Ama her zaman o oydu, ben de ben. Bu y\u00fczden dostlu\u011fumuz baki kald\u0131.<\/p>\n\n\n\n

Bize \u201cek\u00fcri\u201d diyordu dostlar. Ek\u00fcri ne demek? Frans\u0131zcada (\u00e9curie<\/em>) ah\u0131r\/ah\u0131rda\u015f anlam\u0131nda kullan\u0131lsa da T\u00fcrk\u00e7ede daha \u00e7ok s\u00fcrekli birlikte olan, birlikte g\u00fczel i\u015fler yapan anlam\u0131nda kullan\u0131lmaktad\u0131r. Elbette, ne g\u00fczel i\u015fler yapt\u0131k birlikte. Ama daha \u00e7ok onun sayesinde, onun eme\u011fiyle. Ankara\u2019da me\u015fhur Tavuk\u00e7u Lokantas\u0131nda bir g\u00fcn bizi g\u00f6ren Mustafa Ekmek\u00e7i<\/strong> A\u011fabeyimiz, birlikteli\u011finize imreniyorum, demi\u015fti. Sevgili Muzaffer A\u011fabeyimiz (Erdost)<\/strong>, ortak kitab\u0131m\u0131z Ba\u015fak ve Asma<\/em>\u2019y\u0131 resimlemi\u015f, Sevgili \u0130lhan Abi (Sel\u00e7uk)<\/strong> bile \u015fapka \u00e7\u0131karm\u0131\u015ft\u0131 bu dostlu\u011fa.<\/p>\n\n\n\n

Masalara ak\u015fam g\u00fcne\u015fi d\u00fc\u015ft\u00fc\u011f\u00fcnde nas\u0131l ge\u00e7erdik Sakarya Caddesinden, ard\u0131m\u0131zda bize yeti\u015fmeye \u00e7al\u0131\u015fan a\u011fa\u00e7lar h\u00e2l\u00e2 g\u00f6z\u00fcm\u00fcn \u00f6n\u00fcnde\u2026<\/p>\n\n\n\n

\u015eimdi vicdan\u0131n\u0131 yitirmi\u015f bir kentle kar\u015f\u0131 kar\u015f\u0131yay\u0131m. Evet evet, o kentin vicdan\u0131yd\u0131. Bu benim s\u00f6z\u00fcm de\u011fil. T\u00fcrkiye\u2019nin ilk K\u00fclt\u00fcr Bakan\u0131 Talat Sait Halman<\/strong> s\u00f6ylemi\u015f ve yazm\u0131\u015ft\u0131 bunu\u2026<\/p>\n\n\n\n

Ortak bir davam\u0131z vard\u0131: Ray\u0131ndan \u00e7\u0131kar\u0131lan Cumhuriyet trenini yeniden ray\u0131na oturtmak.<\/p>\n\n\n\n

Ona g\u00f6re \u00fclkemizin geli\u015fememesinin en \u00f6nemli nedeni, Cumhuriyetin Kurulu\u015f D\u00f6neminden sonra demiryolu politikas\u0131n\u0131n terkedilmesi, demiryolu yerine karayoluna a\u011f\u0131rl\u0131k verilmesiydi. Bu nedenle, \u00f6\u011fretmenlikten emekli olunca bu alanda yo\u011funla\u015ft\u0131, art arda \u00e7ok \u00f6nemli yap\u0131tlar \u00fcretti: Cumhuriyet Treninden Tanzimat Trenine, Demir A\u011flardan \u00d6r\u00fcmcek A\u011flar\u0131na, Pamukova Dosyas\u0131<\/em>\u2026<\/p>\n\n\n\n

Ben de bu konuda ona hak vermekle birlikte, \u00fclkemizin geli\u015fememi\u015finin en \u00f6nemli nedeni olarak tarih bilincinden yoksunlu\u011fu g\u00f6r\u00fcyordum. Bu y\u00fczden, onun da \u00f6zendirmesiyle Tarihin Talihsizli\u011fi, Ulus Devlet ve Tarih E\u011fitimi<\/em>\u2019ni kotard\u0131m\u2026<\/p>\n\n\n\n

Elbette en \u00f6nemli ortak yan\u0131m\u0131z \u015fiire olan tutkunlu\u011fumuz, ba\u011fl\u0131l\u0131\u011f\u0131m\u0131zd\u0131. Ama onun \u015fiirleri Anzer bal\u0131 ise, benimkiler Atat\u00fcrk Orman \u00c7iftli\u011fi bal\u0131 say\u0131l\u0131r, halk i\u015fi\u2026<\/p>\n\n\n\n

\u0130kimiz de b\u0131y\u0131kl\u0131yd\u0131k. Bir g\u00fcn, bu b\u0131y\u0131k iyi bir \u015fey olsa Atat\u00fcrk kesmezdi, deyince kesmi\u015ftik b\u0131y\u0131klar\u0131m\u0131z\u0131 birlikte. Ama \u00fc\u00e7 be\u015f y\u0131l sonra bizim \u00dcst\u00e2d yeniden b\u0131y\u0131k b\u0131rakt\u0131. Savunmas\u0131n\u0131 da \u015f\u00f6yle yapt\u0131: Metroda, otob\u00fcste beni Ya\u015far Nuri \u00d6zt\u00fcrk san\u0131p \u201cHocam, dinimize g\u00f6re \u015fu nas\u0131l, bu nas\u0131l, ne dersiniz?\u201d demelerinden usand\u0131m!\u2026 Eh neyse, bir hafifletici nedeni var ama ben onu b\u0131y\u0131ks\u0131z haliyle \u00e7ekti\u011fim bir foto\u011fraf\u0131ndaki gibi an\u0131msayaca\u011f\u0131m\u2026 (Ger\u00e7ek Edebiya<\/strong>t, 2 Ocak 2022).<\/p>\n\n\n\n

\u00dcmit Sar\u0131aslan’dan iki ara\u015ft\u0131rma kitab\u0131, Dursun \u00d6ZDEN<\/strong><\/p>\n\n\n\n

Ni\u011fde Lisesi\u2019nden (1970 mezunu) s\u0131n\u0131f arkada\u015f\u0131m de\u011ferli yazar, \u015fair ve ressam \u00dcmit Sar\u0131aslan<\/strong>\u2019dan iki ara\u015ft\u0131rma kitab\u0131n\u0131 okuyorum, yeniden\u2026\u201cDemira\u011flardan \u00d6r\u00fcmcek A\u011flar\u0131na\u201d ve \u201cCumhuriyetin Mimarlar\u0131\u201d. <\/em><\/strong><\/p>\n\n\n\n

Ankara, Yerk\u00f6y ve Bo\u011fazl\u0131yan’dan gelen ve 5 \u015eubat 1934’te, Kemal Atat\u00fcrk’\u00fc konuk eden posta treni, Ni\u011fde tren istasyonundan son yolcusu olan K\u00f6y Enstit\u00fcl\u00fc \u0130sa Sar\u0131aslan hocay\u0131 <\/strong>ald\u0131ktan sonra, Bor ve Uluk\u0131\u015fla \u00fczeri, 38 Toros Da\u011f\u0131 t\u00fcnelini ge\u00e7ip, Varda K\u00f6pr\u00fcs\u00fc<\/strong>‘nden sonra a\u015fa\u011f\u0131ya do\u011fru, \u00c7ukurova’n\u0131n sar\u0131 s\u0131cakl\u0131 ve portakal \u00e7i\u00e7e\u011fi kokulu, bereketli topraklar\u0131na s\u00fcz\u00fcl\u00fcr. Yenice Gar\u0131’nda tren \u015fefi mola verir. Bu garda bulunan “Bar\u0131\u015f Park\u0131”ndaki Beyaz Vagon, 30 Ocak 1943’te; \u0130ngiltere Ba\u015fbakan\u0131 William Churchill ile Cumhurba\u015fkan\u0131 \u0130smet \u0130n\u00f6n\u00fc’n\u00fcn bulu\u015fmas\u0131na tan\u0131kl\u0131k eder. <\/strong>Asl\u0131nda, gurbeti s\u0131laya ba\u011flayan ve Anadolu’yu demir a\u011flarla \u00f6ren demiryollar\u0131, ne de \u00e7ok gurbet t\u00fcrk\u00fclerine, \u015fiirlere ve sevda \u00f6yk\u00fclerine esin kayna\u011f\u0131 olmu\u015f ve tan\u0131kl\u0131k etmi\u015ftir. Ve \u00e7a\u011fda\u015fla\u015fman\u0131n ve birlikte ya\u015fama k\u00fclt\u00fcr\u00fcn\u00fcn \u00f6l\u00e7\u00fct\u00fc olan kentler ve \u00e7evre dostu mimar\u0131 yap\u0131lardan ve \u00fc\u00e7 mimardan s\u00f6z ediliyor.<\/p>\n\n\n\n

\u201cDemir A\u011flardan \u00d6r\u00fcmcek A\u011flar\u0131na\u201d<\/strong><\/p>\n\n\n\n

1930\u2019lu y\u0131llardan 209 Foto\u011fraf ve Belgenin Tan\u0131kl\u0131\u011f\u0131nda, Cumhuriyet Demiryolculu\u011fu ve \u00f6tesi anlat\u0131lmaktad\u0131r. Onuncu Y\u0131l Mar\u015f\u0131,<\/strong> Mustafa Kemal\u2019in iste\u011fi ve \u00f6nermesiyle yaz\u0131lm\u0131\u015f ve ilk d\u00f6rtl\u00fc\u011f\u00fcn son dizesi do\u011frudan onun iste\u011fiyle “demir a\u011flarla \u00f6rd\u00fck anayurdu d\u00f6rt ba\u015ftan” <\/strong>bi\u00e7imini alm\u0131\u015ft\u0131r. Doksan y\u0131l sonra bug\u00fcn, “Demir a\u011flarla \u00f6rd\u00fck,” dediler! Neyi \u00f6rd\u00fcn yahu, neyi? “Ama bak, biz \u00f6r\u00fcyoruz; \u00f6rece\u011fiz in\u015fallah!” denilerek, Atat\u00fcrk’\u00fcn s\u00f6zleri ve yapt\u0131klar\u0131 yok say\u0131lmaya \u00e7al\u0131\u015f\u0131l\u0131yor.<\/p>\n\n\n\n

Elinizdeki kitap, Atat\u00fcrk d\u00f6neminde anayurdun nas\u0131l bir ba\u015ftan bir ba\u015fa demir a\u011flarla \u00f6r\u00fcld\u00fc\u011f\u00fcn\u00fc \u00e7o\u011fu ilk kez yay\u0131mlanan 209 belgesel foto\u011fraf e\u015fli\u011finde anlatmakta, Amerika’ya ba\u011fland\u0131ktan sonra demir a\u011flar\u0131n nas\u0131l \u00f6r\u00fcmcek a\u011flar\u0131yla de\u011fi\u015ftirildi\u011fini en \u00e7arp\u0131c\u0131 \u00f6rnekleriyle g\u00f6zler \u00f6n\u00fcne sermektedir. Bu kitapta yer alan yaz\u0131lar, \u015farks\u0131zl\u0131\u011f\u0131n ve umars\u0131zl\u0131\u011f\u0131n bulan\u0131k ufkuna de\u011fil, ulusal bir yeniden silkini\u015f gereksinmesinin ayd\u0131nl\u0131k tan vaktine adanm\u0131\u015flard\u0131r.<\/p>\n\n\n\n

Y\u00fcz\u00fcm\u00fcze g\u00f6z\u00fcm\u00fcze bula\u015ft\u0131rd\u0131\u011f\u0131m\u0131z “h\u0131zland\u0131r\u0131lm\u0131\u015f tren” denemesinden sonra “ilk h\u0131zl\u0131 trenimiz”, miras\u00e7\u0131s\u0131 oldu\u011fumuz Osmanl\u0131 \u0130mparatorlu\u011fu ile a\u015fa\u011f\u0131 yukar\u0131 ayn\u0131 tarih kesitinde demir yolculu\u011funa ba\u015flam\u0131\u015f olan \u0130spanya’ya sipari\u015f edilmi\u015ftir. 1992’den beri h\u0131zl\u0131 tren i\u015fleten ve imal eden \u0130spanya, tarihindeki ilk h\u0131zl\u0131 tren teknolojisi ihracat\u0131n\u0131 da, b\u00f6ylece ger\u00e7ekle\u015ftirmi\u015f olmaktad\u0131r.<\/p>\n\n\n\n

Hem \u0130spanya’da hem de Osmanl\u0131 \u0130mparatorlu\u011fu’nda, demir yolculu\u011fun ba\u015flamas\u0131nda yabanc\u0131 sermayenin etkin bir rol oynad\u0131\u011f\u0131 ve ilk demiryolu \u015febekelerinin yabanc\u0131 \u015firketler eliyle kurulup i\u015fletildi\u011fi biliniyor. \u00d6zellikle Osmanl\u0131 \u0130mparatorlu\u011fu s\u00f6z konusu oldu\u011funda, \u0130ngilizlerin ve Almanlar\u0131n Osmanl\u0131 topraklar\u0131n\u0131 ve bu topraklar\u0131n \u00f6tesini hedef alan siyasi emellerinin Osmanl\u0131 demiryollar\u0131n\u0131n kurulu\u015funda belirleyici oldu\u011fu ve bu konuda, Osmanl\u0131y\u0131 kendi emellerine uygun olarak y\u00f6nlendirdikleri de bilinen ba\u015fka bir ger\u00e7ek.<\/p>\n\n\n\n

\u201cCumhuriyetin Mimarlar\u0131\u201d<\/strong><\/p>\n\n\n\n

Ankara, kurucusunun g\u00f6zleri \u00fczerinde iken de, O’nu sonsuzlu\u011fa u\u011furlay\u0131p b\u00fcy\u00fck ad\u0131 ve anlam\u0131n\u0131 giyindikten sonra da, T\u00fcrk’\u00fcn ve T\u00fcrkiye’nin kalbi idi. Her t\u00fcrl\u00fc k\u0131r\u0131lma ve kamalanmaya kar\u015f\u0131n, bug\u00fcn de \u00f6yledir! Ankara, kurucusu gibi, kurucusuyla birlikte varl\u0131\u011f\u0131nda varl\u0131\u011f\u0131m\u0131z\u0131, ad\u0131 ve anlam\u0131nda benlik ve bizli\u011fimizi buldu\u011fumuz; sevip ba\u011fland\u0131\u011f\u0131m\u0131z bir yurt, hava ve y\u00f6n idi. Bu kent, varolu\u015f ate\u015fini bizden ald\u0131\u011f\u0131, o ate\u015ften varolu\u015fumuzu besleyen \u00f6z\u00fc ve g\u00fcc\u00fc bize sundu\u011fu i\u00e7in, \u00f6zleyip \u00f6nceledi\u011fimiz, hep diri ve taze tutmak i\u00e7in d\u00fc\u015fleyip didindi\u011fimiz bir \u2018Kemal Hali\u2019nin \u00f6teki ad\u0131yd\u0131. Ussal ve ulusal hareketin ba\u015fkentiydi. Onun i\u00e7indir ki; Falih R\u0131fk\u0131 Atay, <\/strong>1932’de yazd\u0131\u011f\u0131 “Ankara Havas\u0131” <\/strong>adl\u0131 yaz\u0131s\u0131nda, “Bu hava seyahatsiz de bulunabilir. Elverir ki arans\u0131n” demi\u015fti.<\/p>\n\n\n\n

Bu kitapta, yazar kurulu\u015f Ankara’s\u0131nda (1923 \/ 1938-40) yap\u0131lan yap\u0131lara imza atm\u0131\u015f, bu \u2018Kemal yeri<\/strong>\u2019nin bay\u0131nd\u0131rla\u015ft\u0131r\u0131lmas\u0131nda birbiri pe\u015fi s\u0131ra, sorumluluk y\u00fcklenmi\u015f \u00fc\u00e7 mimarla, onlar\u0131n elinde bi\u00e7imlenen e\u011fitim yap\u0131lar\u0131n\u0131 i\u015fliyor. O yap\u0131lar\u0131n ard\u0131ndaki havay\u0131, bir taze zaman diliminde, Ba\u015fkentin kurulmas\u0131na emek vermi\u015f, \u00fc\u00e7 b\u00fcy\u00fck mimar\u0131 ve yap\u0131lar\u0131n\u0131 g\u00fcn\u00fcm\u00fcze a\u00e7\u0131l\u0131mlar\u0131yla irdeliyor. Ba\u015fkent Ankara’n\u0131n “tarih”i ve \u201ctalih”ine, bu yap\u0131lar i\u00e7inden ve \u00fczerinden bak\u0131yor. “Sa\u011f kalanlara ya\u015famak ve \u00e7al\u0131\u015fmak olana\u011f\u0131n\u0131 vermek i\u00e7in canlar\u0131n\u0131 vermi\u015f olanlar\u0131n miras\u0131”n\u0131 da ku\u015fanm\u0131\u015f bir kentsel ve k\u00fclt\u00fcrel kal\u0131t olarak, soludu\u011fumuz havaya kar\u0131\u015fm\u0131\u015f bu mimarl\u0131k yap\u0131lar\u0131na bak\u0131\u015f\u0131m\u0131z\u0131 ya da bak\u0131\u015fs\u0131zl\u0131\u011f\u0131m\u0131z\u0131 tart\u0131\u015f\u0131yor.<\/p>\n\n\n\n

Ankara’n\u0131n, “Kemal hali”<\/strong> ve havas\u0131ndan, kendiyle birlikte \u00f6teki kentlerimizi de tan\u0131nmaz duruma sokan yeni “hava”lara a\u011fan s\u00fcre\u00e7te, i\u00e7inde t\u0131k\u0131ld\u0131\u011f\u0131 mimari karma\u015fay\u0131 ve kentsel \u00e7\u0131kmaz\u0131 ele\u015ftiren yazar, kitab\u0131n\u0131 “ya\u015fay\u0131p gitmek\u201d ile “yerle\u015fik ya\u015famak” aras\u0131nda \u00f6ks\u00fcz b\u0131rak\u0131lm\u0131\u015f bir umuda ezgi olarak niteliyor.<\/p>\n\n\n\n

“Anadolu Ekini” <\/strong>bereketindeki \u00fcr\u00fcnleriyle yaz\u0131n d\u00fcnyam\u0131za \u00e7ok faydal\u0131 eserler b\u0131rakan sevgili arkada\u015f\u0131m, can dostum \u00dcmit Sar\u0131aslan’\u0131; “Karaka\u015f g\u00f6zleri elmas”<\/strong> olan Ni\u011fdeli g\u00fczellerin ota\u011f\u0131 olan, aslan kap\u0131l\u0131 Fertek ba\u011flar\u0131nda sararan umudu, \u015fiir s\u0131cakl\u0131\u011f\u0131nda kucakl\u0131yorum.<\/p>\n\n\n\n

De\u011ferli kitap dostlar\u0131; ressam, \u015fair ve ara\u015ft\u0131rmac\u0131 yazar \u00dcmit Sar\u0131aslan<\/strong>‘\u0131n mutlaka okunmas\u0131 gerekli bu de\u011ferli iki eserini \u00f6neriyorum: ‘Demir A\u011flardan \u00d6r\u00fcmcek A\u011flar\u0131na’ ve ‘Cumhuriyet Mimarlar\u0131’<\/strong>. Bu iki ba\u015fyap\u0131t, Cumhuriyet Devrimleri ve at\u0131l\u0131mlar\u0131 ya da Kurtulu\u015f’tan kurulu\u015fa giden yolda, kolektif bir kamu iradesi ruhu ile toplumsal ilerlemenin lokomotifi olan demiryolu politikas\u0131 ve \u00e7a\u011fda\u015f kentle\u015fmenin yorumu olan Cumhuriyet mimarl\u0131k projeleri konular\u0131na \u0131\u015f\u0131k tutan ve bizleri ayd\u0131nlatan \u00dcmit Sar\u0131aslan’n\u0131n yeni eserlerini merakla bekliyoruz.<\/p>\n\n\n\n

Korona tutsa\u011f\u0131 olup evlere kapand\u0131\u011f\u0131m\u0131z bug\u00fcnlerde, en g\u00fczel zaman de\u011ferlendirme eylemi, hi\u00e7 ku\u015fkusuz kitap okumakt\u0131r… Ben de \u00dcmit Sar\u0131aslan kitaplar\u0131n\u0131 okuyorum, yeniden\u2026 Kitaps\u0131z g\u00fcnlere son\u2026 <\/p>\n\n\n\n

K<\/em>\u00f6y Enstit\u00fcs\u00fc e\u011fitimi alan \u00dcmit\u2019in de\u011ferli babas\u0131; \u00e7a\u011fda\u015f ve ayd\u0131n \u0131\u015f\u0131k kayna\u011f\u0131 \u00f6\u011fretmen \u0130sa Sar\u0131aslan\u2019<\/strong>\u0131n yi\u011fit o\u011flu, aslen Yozgatl\u0131 ve Ni\u011fdelidir ama i\u00e7ten ve i\u015ften Ankaral\u0131d\u0131r. \u00dcmit Sar\u0131aslan, <\/strong>Ankara sevdal\u0131s\u0131d\u0131r. Onun Ankara g\u00fczellemeleri, okuyana ba\u015fkenti sevdirir. Bu konu i\u00e7inse ayr\u0131 bir yaz\u0131 gerekir. Selam olsun \u00dcmit Sar\u0131aslan yolda\u015fa\u2026<\/p>\n\n\n\n

NOT:<\/strong> 31 Aral\u0131k 2021 g\u00fcn\u00fc Ankara\u2019da kaybetti\u011fimiz de\u011ferli yazar\u0131m\u0131z Sar\u0131aslan; Cumhuriyet Kitap, Anadolu Ekini ve ABeCe Dergisi, Kent ve Demiryolu B\u00fclteni yazar\u0131 olan e\u011fitimci, \u015fair, ressam ve ara\u015ft\u0131rmac\u0131 yazar \u00dcmit Sar\u0131aslan\u2019n\u0131n e\u015fi; ara\u015ft\u0131rmalar\u0131nda ona yard\u0131mc\u0131 olan, Ankara Demiryolu M\u00fczesi emekli m\u00fcd\u00fcr\u00fc Servet Sar\u0131aslan<\/strong> ve o\u011flu Ekin Sar\u0131aslan<\/strong>\u2019a ba\u015fsa\u011fl\u0131\u011f\u0131 ve sab\u0131r dileriz. Sevenlerinin ve dostlar\u0131n\u0131n ba\u015f\u0131 sa\u011f olsun\u2026 Y\u0131ld\u0131zlar yolda\u015f\u0131n olsun dost!.. Kaynak: <\/strong>www.dursunozden.com.tr<\/p>\n\n\n\n